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List of compositions by Johann Sebastian Bach From Wikipedia, the free encyclopedia See also: List of compositions by Johann Sebastian Bach by BWV number

Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 451, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach Digital website gives a description of both paintings as sources for the piece (linked from Bach Digital Work page 1262). Lists of Compositions by Johann Sebastian Bach BWV Cantatas (sacred – secular) Motets Masses, Passions and Oratorios Chorale harmonisations Songs and arias Organ compositions Keyboard and lute compositions Chamber music Orchestral works Fugal works Transcriptions Printed during the composer's lifetime v t e Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.

There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Contents [hide] 1	Listing Bach's compositions 1.1	BG 1.1.1	NBG 1.2	BWV 1.2.1	BWV Anh. 1.2.2	BWV2a 1.2.3	21st-century additions 1.2.4	Reconstructed versions 1.3	NBA 1.3.1	NBArev 1.4	BC 1.5	BNB 1.6	SBB 1.7	BD 1.8	By opus number, and chronological lists 1.9	Other composers 2	Works in Bach's catalogues and collections 2.1	By genre 2.1.1	Cantatas (BWV 1–224) 2.1.2	Motets (BWV 225–231) 2.1.3	Liturgical works in Latin (BWV 232–243) 2.1.4	Passions and oratorios (BWV 244–249) 2.1.5	Four-part chorales (BWV 250–438) 2.1.6	Songs and arias (BWV 439–524) 2.1.7	Works for organ (BWV 525–771) 2.1.8	Works for keyboard (BWV 772–994) 2.1.9	Works for solo lute (BWV 995–1000) 2.1.10	Chamber music (BWV 1001–1040) 2.1.11	Orchestral works (BWV 1041–1071) 2.1.12	Canons (BWV 1072–1078) 2.1.13	Late contrapuntal works (BWV 1079–1080) 2.2	20th-century additions to the BWV catalogue and Anhang 2.2.1	Additions to the main catalogue (BWV 1081–1126) 2.2.2	Additions to the Anhang (BWV Anh. 190–213) 2.3	21st-century additions to the BWV catalogue (BWV 1127 and higher) 3	Derivative works 3.1	Reconstructed concertos 3.2	Adaptations 4	See also 5	References 6	External links Listing Bach's compositions[edit source] The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG[edit source]

The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[1] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[2]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBG[edit source] In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[2]

BWV[edit source] See also: Bach-Werke-Verzeichnis In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[3]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above. Kantaten (Cantatas), BWV 1–224 Motetten (Motets), BWV 225–231 Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 Passionen, Oratorien (Passions, Oratorios), BWV 244–249 Vierstimmige Choräle (Four-part chorales), BWV 250–438 Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524 Werke für Orgel (Works for organ), BWV 525–771 Werke für Klavier (Keyboard compositions), BWV 772–994 Werke für Laute (Lute compositions), BWV 995–1000 Kammermusik (Chamber music), BWV 1001–1040 Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071) Kanons (Canons), BWV 1072–1078 Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080 For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[4]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.[edit source] The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23) II – works of dubious authenticity (Anh. 24–155) III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189) Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV2a[edit source] Video Camera Icon.png Minuet in G major, BWV Anh. 114 File:Minuet-G-Major-BWV-Anh-114.ogv Minuet in G major, BWV Anh. 114 Minuet in G minor, BWV Anh. 115 File:Minuet-G-minor-BWV-Anh-115.ogv Minuet in G minor, BWV Anh. 115 Both Minuets were moved from Anh. II (doubtful works) to Anh. III (spurious works) in BWV2a, after they were attributed to Christian Petzold. Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[5]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[6]

New additions (Nachträge) to BWV2/BWV2a included:

BWV 1081–1126 BWV Anh. 190–213 A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[7]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243 BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto) BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149) Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).

21st-century additions[edit source] Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions[edit source] An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

NBA[edit source]

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection. In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[8] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev[edit source] See also: New Bach Edition § Revision Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[9]

BC[edit source] The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.[10] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[11]

BNB[edit source] Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[12]

SBB[edit source] The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

BD[edit source]

The Bach Digital website provides on-line images of Bach's manuscripts and other primary documents, for instance the page for BWV 639 (Bach Digital Work 0727) links to the primary source page of SBB P 283 containing an image of Bach's autograph pictured above. Bach Digital, a website managed by the Leipzig Bach Archive, the Saxon State and University Library Dresden (Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden = SLUB), SBB and Leipzig University, hosts separate pages for compositions by Bach (and by many of his relatives). The static URLs for these pages start with "http://www.bachdigital.de/receive/BachDigitalWork_work_" and end with an eight-digit number (the first four being leading zeros for works in the BWV catalogue). Each of these numbers thus identify a work, e.g.:[13]

No. 00000001 → http://www.bachdigital.de/receive/BachDigitalWork_work_00000001 = BWV 1 No. 00000632 → http://www.bachdigital.de/receive/BachDigitalWork_work_00000632 = BWV 552 No. 00001524 → http://www.bachdigital.de/receive/BachDigitalWork_work_00001524 = BWV Anh. 213 Apart from later additions and corrections these numbers follow the collation of BWV numbers, however with alternative versions of the same composition inserted immediately after the BWV number of the composition to which they belong, e.g.:

BWV 80 = Bach Digital Work (BDW) No. 0099 BWV 80a = BDW 0100 BWV 80b = BDW 0101 BWV 81 = BDW 0102 An example of a later addition/correction:

BWV Anh. 71 → renumbered to BWV 1128 → new Bach Digital Work number beyond the one for BWV Anh. 213: BDW 1725 Primary sources described on separate webpages (many with a facsimile of the original source) similarly have a unique number, which preceded by "http://www.bachdigital.de/receive/BachDigitalSource_source_" gives the static URL for that page, e.g.

No. 00002542 → http://www.bachdigital.de/receive/BachDigitalSource_source_00002542 = SBB St 345

By opus number, and chronological lists[edit source]

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[14] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers[edit source] See also: Catalogues of classical compositions Various catalogues with works by other composers have intersections with collections of works associated with Bach:[15]

BR-WFB (or) BR Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49 Other BRs: BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm and/or Wotquenne numbers are however more often used) BR-JCFB: works by Johann Christoph Friedrich Bach Fk (or) F Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2 H Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569 HWV Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605 TWV Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14 Warb (or) W Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22) Wq Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145 Works in Bach's catalogues and collections[edit source] There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Table sections (collated as in BWV2a for BWV 1–1126 and Anhang) BWV (original ranges in parentheses) 1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions BWV Anhang (Appendix) I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213) Not in BWV (BWV deest) Sorted by BC, BGA, BNB, NBA, etc. Background colors Color	Meaning green	partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision yellow	manuscript (copy) in whole or in part by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) orange-brown	manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member Collections Without resorting the table (i.e. collection kept together in BWV2a) Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006 Using the sort function (not available in all browsers) Cantatas by function (Advent I → Trinity XXVII; other Feasts, celebrations and church services; Secular cantatas): sort by NBA → I/1 Clavier-Übung I (1731): sort by NBA → V/1 Clavier-Übung II (1735): sort by NBA → V/2 Clavier-Übung III (1739): sort by NBA → IV/4 Kirnberger collection of chorale preludes: sort by BWV → BWV 690 Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5 Twelve Little Preludes: sort by BG → 36: 118 Neumeister Chorales by J. S. Bach (without BWV 601, 639, 723 and 751): sort by NBA → IV/9 Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach (1722) Notebook for Anna Magdalena Bach (1725): sort by Name → Notebook A. M. Bach (1725) Vivaldi arrangements: sort by Additional info → after Vivaldi The Well-Tempered Clavier book I (1722): sort by BG → Vol. 14 The Well-Tempered Clavier book II (1739–1742): sort by NBA → V/6.2 The Well-Tempered Clavier book II (1744): sort by BG → 14: 91 See also Legend to the table below Works in Bach's catalogues and collections BWV	2a	Date	Name	Key	Scoring	BG	NBA	Additional info	BD 1.	Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach)	Up ↑ 1	1.	1725-03-25	Cantata Wie schön leuchtet der Morgenstern (Annunciation)	F major	stbSATB 2Hn 2Odc 2Vl Str Bc	1: 1	I/28.2: 3		0001 2	1.	1724-06-18	Cantata Ach Gott, vom Himmel sieh darein (Trinity II)	G minor	atbSATB 4Tbn 2Ob Str Bc	1: 53	I/16: 81		0002 3	1.	1725-01-14	Cantata Ach Gott, wie manches Herzeleid (Epiphany II)	A major	satbSATB Hn Tbn 2Oba Str Bc	1: 73	I/5: 189		0003 4	1.	1724-04-09	Cantata Christ lag in Todes Banden (Easter)	E minor	satbSATB Cnt 3Tbn Str Bc	1: 95	I/9: 1	text by Luther; after BWV 4 (early version)	0004 4, e. v.	1. 1707-04-24	Cantata Christ lag in Todes Banden (Easter; early version, lost)		satbSATB 2Vl 2Va Bc		I/9	text by Luther; → BWV 4	0005 5	1.	1724-10-15	Cantata Wo soll ich fliehen hin (Trinity XIX)	G minor	satbSATB Tdt 2Ob Str Bc	1: 125	I/24: 133		0006 6	1.	1725-04-02	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	C minor	satbSATB 2Ob Odc Str Vc Bc	1: 151	I/10: 43	→ BWV 649	0007 7	1.	1724-06-24	Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)	E minor	atbSATB 2Oba 2Vl Str Bc	1: 177	I/29: 25		0008 8, v1	1. 1724-09-24	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)	E major	satbSATB Hn Fl Fl 2Oba Str Bc	1: 211	I/23: 105	→ BWV 8, v2	0009 8, v2	1. 1747-09-17	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)	D major	satbSATB Fl 2Oba Tai 2Vl Str Bc		I/23: 163	after BWV 8, v1	0010 9	1.	1732-07-20	Cantata Es ist das Heil uns kommen her (Trinity VI)	E major	satbSATB Fl Oba Str Bc	1: 243	I/17.2: 83	→ BWV 648	0011 10	1.	1724-07-02	Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)	G minor	satbSATB Tr 2Ob Str Bc	1: 275	I/28.2: 131		0012 12	1.	1714-04-22 1724-04-30

Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)	F Dorian G minor

atbSATB Tr Ob 2Vl 2Va Bas Bc	2: 59

I/11.2: 1	text by Franck, S.?; → BWV 69a/6	0014 13	1.	1726-01-20	Cantata Meine Seufzer, meine Tränen (Epiphany II)		satbSATB 2Fl Odc Str Bc	2: 79	I/5: 229	text by Lehms (except /6)	0015 14	1.	1735-01-30	Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)		stbSATB Hn 2Ob Str Bc	2: 99	I/6: 139		0016 16	1.	1726-01-01	Cantata Herr Gott, dich loben wir (New Year/Circumcision)	C major	atbSATB Hn 2Ob Odc Str Va Bc	2: 173	I/4: 103	text by Lehms	0018 17	1.	1726-09-22	Cantata Wer Dank opfert, der preiset mich (Trinity XIV)		satbSATB 2Ob Str Bc	2: 199	I/21: 147	→ BWV 236/6	0019 18	1.	1724-02-13	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)	A minor Kammer- ton	stbSATB 2Fl Bas 4Va Vc Bc	2: 227	I/7: 107	text by Neumeister; after BWV 18 (early version)	0020 18, e. v.	1. 1715-02-24	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; early version)	G minor Chorton	stbSATB Bas 4Va Vc Bc		I/7: 81	text by Neumeister; → BWV 18	0021 19	1.	1726-09-29	Cantata Es erhub sich ein Streit (Michaelmas)		stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc	2: 253	I/30: 55	text by Picander	0022 20	1.	1724-06-11	Cantata O Ewigkeit, du Donnerwort (Trinity I)		atbSATB Tdt Tmp 3Ob Str Bc	2: 291	I/15: 133		0023 21, v1	1. 1714-06-17	Cantata Ich hatte viel Bekümmernis (1st version: Trinity III)	C minor	satbSATB 3Tr Tmp Ob Str Bc		I/16: 109	text by Franck, S.?; → BWV 21, v2	0024 21, v2	1. autumn 1720	Cantata Ich hatte viel Bekümmernis (2nd version)	D minor	satbSATB 3Tr Tmp Ob Str Bc		I/16	text by Franck, S.?; after BWV 21, v1; → v3	0025 21, v3	1. 1723-06-13	Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)	C minor	satbSATB 3Tr Tmp 4Tne Ob Str Bc	51: 1	I/16	text by Franck, S.?; after BWV 21, v2	0026 22	1.	1723-02-07	Cantata Jesus nahm zu sich die Zwölfe (Estomihi)		satbSATB Ob Str Bc	51: 65	I/8: 1		0027 23, v1	1. 1722	Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	51: 93	I/8: 35	→ BWV 23, v2, v3	0028 23, v2	1. 1723-02-07	Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)	B minor	satbSATB Crn 3Tbn 2Oba Str Bc		I/8: 71	after BWV 23, v1; → v3	0029 23, v3	1. 1728–1731	Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	51: 93	I/8: 35	after BWV 23, v1, v2	0030 24	1.	1723-06-20	Cantata Ein ungefärbt Gemüte (Trinity IV)	F major	satbSATB Cl 2Ob 2Oba Str Bc	51: 125	I/17.1: 47	text by Neumeister	0031 25	1.	1723-08-29	Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)		stbSATB Crn 3Tbn 3Fl 2Ob Str Bc	51: 153	I/21: 79		0032 26	1.	1724-11-19	Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)	A minor	satbSATB Hn Fl 3Ob Str Bc	51: 189	I/27: 29		0033 27	1.	1726-10-06	Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)		satbSSATB Hn 2Ob Odc Str Org Bc	51: 217	I/23: 221	after BWV Anh. 170	0034 28	1.	1725-12-30	Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)	A minor	satbSATB Cnt 3Tbn 2Ob Tai Str Bc	51: 245	I/3.2: 75	text by Neumeister; → BWV 28/2a, Anh. 160/2	0035 28/2a	1. 1725?	Motet Sei Lob und Preis mit Ehren	C major	SATB	39: 167	III/3: 15	after BWV 28/2; → Anh. 160/2; was BWV 231	0036 29	1.	1731-08-27	Cantata Wir danken dir, Gott, wir danken dir (council election)	D major	satbSATB 3Tr Tmp 2Ob Str Org Bc	51: 273	I/32.2: 1	after BWV 120a/4	0037 30	1.	1738-06-24	Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)		satbSATB 2Fl 2Ob Oba Vl Str Bc	51: 321	I/29: 59	text by Picander?; after BWV 30a (parody)	0038 30a	1. 1737-09-28	Secular cantata Angenehmes Wiederau (for Hennicke (de) at Wiederau (de) manor)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc	34: 325	I/39: 51	text by Picander?; → BWV 30, 195, v2/6, /8	0039 31, Leipzig version	1. 1724-04-09	Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)		stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc		I/9: 41 rev 2	text by Franck, S; after BWV 31, Weimar version	0040 31, Weimar version	1. 1715-04-21	Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)	C major	stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc	7: 1	I/9 rev 2	text by Franck, S; → BWV 31, Leipzig version	0041 32	1.	1726-01-13	Cantata Liebster Jesu, mein Verlangen (Epiphany I)	E minor	sbSATB Ob Str Bc	7: 53	I/5: 143	text by Lehms	0042 33	1.	1724-09-03	Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)	A minor	atbSATB 2Ob Str Bc	7: 81	I/21: 23		0043 34	1.	1727-06-01	Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)	D major	atbSATB 3Tr Tmp 2Fl 2Ob Str Bc	7: 115	I/13: 129	→ BWV 34a	0044 34a	1. after 1727	Cantata O ewiges Feuer, o Ursprung der Liebe (marriage; incomplete)		satbSATB Vl Va Bc		I/33: 27	after BWV 34	0045 35	1.	1726-09-08	Cantata Geist und Seele wird verwirret (Trinity XII)		a 2Ob Tai Str Org Bc	7: 171	I/20: 215	text by Lehms	0046 36, e. v.	1. 1725–1730	Cantata Schwingt freudig euch empor (Advent I; early version)		stbSATB Oba Str Bc	7: 395	I/1: 17	after BWV 36c; → BWV 36	0048 36	1.	1731-12-02	Cantata Schwingt freudig euch empor (Advent I)		satbSATB 2Oba Str Bc	7: 221	I/1: 41	after BWV 36, early version	0047 36a	1. 1726-11-30 or 1725-11-30	Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)		stbSATB Oba Va Str Bc (?)		I/35	text by Picander; after BWV 36c/1, /3, /5, /7, /9	0049 36b	1. 1735-07-27	Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. (de)?)		satSATB Fl Oba Str Bc	34: 39	I/38: 255	after BWV 36c/1, /3, /5, /7, /8	0050 36c	1. April–May 1725	Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. (de)?)		stbSATB Oba Str Va Bc	34: 39	I/39: 1	→ BWV 36, early version	0051 37	1.	1724-05-18	Cantata Wer da gläubet und getauft wird (Ascension)	A major	satbSATB 2Oba Str Bc	7: 259	I/12: 79		0052 38	1.	1724-10-29	Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)	E minor	satbSATB 2Ob 4Tbn Str Bc	7: 283	I/25: 217		0053 39	1.	1726-06-23	Cantata Brich dem Hungrigen dein Brot (Trinity I)		sabSATB 2Fl 2Ob Str Bc	7: 336	I/15 179		0054 40	1.	1723-12-26	Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)	F major	atbSATB 2Hn 2Ob Str Bc	7: 349	I/3.1: 3	→ BWV 233/6	0055 41	1.	1725-01-01	Cantata Jesu, nun sei gepreiset (New Year)	C major	satbSATB 3Tr Tmp 3Ob Str Vc Bc	10: 1	I/4: 37		0056 42	1.	1725-04-08	Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)		satbSATB 2Ob Bas Str Bc	10: 63	I/11.1: 61		0057 43	1.	1726-05-30	Cantata Gott fähret auf mit Jauchzen (Ascension)		satbSATB 3Tr Tmp 2Ob Str Bc	10: 93	I/12: 133	after BWV 43/11	0058 44	1.	1724-05-21	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Ob Str Bc	10: 127	I/12: 165		0059 45	1.	1726-08-11	Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)	E major	atbSATB 2Fl Ob Oba Str Bc	10: 151	I/18: 197		0060 46	1.	1723-08-01	Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)		atbSATB Tdt Hn 2Fl 2Odc Str Bc	10: 187	I/19: 109		0061 47	1.	1726-10-13	Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)	G minor	sbSATB 2Ob Str Org Bc	10: 239	I/23: 319	text by Helbig	0062 48	1.	1723-10-03	Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)	G minor	atSATB Tr 2Ob Str Bc	10: 275	I/24: 105		0063 49	1.	1726-11-03	Cantata Ich geh und suche mit Verlangen (Trinity XX)	G minor	sb Oba Str Vl Org Bc	10: 299	I/25: 107	→ BWV 1053/3	0064 50	1.		Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)	D major	2SATB 3Tr Tmp 3Ob Str Bc	10: 341	I/30: 141	text after Rev. 12: 10; in SBB P 136	0065 51	1.	1730-09-17	Cantata Jauchzet Gott in allen Landen (Trinity XV)	C major	s (2)Tr (Tmp) Str Bc	122: 1	I/22: 77		0066 52	1.	1726-11-24	Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)	F major	sSATB 2Hn 3Ob Bas Str Bc	122: 25	I/26: 131	text by Birkmann; after BWV 1046a/1	0067 54	1.	1714–1717?	Cantata Widerstehe doch der Sünde (Oculi)	E♭ major	a 2Vl 2Va Bc	122: 59	I/18: 3	text by Lehms; → BWV 247/53? 0069 55	1.	1726-11-17	Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)	G minor	tSATB Fl Oba Str Bc	122: 73	I/26: 55	text by Birkmann	0070 56	1.	1726-10-27	Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)		bSATB 2Ob Tai Str Vc Bc	122: 87	I/24: 173	text by Birkmann	0071 57	1.	1725-12-26	Cantata Selig ist der Mann (Christmas 2)	G minor	sbSATB 2Ob Tai Str Bc	122: 105	I/3.1: 83	text by Lehms	0072 58	1.	1733-01-04 or 1734-01-03	Cantata Ach Gott, wie manches Herzeleid (New Year I)	C major	sb 2Ob Tai Vl Str Bc	122: 133	I/4: 217	text by Birkmann; after BWV 58, early version	0073 58, e. v.	1. 1727-01-05	Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)	C major	sb Vl Str Bc		I/4: 241	text by Birkmann; → BWV 58	0074 59	1.	1724-05-28	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)	C major	sbSATB 2Tr Tmp Str Bc	122: 151	I/13: 65	text by Neumeister; → BWV 74/1 and /2, 175/7	0075 60	1.	1723-11-07	Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)	D major	atbSATB Hn 2Oba Str Bc	122: 169	I/27: 1		0076 61	1.	1714-12-02	Cantata Nun komm, der Heiden Heiland (Advent I – first setting)		stbSATB Fag 2Vl 2Va Bc	16: 1	I/1: 1	text by Neumeister	0077 62	1.	1724-12-03	Cantata Nun komm, der Heiden Heiland (Advent I – second setting)	B minor	satbSATB Hn 2Ob Str Bc	16: 19	I/1: 75		0078 63	1.	1714-12-25 1723-12-25	Cantata Christen, ätzet diesen Tag (Christmas; two versions)	C major	satbSATB 4Tr Tmp 3Ob Bas Str Bc	16: 51	I/2: 1	text by Heineccius, J. M.? 0079 64	1.	1723-12-27	Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)	E minor	sabSATB Cnt 3Tbn Oba Str Bc	16: 111, 371	I/3.1: 113	text by Knauer (modified)	0080 65	1.	1724-01-06	Cantata Sie werden aus Saba alle kommen (Epiphany)		tbSATB 2Hn 2Fl 2Odc Str Bc	16: 133	I/5: 1		0081 66	1.	1724-04-10	Cantata Erfreut euch, ihr Herzen (Easter 2)		atbSATB Tr 2Ob Str Bc	16: 167	I/10: 1	after BWV 66a/8, /1–/4	0082 66a	1. 1718-12-10	Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen)		atbSATB 2Ob Bas Str Bc (?)		I/35	text by Hunold; → BWV 66/1–/5	0083 67	1.	1724-04-16	Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)	A major	atbSATB Hn Fl 2Oba Str Bc	16: 215	I/11.1: 1	→ BWV 234/2	0084 68	1.	1725-05-21	Cantata Also hat Gott die Welt geliebt (Pentecost 2)	D minor	sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc	16: 247	I/14: 31	text by Ziegler, C. M.; after BWV 208/13 and /7	0085 69	1.	1748-08-26	Cantata Lobe den Herrn, meine Seele (council election)	D major	satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	16: 281	I/32.2: 111	after BWV 69a/1, /3 and /5	0086 69a	1. 1723-08-15	Cantata Lobe den Herrn, meine Seele (Trinity XII)		satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc		I/20: 117	text by Knauer (modified); after BWV 12/7; → BWV 69/1, /3 and /5	0087 70	1.	1723-11-21	Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)	C major	satbSATB Tr Ob Str Vc Bc	16: 327	I/27: 107	text by Franck, S (reworked); after BWV 70a	0088 70a	1. 1716-12-06	Cantata Wachet! Betet! Betet! Wachet! (Advent II)		satbSATB Tr Ob Str Vc Bc		I/1	text by Franck, S; → BWV 70/1, /3, /5, /8, /10, /11	0089 71	1.	1708-02-04	Cantata Gott ist mein König (council election)	D major	satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org	18: 1	I/32.1: 3	text by Eilmar? 0090 72	1.	1726-01-27	Cantata Alles nur nach Gottes Willen (Epiphany III)	A minor	sabSATB 2Ob Str Bc	18: 55	I/6: 59	text by Franck, S; → BWV 235/2	0091 73	1.	1724-01-23	Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)	G minor	stbSATB Hn 2Ob Str Bc	18: 85	I/6: 3		0092 74	1.	1725-05-20	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)		satbSATB 3Tr Tmp 2Ob Odc Str Bc	18: 105	I/13: 83	text by Ziegler, C. M.; after BWV 59/1, /4	0093 75	1.	1723-05-30	Cantata Die Elenden sollen essen (Trinity I)		satbSATB Tr 2Ob Oba Bas Str Bc	18: 147	I/15: 85	→ BWV 100/6	0094 76	1.	1723-06-06	Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)	C major	satbSATB Tr 2Ob Oba Str Vdg Bc	18: 189	I/16: 1	→ BWV 528/1	0095 77	1.	1723-08-22	Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)		satbSATB Tdt 2Ob Str Bc	18: 233	I/21: 1	text by Knauer	0096 78	1.	1724-09-10	Cantata Jesu, der du meine Seele (Trinity XIV)	G minor	satbSATB Hn Fl 2Ob Str Vne Bc	18: 255	I/21: 115		0097 79	1.	1725-10-31	Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)	G major	sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc	18: 287	I/31: 1	→ BWV 236/2, /4, 234/5	0098 80	1.	1727-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition)	D major	satbSATB 3Ob 2Oba Odc Str Bc	18: 317	I/31: 71	text by Franck, S; after BWV 80a, 80b	0099 80a	1. 1715-03-24 1716-03-16	Cantata Alles, was von Gott geboren (Oculi; music lost)		satb(?)SATB Ob Str Bc		I/8.2: V	text by Franck, S; → BWV 80b, 80	0100 80b	1. 1723-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)		sbSATB Ob Str Bc		I/31: 65	text by Franck, S; after BWV 80a; → BWV 80	0101 81	1.	1724-01-30	Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)	E minor	atbSATB 2Fl 2Oba Str Bc	201: 1	I/6: 111		0102 82, v1	1. 1727-02-02	Cantata Ich habe genug (Purification; 1st version)	C minor	b Ob Str Bc	201: 25	I/28.1: 111	text by Birkmann; → BWV 82, v2–4	0103 82, v2	1. 1731-02-02	Cantata Ich habe genug (Purification; 2nd version)	E minor	s Fl Str Bc		I/28.1: 155	text by Birkmann; after BWV 82, v1; → 82, v3–4	0104 82/2–/3, v2	1. c.1731 (AMB)	Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"	E minor	s Bc	432: 46	V/4	text by Birkmann; after BWV 82, v2	0104 82/3, v2	1. c.1731 (AMB)	Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)	E minor	s Bc	432: 49	V/4	text by Birkmann; after BWV 82, v2	0104 82, v3	1. c.1735	Cantata Ich habe genug (Purification; 3rd version)	C minor	b or mezzo Ob Str Bc		I/28.1: 111	text by Birkmann; after BWV 82, v1–2; → 82, v4	0105 82, v4	1. 1746–1748	Cantata Ich habe genug (Purification; 4th version)	C minor	b (or mezzo) Ob Odc Str Bc		I/28.1: 111	text by Birkmann; after BWV 82, v1–3	0106 83	1.	1724-02-02	Cantata Erfreute Zeit im neuen Bunde (Purification)		atbSATB 2Hn 2Ob Vl Str Bc	201: 51	I/28.1: 3		0107 84	1.	1727-02-09	Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)	E minor	sSATB Ob Str Bc	201: 77	I/7: 21	text by Picander (reworked)? 0108 85	1.	1725-04-15	Cantata Ich bin ein guter Hirt (Misericordias Domini)	C minor	satbSATB 2Ob Str Vc Bc	201: 99	I/11.1: 157		0109 86	1.	1724-05-14	Cantata Wahrlich, wahrlich, ich sage euch (Rogate)	E major	satbSATB 2Oba Str Bc	201: 119	I/12: 45		0110 87	1.	1725-05-06	Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)	D minor	atbSATB 2Ob 2Odc Str Bc	201: 135	I/12: 61	text by Ziegler, C. M. (reworked)	0111 88	1.	1726-07-21	Cantata Siehe, ich will viel Fischer aussenden (Trinity V)	D major B minor	satbSATB 2Hn 2Oba Tai Str Bc	201: 153	I/17.2: 33		0112 89	1.	1723-10-24	Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)		sabSATB Hn 2Ob Str Bc	201: 179	I/26: 1		0113 90	1.	1723-11-14	Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)	D minor	atbSATB (Tr) Str Bc	201: 195	I/27: 59		0114 91	1.	after 1740	Cantata Gelobet seist du, Jesu Christ (Christmas; later version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1	I/2: 131	after BWV 91, early version	0115 91, e. v.	1. 1724-12-25	Cantata Gelobet seist du, Jesu Christ (Christmas; early version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1, 333	I/2: 164	→ BWV 91	0116 92	1.	1725-01-28	Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)	B minor	satbSATB 2Oba Str Bc	22: 33	I/7: 41		0117 93	1.	1724-07-09	Cantata Wer nur den lieben Gott läßt walten (Trinity V)	C minor	satbSATB 2Ob Str Bc	22: 69	I/17.2: 3	→ BWV 647	0118 94	1.	1724-08-06	Cantata Was frag ich nach der Welt (Trinity IX)	D major	satbSATB Fl 2Ob 2Oba Str Bc	22: 95	I/19: 43		0119 95	1.	1723-09-12	Cantata Christus, der ist mein Leben (Trinity XVI)	G major	stbSATB Hn or Cnt 2Ob 2Oba Str Bc	22: 129	I/23: 65		0120 96	1.	1724-10-08	Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)	F major	satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc	22: 155	I/24: 1		0121 97	1.	1734-07-25 ?; after 1735	Cantata In allen meinen Taten (two versions; Trinity V?)	B♭ major	satbSATB 2Ob Str Bc	22: 185, 336	I/34: 197	text by Fleming	0122 98	1.	1726-11-10	Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)	B♭ major	satbSATB 2Ob Str Bc	22: 231	I/25: 241	text by Birkmann	0123 99	1.	1724-09-17	Cantata Was Gott tut, das ist wohlgetan (Trinity XV)	G major	satbSATB Hn Fl Oba Str Bc	22: 251	I/22: 41	text by Rodigast (reworked); → BWV 100/1	0124 100	1.	1732–1735	Cantata Was Gott tut, das ist wohlgetan	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	22: 277	I/34: 239	text by Rodigast; after BWV 99/1, 75/7	0125 101	1.	1724-08-13	Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	23: 1	I/19: 173		0126 102	1.	1726-08-25	Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)	G minor	atbSATB Fl Vl 2Ob Str Bc	23: 33	I/19: 229	→ BWV 235/1, 233/4, /5	0127 103	1.	1725-04-22 1731-04-15	Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)	B minor	atSATB Tr Fl Fl (or) Vl 2Oba Str Bc	23: 67	I/11.2: 25	text by Ziegler, C. M.	0128 104	1.	1724-04-23	Cantata Du Hirte Israel, höre (Misericordias)		tbSATB 2Ob 2Oba Tai Str Bc	23: 95	I/11.1: 113		0129 105	1.	1723-07-25	Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)	G minor	satbSATB Hn 2Ob Str Bc	23: 117	I/19: 1		0130 106	1.	1708-09-16?	Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus")	E♭ major	satbSATB 2Fl 2Vdg Bc	23: 147	I/34: 1	text by Olearius (reworked)	0131 107	1.	1724-07-23	Cantata Was willst du dich betrüben (Trinity VII)	B minor	stbSATB Hn 2Fl 2Oba Str Bc	23: 179	I/18: 55	text by Heermann	0132 108	1.	1725-04-29	Cantata Es ist euch gut, daß ich hingehe (Cantate)	A major B minor	atbSATB 2Oba Str Bc	23: 203	I/12: 17	text by Ziegler, C. M.	0133 109	1.	1723-10-17	Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)	D minor	atSATB (Hn) 2Ob Str Bc	23: 231	I/25: 157		0134 110	1.	1725-12-25	Cantata Unser Mund sei voll Lachens (Christmas)	D major B minor	satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc	23: 263	I/2: 71	text by Lehms	0135 111	1.	1725-01-25	Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)	A minor	satbSATB 2Ob Str Bc	24: 1	I/6: 27		0136 112	1.	1731-04-08	Cantata Der Herr ist mein getreuer Hirt (Misericordias)	G major	satbSATB 2Hn 2Oba Str Bc	24: 29	I/11.1: 179	text by Meuslin after Ps. 23	0137 113	1.	1724-08-20	Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)	B minor	satbSATB Fl 2Oba Str Bc	24: 49	I/20: 79		0138 114	1.	1724-10-01	Cantata Ach, lieben Christen, seid getrost (Trinity XVII)	G minor	satbSATB Hn Fl 2Ob Str Bc	24: 81	I/23: 287		0139 115	1.	1724-11-05	Cantata Mache dich, mein Geist, bereit (Trinity XXII)	G major	satbSATB Hn Fl Oba Str Vc Bc	24: 109	I/26: 21	text by Freystein (reworked)	0140 116	1.	1724-11-26	Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)	A major	satbSATB Hn 2Oba Str Bc	24: 133	I/27: 79	text by Ebert (reworked)	0141 117	1.	1728–1731	Cantata Sei Lob und Ehr dem höchsten Gut	G major	atbSATB 2Fl 2Ob 2Oba Str Bc	24: 159	I/34: 151	text by Schütz, J. J.	0142 119	1.	1723-08-30	Cantata Preise, Jerusalem, den Herrn (council election)	C major	satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc	24: 193	I/32.1: 129		0144 120	1.	c.1742	Cantata Gott, man lobet dich in der Stille (council election)		satbSATB 3Tr 2Ob 2Oba Vl Str Bc	24: 247	I/32.2: 53	after BWV 120b/1, /2, /4; → BWV 232II/9	0145 120a	1. 1729?	Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)		satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc	41: 149	I/33: 75	after BWV 1006/1, 137/5; → BWV 120b/2, /1, 1019a/3, 29/1	0146 120b	1. 1730-06-26	Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable)		saSATB 3Tr Tmp 2Oba Vl Str Bc ? I/34 I/32.2	text by Picander; after BWV 120a/6, /1, 1019a/3; → BWV 120/1, /2, /4	0147 121	1.	1724-12-26	Cantata Christum wir sollen loben schon (Christmas 2)		satbSATB Cnt 3Tbn Oba Str Bc	26: 1	I/3.1: 57		0148 122	1.	1724-12-31	Cantata Das neugeborne Kindelein (Christmas I)	G minor	satbSATB 3Fl 2Ob Tai Str Bc	26: 21	I/3.2: 53		0149 123	1.	1725-01-06	Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)	B minor	atbSATB 2Fl 2Oba Str Bc	26: 41	I/5: 47		0150 124	1.	1725-01-07	Cantata Meinen Jesum laß ich nicht (Epiphany I)	E major	satbSATB Hn Oba Str Bc	26: 61	I/5: 115		0151 125	1.	1725-02-02	Cantata Mit Fried und Freud ich fahr dahin (Purification)	E minor	atbSATB Hn Fl Ob Oba Str Bc	26: 83	I/28.1: 31		0152 126	1.	1725-02-04	Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)	A minor	atbSATB Tr 2Ob Str Bc	26: 111	I/7: 155		0153 127	1.	1725-02-11	Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)	F major	stbSATB Tr 2Fl 2Ob Str Bc	26: 133	I/8: 107	→ BWV 127/1 (variant)	0154 127/1 (var.)	1. c.1750	Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)	E♭ major	SATB 2Fl 2Ob Str Bc		I/41: 95	after BWV 127/1; → BC D 10	0155 128	1.	1725-05-10	Cantata Auf Christi Himmelfahrt allein (Ascension)	G major	atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc	26: 163	I/12: 101	text by Ziegler, C. M.	0156 129	1.	1727-06-08	Cantata Gelobet sei der Herr, mein Gott (Trinity)	D major	sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc	26: 185	I/15: 37	text by Olearius	0157 130, v1	1. 1724-09-29	Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc	26: 231	I/30: 48	text by Eber (reworked)	0158 130, v2	1. 1732–1735	Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc		I/30: 48	text by Eber (reworked)	0159 131	1.	1707–1708	Cantata Aus der Tiefen rufe ich, Herr, zu dir	G minor	satbSATB Ob Bas Str Bc	28: 1	I/34: 67	text by Bach or Eilmar after Ps. 130; → BWV 131a	0160 132	1.	1715-12-22	Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)	A major	satbSATB Ob Bas Str Vc Bc	28: 33	I/1: 99 rev 2	text by Franck, S.	0162 133	1.	1724-12-27	Cantata Ich freue mich in dir (Christmas 3)	A major	satbSATB Cnt 2Oba Str Bc	28: 51	I/3.1: 135	text by Ziegler, C. (/1, /6)	0163 134	1.	1731-03-27 1735-04-12	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)		atSATB 2Ob Str Bc	28: 81	I/10: 69	after BWV 134, e. v.	0164 134, e. v.	1. 1724-04-11	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)		atSATB 2Ob Str Bc	28: 81, 287	I/10: 106	after BWV 134a; → BWV 134	0165 134a	1. 1719-01-01	Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)		atSATB 2Ob Str Bc	29: 209	I/35: 49	text by Hunold; → BWV 134, e. v.	0166 135	1.	1724-06-25	Cantata Ach Herr, mich armen Sünder (Trinity III)		atbSATB Cnt Tbn 2Ob Str Bc	28: 119	I/16: 197		0167 136	1.	1723-07-18	Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	28: 137	I/18: 129	→ BWV 234/6	0168 137	1.	1725-08-19	Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)		satbSATB 3Tr Tmp 2Ob Str Bc	28: 165	I/20: 171	text by Neander; → BWV 650	0169 138	1.	1723-09-05	Cantata Warum betrübst du dich, mein Herz (Trinity XV)		satbSATB 2Oba Str Bc	28: 197	I/22: 19	→ BWV 236/3	0170 139	1.	1724-11-12	Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)		satbSATB 2Oba Str Bc	28: 223	I/26: 97	text by Rube (reworked)	0171 140	1.	1731-11-25	Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)		stbSATB Hn 2Ob Tai Vl Str Bc	28: 249	I/27: 149	text by Nicolai (reworked); → BWV 645	0172 143	1.		Cantata Lobe den Herrn, meine Seele (New Year)		stbSATB 3Hn Tmp Bas Str Bc	30: 43	I/4: 165 rev 2		0175 144	1.	1724-02-06	Cantata Nimm, was dein ist, und gehe hin (Septuagesima)		satSATB 2Ob Oba Str Bc	30: 75	I/7: 1		0176 145	1.	1729-04-19	Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)		stbSATB Tr Fl 2Ob Str Bc	30: 93	I/10: 111	text by Picander; after BWV 145/b	0177 146	1.	1726-05-12	Cantata Wir müssen durch viel Trübsal (Jubilate)		satbSATB Fl 2Ob 2Oba Tai Str Org Bc	30: 123	I/11.2: 65	after BWV 1052R/1, /2?; → BWV 1052/1, /2	0179 147	1.	1723-07-02	Cantata Herz und Mund und Tat und Leben (Visitation)	D major	satbSATB Tr 2Ob Oba 2Odc Str Bc	30: 191	I/28: 63	text by Franck, S. (reworked); after BWV 147a	0180 147a	1. 1716-12-20	Cantata Herz und Mund und Tat und Leben (Advent IV)	D major			I/1	text by Franck, S.; → BWV 147/1, /3, /7, /5	0181 148	1.	1723-09-19	Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)		atSATB Tr 2Oba Odc Str Bc	30: 235	I/23: 253	text by Picander	0182 149	1.	1729-09-29	Cantata Man singet mit Freuden vom Sieg (Michaelmas)		satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc	30: 261	I/30: 97	text by Picander; after BWV 208/15	0183 149/1a	1. Fall 1729	Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)	D major	SATB 3Tr Tmp 2Ob Str Bc		I/40 I/30	in SBB P 175; was BWV Anh. 198	1509 150	1.	1707-07-10	Cantata Nach dir, Herr, verlanget mich (Trinity III)		satbSATB Bas 2Vl Bc	30: 301	I/41: 3		0184 151	1.	1725-12-27	Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)		satbSATB Fl Vl Oba Str Bc	32: 1	I/3.1: 169	text by Lehms	0185 152	1.	1714-12-30	Cantata Tritt auf die Glaubensbahn (Christmas I)		sb Fl Ob Va Vdg Bc	32: 17	I/3.2: 3	text by Franck, S.; ↔ BWV 536/2; → 536a/2	0186 153	1.	1724-01-02	Cantata Schau, lieber Gott, wie meine Feind (Christmas II)		atbSATB Str Bc	32: 41	I/4: 199		0187 154	1.	1724-01-09	Cantata Mein liebster Jesus ist verloren (Epiphany I)		atbSATB 2Oba Str Hc Bc	32: 59	I/5: 89		0188 155	1.	1716-01-19 1724-01-16	Cantata Mein Gott, wie lang, ach lange? (Epiphany II)		satbSATB Bas Str Bc	32: 83	I/5: 173	text by Franck, S.	0189 156	1.	1729-01-23	Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)	F major	satbSATB Ob Str Bc	32: 97	I/6: 91	text by Picander; after BWV 1056R/2?; → BWV 1056/2	0190 157	1.	1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)		tbSATB Fl Oba Str Bc	32: 115	I/34: 41	text by Picander	0191 158	1.		Cantata Der Friede sei mit dir (Purification; later: Easter 3)		sbSATB Ob Vl Bc	32: 141	I/10: 129	in SBB P 1047, St 634	0192 159	1.	1729-02-27	Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)		satbSATB Ob Str Bc	32: 155	I/8: 153	text by Picander	0193 161, v1	1. 1716-09-27	Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)		atSATB 2Fl Str Org Bc	33: 1	I/23: 1	text by Franck, S.; → BWV 161, v2	0195 161, v2	1. 1723–1750?	Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)		satSATB 2Fl Str Bc	33: 1	I/23: 33	text by Franck, S.; after BWV 161, v1	0196 162	1.	1716-10-25 1723-10-10	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)		satbSATB Hn Str Bc	33: 29	I/25: 21	text by Franck, S.	0197 163	1.	1715-11-24	Cantata Nur jedem das Seine (Trinity XXIII)		satbSATB Str 2Vc Bc	33: 47	I/26: 77	text by Franck, S.	0198 164	1.	1725-08-26	Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)		satbSATB 2Fl 2Ob Str Bc	33: 65	I/21: 57	text by Franck, S.	0199 165	1.	1715-06-16 1724-06-04	Cantata O heilges Geist- und Wasserbad (Trinity)		satbSATB Fag Str Bc	33: 89	I/15: 1	text by Franck, S.; in SBB Am.B 105	0200 166	1.	1724-05-07	Cantata Wo gehest du hin? (Cantate)		satbSATB Ob Str Bc	33: 105	I/12: 1	text by Franck, S.; → BWV 584	0201 167	1.	1723-06-24	Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)		satbSATB Tr Ob Odc Str Bc	33: 123	I/29: 1		0202 168	1.	1725-07-29	Cantata Tue Rechnung! Donnerwort (Trinity IX)		satbSATB 2Oba Str Bc	33: 147	I/19: 87	text by Franck, S.	0203 169	1.	1726-10-20	Cantata Gott soll allein mein Herze haben (Trinity XVIII)		aSATB 2Oba Tai Str Org Bc	33: 167	I/24: 59	text by Birkmann; → BWV 1053/1, /2	0204 170	1.	1726-07-28	Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)		a Oba Fl Str Org Bc	33: 193	I/17.2: 61	text by Lehms	0205 171	1.	1729-01-01	Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)		satbSATB 3Tr Tmp 2Ob Str Bc	35: 1	I/4: 131	text by Picander; after BWV 205	0206 172, v1	1. 1714-05-20	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)	C major	(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)		I/13	text by Franck, S.?; → BWV 172, v2	0207 172, v2	1. 1724-05-28	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)	D major	satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc	35: 35	I/13: 1	text by Franck, S.?; after BWV 172, v1; → BWV 172, v3	0208 172, v3	1. 1731-05-13	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)	C major	satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc	35: 35	I/13: 33	text by Franck, S.?; after BWV 172, v2	0209 173	1.	1727-06-02 1731-05-14	Cantata Erhöhtes Fleisch und Blut (Pentecost 2)		satbSATB 2Fl Str Bc	35: 71	I/14: 1	after BWV 173a	0210 173a	1. 1722-12-10	Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen)		satbSATB 2Fl Str Bc	34: 1	I/35: 95	→ BWV 173	0211 174	1.	1729-06-06	Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)		atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc	35: 103	I/14: 63	text by Picander; after BWV 1048/1	0212 175	1.	1725-05-22	Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)		atbSATB 2Tr 3Fl Str Vc Bc	35: 159	I/14: 147	text by Ziegler, C. M.	0213 176	1.	1725-05-27	Cantata Es ist ein trotzig und verzagt Ding (Trinity)		sabSATB 2Ob Odc Str Bc	35: 179	I/15: 17	text by Ziegler, C. M.	0214 177	1.	1732-07-06	Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)		satSATB 2Ob Odc Bas Vl Str Bc	35: 199	I/17.1: 77	text by Agricola, J.	0215 178	1.	1724-07-30	Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	35: 235	I/18: 159		0216 179	1.	1723-08-08	Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)		stbSATB 2Ob 2Odc Str Bc	35: 273	I/20: 55	→ BWV 236/1, /5, 234/4	0217 180	1.	1724-10-22	Cantata Schmücke dich, o liebe Seele (Trinity XX)		satbSATB 2Fl Fl Ob Odc Str Vc Bc	35: 293	I/25: 41		0218 181	1.	1724-02-13	Cantata Leichtgesinnte Flattergeister (Sexagesima)		satbSATB Tr Fl Ob Str Bc	37: 1	I/7: 133		0219 182	1.	1714-03-25 1724-03-25 1728-03-21	Cantata Himmelskönig, sei willkommen (Palm Sunday)	G major	atbSATB Fl (Ob 2)Vl 2Va Bc	37: 21	I/8.2: 1	text by Franck, S.? 0220 183	1.	1725-05-13	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Oba 2Odc Str Vc Bc	37: 59	I/12: 187	text by Ziegler, C. M.	0221 184	1.	1724-05-30 1727-06-03 1731-05-15	Cantata Erwünschtes Freudenlicht (Pentecost 3)		satSATB 2Fl Str Bc	37: 75	I/14: 119	after BWV 184a/1–/4, /6	0222 184a	1. 1721-01-01	Secular cantata for New Year (incomplete)		sb 2Fl Vl Str Bc (?)		I/35	→ BWV 184/1–/4, /6	0223 185	1.	1715-07-14 1723-06-20	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)		satbSATB Ob/Tr Str Bc Bas	37: 101	I/17.1: 1	text by Franck, S.	0224 186	1.	1723-07-11	Cantata Ärgre dich, o Seele, nicht (Trinity VII)		satbSATB 2Ob Tai Bas Str Bc	37: 119	I/18: 15	text by Franck, S. (reworked); after BWV 186a/1–/5	0225 186a	1. 1716-12-13	Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)		stbSATB 2Ob Odc Tai Bas Str Bc		I/1	text by Franck, S.; → BWV 186/1, /3, /5, /8, /10	0226 187	1.	1726-08-04	Cantata Es wartet alles auf dich (Trinity VII)		sabSATB 2Ob Str Bc	37: 155	I/18: 91	→ BWV 235/6, /4, /3, /5	0227 188	1.	1728-10-17	Cantata Ich habe meine Zuversicht (Trinity XXI)	D minor	satbSATB 2Ob Tai Str Org Bc	37: 193	I/25: 265	text by Picander; after BWV 1052R/3?; → BWV 1052/3	0228 190	1.	1724-01-01	Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)		atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	37: 227	I/4: 1	→ BWV 190a/1, /2, /3, /5	0230 190a	1. 1730-06-25	Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete)		atbSATB 3Tr Tmp 3Ob Str Bc (?)		I/34	text by Picander; after BWV 190/1, /2, /3, /5	0231 191	1.	1743–1746	Cantata Gloria in excelsis Deo (Christmas)		stSSATB 3Tr Tmp 2Fl 2Ob Str Bc	41: 1	I/2: 171	after BWV 232/4, /5, /8, /12	0232 192	1.	autumn 1730? Cantata Nun danket alle Gott (incomplete)		sbSATB 2Fl 2Ob Str Bc	41: 65	I/34: 107	text by Rinkart	0233 193	1.	1727-08-25	Cantata Ihr Tore zu Zion (council election; incomplete)		saSA(TB) 2Ob Str (Bc)	41: 91	I/32.1: 201	after BWV 193a/1, /7, /9	0234 193a	1. 1727-08-03	Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete)		saSA(TB) 2Ob Str (Bc)		I/36	text by Picander; → BWV 193/1, /3, /5	0235 194, 1st Leipz. v.	1. 1724-06-04 1731-05-20	Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	29: 99	I/31	after BWV 194, Störmth. v.; → 2nd Leipz. v.	0236 194, 2nd Leipz. v.	1. 1726-06-16	Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	29: 99	I/31: 235	after BWV 194, 1st Leipz. v./12, /2, /3, /4, /5, /7, /10	0237 194, Störmth. v.	1. 1723-11-02	Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)	B♭ major	sabSATB 3Ob Bas Str Bc	29: 99	I/31: 123	after BWV 194a/1, /3, /5, /7, /9; → 1st Leipz. v.	0238 194a	1. 1717–1723?	Secular cantata model for BWV 194 (incomplete)	B♭ major	3Ob Str &? I/35	→ BWV 194, Störmth. v./1, /3, /5, /8, /10	0239 195, last v.	1.	c.1748–1749	Cantata Dem Gerechten muß das Licht (wedding; last version)		satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc	131: 1	I/33: 171	after BWV 195, v2	0242 195, v1	1. 1727–1731	Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)		SATB 3Tr Tmp 2Fl 2Ob Str Bc		I/33	→ BWV 195, v2	0240 195, v2	1. c.1742	Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)		SATB &? I/33	after BWV 195, v1, 30a/5, /1; → last v.	0241 196	1.	1708-06-05?	Cantata Der Herr denket an uns (wedding)		stbSATB Str Bc	131: 71	I/33: 1	text after Ps. 115: 12–15	0243 197	1.	1736–1737	Cantata Gott ist unsre Zuversicht (wedding)		sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc	131: 95	I/33: 117	after BWV 197a	0244 197a	1. 1728-12-25	Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)		abSATB 2Fl Oba Bas Str Vc Bc	41: 109	I/2: 63	text by Picander; → BWV 197	0245 198	1.	1727-10-17	Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine)		satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc	133: 1 44: 54	I/38: 179	text by Gottsched, J. C.; ↔ BWV 244a, 247	0246 199, Köth. v.	1. 1720–1721	Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)	D minor	s Ob Str Vdg Bc	41: 202	I/20: 48	text by Lehms; after BWV 199, Weim. v.; → Leipz. v.	0247 199, Leipz. v.	1. 1723-08-08	Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)	D minor	s Ob Str Vc Bc		I/20: 23	text by Lehms; after BWV 199, Köth. v.	0248 199, Weim. v.	1. 1714-08-12	Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)	C minor	s Ob Str Bc	NBG 132	I/20: 1	text by Lehms; → BWV 199, Köth. v.	0249 200	1.	1742–1743 (JSB)	Aria Bekennen will ich seinen Namen (from a cantata for Purification?)		a (2Vl) Bc		I/28.1: 189	by Stölzel; arr. by Bach	0250 201	1.	autumn 1729	Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica)		sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc	112: 1 44: 85	I/40: 117	text by Picander	0251 202	1.	c.1718? Secular cantata Weichet nur, betrübte Schatten (wedding)	G major	s Ob Str Bc	112: 73	I/40: 1	in D-LEb Peters Ms. R 8	0252 203	1.	c.1720? Secular cantata Amore traditore	A minor	b Hc	112: 91	I/41: 31		0253 204	1.	1726–1727	Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit	B♭ major	s Fl 2Ob Str Bc	112: 103	I/40: 79	text by Hunold (reworked)	0254 205	1.	1725-08-03	Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc	112: 137 44: 39	I/38: 1	text by Picander; → BWV 205a/1–/7, /9–/11, /13, /15, 171, 216	0255 205a	1. 1734-02-19	Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc		I/37	after BWV 205/1–/7, /9–/11, /13, /15	0256 206, v1	1. 1736-10-07 (1734?)	Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Oba Str Bc	202: 1	I/36: 157	→ BWV 206, v2	0257 206, v2	1. 1740-08-03	Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc		I/36: 157	after BWV 206, v1	0258 207	1.	1726-12-11	Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	202: 71	I/38: 97	after BWV 1046/3; → BWV 207a/1, /3, /5, /7–/9	0259 207a	1. 1735-08-03	Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	202: 139 34: 345	I/37: 1	after BWV 207/1, /3, /5, /7–/9	0260 208, v1	1. 1713-02-23	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	text by Franck, S.; → BWV 208, v2; 1040	0261 208, v2	1. c.1715	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	text by Franck, S.; after BWV 208, v1; → BWV 208a, 68/4, /2, 149/1	0262 1040	1.	1713-02-23	Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?)	F major	Vl Ob Bc	29: 230	I/35: 1	after BWV 208/13; =BWV 208/13a	1222 208a	1. 1742-08-03	Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? I/37	text by Franck, S.; after BWV 208, v2	0263 209	1.	1747?	Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)	B minor	s Fl Str Bc	29: 43	I/41: 43		0264 210	1.	1741-09-19	Secular cantata O holder Tag, erwünschte Zeit (wedding)	A major	s Fl Oba Str Hc Vne	29: 67	I/40: 35	after BWV 210a/1–/2, /4, /8, /10	0265 210a	1. 1729-01-12	Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels)	A major	s (Fl Oba Str Bc)? 29: 245	I/39: 141	→ BWV 210/1–/2, /4, /8, /10	0266 211	1.	c.1734	Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata	G major	stb Fl Str Hc Bc	29: 139 44: 86	I/40: 193	text by Picander	0267 212	1.	1742-08-30	Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)	G major	sb Hn Fl Str Bc	29: 173 44: 132	I/39: 151	text by Picander	0268 213	1.	1733-09-05	Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony)		satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc	34: 119	I/36: 1	text by Picander; → BWV 248	0269 214	1.	1733-12-08	Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc	34: 175	I/36: 89	text by Picander; → BWV 248	0270 215	1.	1734-10-05	Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)	D major	stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc	34: 243	I/37: 85	text by Clauder	0271 216	1.	1728-02-05	Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)		sa &? I/40: 21	text by Picander; after BWV 205/13; → BWV 216a/1, /3, /5, /7	0272 216a	1. 1728–1731	Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete)		sa &? I/39	after BWV 216/1, /3, /5, /7	0273 2.	Motets (see also: List of motets by Johann Sebastian Bach)	Up ↑ 225	2.	1726–1727 New Year? Motet Singet dem Herrn ein neues Lied	B♭ major	2SATB (+colla parte instruments?)	39: 3	III/1: 1	text by Gramann (/2: after Ps. 103), after Ps. 149: 1–3 (/1) and Ps. 150: 2, 6 (/3)[16]	0282 226	2.	1729-10-20	Motet Der Geist hilft unser Schwachheit auf (funeral of Johann Heinrich Ernesti)	B♭ major	2SATB Str Vc 2Ob Tai Bas	39: 41	III/1: 39	text by Luther and after Rom. 8: 26–27[16]	0283 227	2.	before c.1735	Motet Jesu, meine Freude (funeral)	E minor	SSATB (+colla parte instr.?)	39: 61	III/1: 77	text by Franck, J. and after Rom. 8: 1–2, 9–11[16]	0284 228	2.	c.1715	Motet Fürchte dich nicht (funeral)	A major	2SATB (+colla parte instr.?)	39: 87	III/1: 107	text by Gerhardt and after Is. 41: 10 and 43: 1[16]	0285 229	2.	before 1731–1732	Motet Komm, Jesu, komm (funeral)	G minor	2SATB (+colla parte instr.)	39: 109	III/1: 127	text by Thymich[16]	0286 230	2.	 ?	Motet Lobet den Herrn, alle Heiden	C major	SATB Bc (+colla parte instr.?)	39: 129	III/1: 149	text after Ps. 117[16]	0287 231	see BWV 28/2a	0288 118, v1	2. 1736–1737	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Hn Cnt 3Tbn	24: 185	III/1: 163	text by Behm; → BWV 118 v2[16]	0143 118, v2	2. 1746–1747	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Ob Tai Bas 2Hn Str Bc	NBG 171	III/1: 171	text by Behm; after BWV 118 v1[16]	0143 3.	Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach)	Up ↑ 232	3.	Aug. 1748 – Oct. 1749 (compilation, completion)	Mass a.k.a. Hohe Messe, Mass in B minor	B minor	ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc	6	II/1 rev 1	after BWV 232I e. v., II/1 e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3	0289 232I e. v.	3. 1733-07-27	Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version)	B minor	ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc		II/1a	after BWV 29/1, 46/1; → BWV 191, 232I	0290 233	3.	1738–1739?	Kyrie–Gloria Mass	F major	sabSATB 2Hn 2Ob Bas Str Bc	8: 1	II/2: 197	after BWV 233a, 102/3, /5, 40/1	0291 233a	3. 1708-04-06?	Kyrie "Christe, du Lamm Gottes"	F major	SSATB Bc	41: 187	II/2: 285	text after Ordinarium Missae; → BWV 233/1	0292 234	3.	c.1738	Kyrie–Gloria Mass	A major	sabSATB 2Fl Str Bc	8: 51	II/2: 1	after BWV 67/6, 138/5, 179/5, 79/2	0293 235	3.	1738–1739?	Kyrie–Gloria Mass	G minor	atbSATB 2Ob Str Bc	8: 99	II/2: 127	after BWV 102/1, 72/1, 187/4, /3, /5, /1	0294 236	3.	1738–1739?	Kyrie–Gloria Mass	G major	satbSATB 2Ob Str Bc	8: 155	II/2: 61	after BWV 179/1, /3, 79/1, /5, 138/5, 17/1	0295 1081	3.	c.1747 – Aug. 1748	Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale	F major	SATB Bc		II/2	→ BNB I/B/48	1267 237	3.	1723-06-24?	Sanctus	C major	SATB 3Tr Tmp 2Ob Str Bc	111: 67	II/2: 311		0296 238	3.	1723-12-25 1736–1737	Sanctus	D major	SATB Cnt Str Bc	111: 79	II/2: 325		0297 240	3.	1742 (JSB)	Sanctus	G major	SATB 2Ob Str Bc	111: 93	II/9: 3		0299 241	3.	Jul. 1747 – Aug. 1748 (JSB)	Sanctus of Missa superba	D major	2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc	41: 177	II/9: 45	by Kerll; arr. by Bach	0300 242	3.	1727–1732 (JSB)	Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante	G minor	SA Bc	41: 197	II/2: 295	→ BWV Anh. 26/2	0301 243	3.	1733-07-02? 1732–1735	Magnificat (2nd version: Visitation?)	D major	ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc	111: 1	II/3: 65	after BWV 243a	0302 243a	3. 1723-07-02 1723-12-25	Magnificat (1st version:Visitation, and with 4 laudes added: Christmas)	E♭ major	ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc	111: 103	II/3: 1	→ BWV 243	0303 1082	3.	1740–1742 (JSB)	Suscepit Israel from a Magnificat by A. Caldara	E minor	SATB 2Vl Bc		II/9: 59	by Caldara (BNB I/C/1); arr. by Bach	1268 1083	3.	1745–1747 (JSB)	Cantata Tilge, Höchster, meine Sünden		sa 2Vl Str Vne Vc Bc		I/41: 169	by Pergolesi; arr. by Bach; text after Ps. 51	1269 4.	Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach)	Up ↑ 244	4.	1736-03-30 1742 1743–1746	Passion St Matthew Passion (later versions; Good Friday)	E minor	2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc	4 44: 58	II/5	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244b	0304 244a	4. 1729-03-24	Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructable)				I/34	text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68	0305 244b	4. 1727-04-11 and/or 1729-04-15	Passion St Matthew Passion (early version; Good Friday)	E minor	satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc		II/5a II/5b	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244	0306 245, v1	4. 1724-04-07	Passion St John Passion (1st version; Good Friday)		satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc	121 44: 26	II/4: 40	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245, v2–v4	0307 245, v2 245a 245b 245c	4. 1725-03-30	Passion St John Passion (2nd version; Good Friday)		satbSATB 2Fl 2Ob 2Odc Str Vdg Bc	121	II/4: 167	text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 23/4, 245, v1; → BWV 244/29, 245, v3	0308 245, v3	4. 1732-04-11	Passion St John Passion (3rd version; Good Friday)		satbSATB 2Fl 2Ob Str Vdg Org Bc	121 44: 26	II/4: 206	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1, v2; → BWV 245, v4	0309 245, v4	4. 1749-04-04	Passion St John Passion (4th version; Good Friday)		satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc	121 44: 26	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1–v3	0310 245, rev. version	4. 1739–1749	Passion St John Passion (revised version; never performed during lifetime)		satbSATB 2Fl 2Ob 2Odc Str 2Va Vdg Lu Bc	121 44: 26	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245, v2–v4	0311 246/40a	4. 1743–1745 (JSB)	Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion		t Str Bc (?)		II/9: 65	after BWV 246/40	0312 247	4.	1731-03-23 1744-04-03	Passion St Mark Passion (Good Friday; music lost but in part reconstructable)		satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?)		II/5	text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann (de), Schein, Stockmann, Franck, J., Homburg (de), Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? 0313 1088	4.	c.1750? Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday)		b 2Bas Bc (?)		I/41: 125		1274 248I	4. 1734-12-25	Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	51: 2 44: 125	II/6	text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9	0314 248II	4. 1734-12-26	Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2)	G major	satbSATB 2Fl 2Oba 2Odc Str Bc	51: 50 44: 126	II/6	text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3	0314 248III	4. 1734-12-27	Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	51: 94	II/6	text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11	0314 248IV	4. 1735-01-01	Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year)	F major	satbSATB 2Hn 2Ob Str Bc	51: 128	II/6	text by Picander?, Rist; after BWV 213/1, /5, /7	0314 248V	4. 1735-01-02	Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I)	A major	satbSATB 2Oba Str Bc	51: 128	II/6	text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7	0314 248VI	4. 1735-01-06	Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany)	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc	51: 210	II/6	text by Picander?, Gerhardt, Werner; after BWV 248VIa	0314 248VIa	4. 1734 or earlier	Cantata model for BWV 248VI	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc		II/6	after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64	0315 249	4.	1743–1746 1749-04-06 1750-03-26	Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc	213	II/7: 1	text by Picander?; after BWV 249, e. v.	0316 249, e. v.	4. 1725-04-01 c.1738	Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc		II/7: 97	text by Picander?; after BWV 249a; → BWV 249	0317 249a	4. 1725-02-23	Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc		I/35	text by Picander; → BWV 249, e. v./1–/3, /5, /7, /9, /11; 249b	0318 249b	4. 1726-08-25	Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming (de); music lost but in part reconstructable)				I/39	text by Picander; after BWV 249a/1–/3, /5, /7, /9, /11	0319 11	4.	1735-05-19	Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension)		satbSATB 3Tr Tmp 2Fl 2Ob Str Bc	2: 1	II/8	text by Picander?, Rist, Sacer	0013 5.	Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach)	Up ↑ 250	5.	1734–1738	Chorale Was Gott tut, das ist wohlgetan (Three wedding chorales No. 1)		SATB 2Hn Ob Oba Str Bc	131: 147	III/2.1: 3	text by Rodigast	0320 251	5.	1734–1738	Chorale Sei Lob und Ehr dem höchsten Gut (Three wedding chorales No. 2)		SATB 2Hn Ob Oba Str Bc	131: 148	III/2.1: 4	text by Schütz, J. J.	0321 252	5.	1734–1738	Chorale Nun danket alle Gott (Three wedding chorales No. 3)		SATB 2Hn Ob Oba Str Bc	131: 149	III/2.1: 5	text by Rinkart	0322 253	5.		Chorale Ach bleib bei uns, Herr Jesu Christ		SATB	39: 177	III/2	text by Calvisius; ↔ BWV 414	0323 254	5.		Chorale Ach Gott, erhör mein Seufzen		SATB	39: 177	III/2		0324 255	5.		Chorale Ach Gott und Herr		SATB	39: 177	III/2		0325 256	5.		Chorale Ach lieben Christen, seid getrost		SATB	39: 177	III/2		0326 259	5.		Chorale Ach, was soll ich Sünder machen		SATB	39: 177	III/2		0329 260	5.		Chorale Allein Gott in der Höh sei Ehr		SATB	39: 177	III/2		0330 261	5.		Chorale Allein zu dir, Herr Jesu Christ		SATB	39: 177	III/2		0331 262	5.		Chorale Alle Menschen müssen sterben		SATB	39: 177	III/2		0332 263	5.		Chorale Alles ist an Gottes Segen		SATB	39: 177	III/2		0333 264	5.		Chorale Als der gütige Gott		SATB	39: 177	III/2		0334 265	5.		Chorale Als Jesus Christus in der Nacht		SATB	39: 177	III/2		0335 266	5.		Chorale Als vierzig Tag nach Ostern warn		SATB	39: 177	III/2		0336 267	5.		Chorale An Wasserflüssen Babylon (or) Ein Lämmlein geht und trägt die Schuld		SATB	39: 177	III/2		0337 268	5.		Chorale Auf, auf, mein Herz, und du mein ganzer Sinn		SATB	39: 177	III/2		0338 269	5.		Chorale Aus meines Herzens Grunde		SATB	39: 177	III/2		0339 270	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0340 271	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0341 272	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0342 273	5.		Chorale Christ, der du bist der helle Tag		SATB	39: 177	III/2		0343 274	5.		Chorale Christe, der du bist Tag und Licht		SATB	39: 177	III/2		0344 275	5.		Chorale Christ, du Beistand deiner Kreuzgemeine		SATB	39: 177	III/2		0345 276	5.		Chorale Christ ist erstanden		SATB	39: 177	III/2		0346 277	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0347 278	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0348 279	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0349 280	5.		Chorale Christ unser Herr zum Jordan kam		SATB	39: 177	III/2		0350 281	5.		Chorale Christus, der ist mein Leben		SATB	39: 177	III/2		0351 282	5.		Chorale Christus, der ist mein Leben		SATB	39: 177	III/2		0352 283	5.		Chorale Christus, der uns selig macht		SATB	39: 177	III/2		0353 284	5.		Chorale Christus ist erstanden, hat überwunden		SATB	39: 177	III/2		0354 285	5.		Chorale Da der Herr Christ zu Tische saß		SATB	39: 177	III/2		0355 286	5.		Chorale Danket dem Herrn, denn er ist sehr freundlich		SATB	39: 177	III/2		0356 287	5.		Chorale Dank sei Gott in der Höhe		SATB	39: 177	III/2		0357 288	5.		Chorale Das alte Jahr vergangen ist		SATB	39: 177	III/2		0358 289	5.		Chorale Das alte Jahr vergangen ist		SATB	39: 177	III/2		0359 290	5.		Chorale Das walt Gott Vater und Gott Sohn		SATB	39: 177	III/2		0360 291	5.		Chorale Das walt mein Gott		SATB	39: 177	III/2		0361 292	5.		Chorale Den Vater dort oben		SATB	39: 177	III/2		0362 293	5.		Chorale Der du bist drei in Einigkeit		SATB	39: 177	III/2		0363 294	5.		Chorale Der Tag, der ist so freudenreich		SATB	39: 177	III/2		0364 295	5.		Chorale Des Heilgen Geistes reiche Gnad		SATB	39: 177	III/2		0365 296	5.		Chorale Die Nacht ist kommen		SATB	39: 177	III/2		0366 297	5.		Chorale Die Sonn hat sich mit ihrem Glanz gewendet		SATB	39: 177	III/2		0367 298	5.		Chorale Dies sind die heilgen zehn Gebot		SATB	39: 177	III/2		0368 299	5.		Chorale Dir, dir, Jehova, will ich singen		SATB	39: 177	III/2	↔ BWV 299 AMB2	0369 300	5.		Chorale Du großer Schmerzensmann		SATB	39: 177	III/2		0370 301	5.		Chorale Du, o schönes Weltgebäude		SATB	39: 177	III/2		0371 302	5.		Chorale Ein feste Burg ist unser Gott		SATB	39: 177	III/2		0372 303	5.		Chorale Ein feste Burg ist unser Gott		SATB	39: 177	III/2		0373 304	5.		Chorale Eins ist not, ach Herr, dies Eine		SATB	39: 177	III/2		0374 305	5.		Chorale Erbarm dich mein, o Herre Gott		SATB	39: 177	III/2		0375 306	5.		Chorale Erstanden ist der heilig Christ		SATB	39: 177	III/2		0376 307	5.		Chorale Es ist gewisslich an der Zeit		SATB	39: 177	III/2		0377 308	5.		Chorale Es spricht der Unweisen Mund wohl		SATB	39: 177	III/2		0378 309	5.		Chorale Es stehn vor Gottes Throne		SATB	39: 177	III/2		0379 310	5.		Chorale Es wird schier der letzte Tag herkommen		SATB	39: 177	III/2		0380 311	5.		Chorale Es woll uns Gott gnädig sein		SATB	39: 177	III/2		0381 312	5.		Chorale Es woll uns Gott gnädig sein		SATB	39: 177	III/2		0382 327	5.		Chorale Vor deinen Thron tret ich hiermit		SATB	39: 177	III/2		0397 313	5.		Chorale Für Freuden lasst uns springen		SATB	39: 177	III/2		0383 314	5.		Chorale Gelobt seist du, Jesu Christ		SATB	39: 177	III/2		0384 315	5.		Chorale Gib dich zufrieden und sei stille		SATB	39: 177	III/2	text by Gerhardt; ↔ BWV 512	0385 316	5.		Chorale Gott, der du selber bist das Licht		SATB	39: 177	III/2		0386 317	5.		Chorale Gott der Vater wohn uns bei		SATB	39: 177	III/2		0387 318	5.		Chorale Gottes Sohn ist kommen		SATB	39: 177	III/2		0388 319	5.		Chorale Gott hat das Evangelium		SATB	39: 177	III/2		0389 320	5.		Chorale Gott lebet noch		SATB	39: 177	III/2		0390 321	5.		Chorale Gottlob, es geht nunmehr zum Ende		SATB	39: 177	III/2		0391 322	5.		Chorale Gott sei gelobet und gebenedeiet		SATB	39: 177	III/2		0392 323	5.		Chorale Gott sei uns gnädig und barmherzig		SATB	39: 177	III/2		0393 325	5.		Chorale Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth		SATB	39: 177	III/2		0395 326	5.		Chorale Herr Gott, dich loben alle wir		SATB	39: 177	III/2		0396 328	5.		Chorale Herr Gott, dich loben wir		SATB	39: 177	III/2		0398 329	5.		Chorale Herr, ich denk an jene Zeit		SATB	39: 177	III/2		0399 330	5.		Chorale Herr, ich habe missgehandelt		SATB	39: 177	III/2		0400 331	5.		Chorale Herr, ich habe missgehandelt		SATB	39: 177	III/2		0401 332	5.		Chorale Herr Jesu Christ, dich zu uns wend		SATB	39: 177	III/2		0402 333	5.		Chorale Herr Jesu Christ, du hast bereit'		SATB	39: 177	III/2		0403 334	5.		Chorale Herr Jesu Christ, ich schrei zu dir (or) Herr Jesu Christ, du höchstes Gut		SATB	39: 177	III/2		0404 335	5.		Chorale Herr Jesu Christ, meins Lebens Licht (or) O Jesu, du mein Bräutigam		SATB	39: 177	III/2		0405 336	5.		Chorale Herr Jesu Christ, wahr' Mensch und Gott		SATB	39: 177	III/2		0406 337	5.		Chorale Herr, nun lass in Friede		SATB	39: 177	III/2		0407 338	5.		Chorale Herr, straf mich nicht in deinem Zorn		SATB	39: 177	III/2		0408 339	5.		Chorale Wer in dem Schutz des Höchsten ist (or) Herr, wie du willt, so schicks mit mir		SATB	39: 177	III/2		0409 340	5.		Chorale Herzlich lieb hab ich dich, o Herr		SATB	39: 177	III/2		0410 341	5.		Chorale Heut ist, o Mensch, ein großer Trauertag		SATB	39: 177	III/2		0411 342	5.		Chorale Heut triumphieret Gottes Sohn		SATB	39: 177	III/2		0412 343	5.		Chorale Hilf, Gott, dass mirs gelinge		SATB	39: 177	III/2		0413 344	5.		Chorale Hilf, Herr Jesu, lass gelingen		SATB	39: 177	III/2		0414 345	5.		Chorale Ich bin ja, Herr, in deiner Macht		SATB	39: 177	III/2		0415 346	5.		Chorale Ich dank dir, Gott, für deine Wohltat		SATB	39: 177	III/2		0416 347	5.		Chorale Ich dank dir, lieber Herre		SATB	39: 177	III/2		0417 348	5.		Chorale Ich dank dir, lieber Herre		SATB	39: 177	III/2		0418 349	5.		Chorale Ich dank dir schon durch deinen Sohn		SATB	39: 177	III/2		0419 350	5.		Chorale Ich danke dir, Herr Gott, in deinem Throne		SATB	39: 177	III/2		0420 351	5.		Chorale Ich hab mein Sach Gott heimgestellt		SATB	39: 177	III/2		0421 366	5.		Chorale Ihr Gestirn, ihr hohlen Lüfte		SATB	39: 177	III/2		0436 367	5.		Chorale In allen meinen Taten		SATB	39: 177	III/2		0437 368	5.		Chorale In dulci jubilo		SATB	39: 177	III/2		0438 352	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0422 353	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0423 354	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0424 355	5.		Chorale Jesu, der du selbsten wohl		SATB	39: 177	III/2		0425 356	5.		Chorale Jesu, du mein liebstes Leben		SATB	39: 177	III/2		0426 357	5.		Chorale Jesu, Jesu, du bist mein		SATB	39: 177	III/2		0427 358	5.		Chorale Jesu, meine Freude		SATB	39: 177	III/2		0428 360	5.		Chorale Jesu, meiner Seelen Wonne		SATB	39: 177	III/2		0430 359	5.		Chorale Jesu, meiner Seelen Wonne		SATB	39: 177	III/2		0429 361	5.		Chorale Jesu, meines Herzens Freud		SATB	39: 177	III/2		0431 362	5.		Chorale Jesu, nun sei gepreiset		SATB	39: 177	III/2		0432 364	5.		Chorale Jesus Christus, unser Heiland, der den Tod überwand		SATB	39: 177	III/2		0434 363	5.		Chorale Jesus Christus, unser Heiland		SATB	39: 177	III/2		0433 365	5.		Chorale Jesus, meine Zuversicht		SATB	39: 177	III/2		0435 369	5.		Chorale Keinen hat Gott verlassen		SATB	39: 177	III/2		0439 370	5.		Chorale Komm, Gott Schöpfer, Heiliger Geist		SATB	39: 177	III/2		0440 371	5.		Chorale Kyrie, Gott Vater in Ewigkeit		SATB	39: 177	III/2		0441 372	5.		Chorale Lass, o Herr, dein Ohr sich neigen		SATB	39: 177	III/2		0442 373	5.		Chorale Liebster Jesu, wir sind hier		SATB	39: 177	III/2		0443 374	5.		Chorale Lobet den Herren, denn er ist sehr freundlich		SATB	39: 177	III/2		0444 375	5.		Chorale Lobt Gott, ihr Christen, allzugleich		SATB	39: 177	III/2		0445 376	5.		Chorale Lobt Gott, ihr Christen allzugleich		SATB	39: 177	III/2		0446 377	5.		Chorale Machs mit mir, Gott, nach deiner Güt		SATB	39: 177	III/2		0447 378	5.		Chorale Mein Augen schließ ich jetzt in Gottes Namen zu		SATB	39: 177	III/2		0448 379	5.		Chorale Meinen Jesum lass ich nicht		SATB	39: 177	III/2		0449 380	5.		Chorale Meinen Jesum lass ich nicht		SATB	39: 177	III/2		0450 324	5.		Chorale Meine Seele erhebet den Herren		SATB	39: 177	III/2		0394 381	5.		Chorale Meines Lebens letzte Zeit		SATB	39: 177	III/2		0451 382	5.		Chorale Mit Fried und Freud ich fahr dahin		SATB	39: 177	III/2		0452 383	5.		Chorale Mitten wir im Leben sind		SATB	39: 177	III/2		0453 384	5.		Chorale Nicht so traurig, nicht so sehr		SATB	39: 177	III/2		0454 385	5.		Chorale Nun bitten wir den Heiligen Geist		SATB	39: 177	III/2		0455 386	5.		Chorale Nun danket alle Gott		SATB	39: 177	III/2		0456 387	5.		Chorale Nun freut euch, Gottes Kinder all		SATB	39: 177	III/2		0457 388	5.		Chorale Nun freut euch, lieben Christen gmein		SATB	39: 177	III/2		0458 389	5.		Chorale Nun lob, mein Seel, den Herren		SATB	39: 177	III/2		0459 390	5.		Chorale Nun lob, mein Seel, den Herren		SATB	39: 177	III/2		0460 391	5.		Chorale Nun preiset alle Gottes Barmherzigkeit		SATB	39: 177	III/2		0461 392	5.		Chorale Nun ruhen alle Wälder		SATB	39: 177	III/2		0462 396	5.		Chorale Nun sich der Tag geendet hat		SATB	39: 177	III/2		0466 397	5.		Chorale O Ewigkeit, du Donnerwort		SATB	39: 177	III/2	text by Rist; ↔ BWV 513	0467 398	5.		Chorale O Gott, du frommer Gott		SATB	39: 177	III/2	↔ BWV 197a/7	0468 399	5.		Chorale O Gott, du frommer Gott		SATB	39: 177	III/2		0469 400	5.		Chorale O Herzensangst		SATB	39: 177	III/2		0470 401	5.		Chorale O Lamm Gottes, unschuldig		SATB	39: 177	III/2		0471 402	5.		Chorale O Mensch, bewein dein Sünde groß		SATB	39: 177	III/2		0472 403	5.		Chorale O Mensch, schau Jesum Christum an		SATB	39: 177	III/2		0473 404	5.		Chorale O Traurigkeit, o Herzeleid		SATB	39: 177	III/2		0474 393	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0463 394	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0464 395	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0465 405	5.		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	39: 177	III/2		0475 406	5.		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	39: 177	III/2		0476 407	5.		Chorale Es ist gewisslich an der Zeit		SATB	39: 177	III/2		0477 408	5.		Chorale Schaut, ihr Sünder		SATB	39: 177	III/2		0478 409	5.		Chorale Seelenbräutigam		SATB	39: 177	III/2		0479 410	5.		Chorale Sei gegrüßet, Jesu gütig		SATB	39: 177	III/2		0480 411	5.		Chorale Singt dem Herrn ein neues Lied		SATB	39: 177	III/2		0481 412	5.		Chorale So gibst du nun, mein Jesu, gute Nacht		SATB	39: 177	III/2		0482 413	5.		Chorale Sollt ich meinem Gott nicht singen		SATB	39: 177	III/2		0483 414	5.		Chorale Uns ist ein Kindlein heut geborn		SATB	39: 177	III/2		0484 415	5.		Chorale Valet will ich dir geben		SATB	39: 177	III/2		0485 416	5.		Chorale Vater unser im Himmelreich		SATB	39: 177	III/2		0486 417	5.		Chorale Von Gott will ich nicht lassen		SATB	39: 177	III/2		0487 418	5.		Chorale Von Gott will ich nicht lassen		SATB	39: 177	III/2		0488 419	5.		Chorale Helft mir Gotts Güte preisen (or) Von Gott will ich nicht lassen		SATB	39: 177	III/2		0489 257	5.		Chorale Wär Gott nicht mit uns diese Zeit		SATB	39: 177	III/2		0327 420	5.		Chorale Warum betrübst du dich, mein Herz		SATB	39: 177	III/2		0490 421	5.		Chorale Warum betrübst du dich, mein Herz		SATB	39: 177	III/2		0491 422	5.		Chorale Warum sollt ich mich denn grämen		SATB	39: 177	III/2		0492 423	5.		Chorale Was betrübst du dich, mein Herze		SATB	39: 177	III/2		0493 424	5.		Chorale Was bist du doch, o Seele, so betrübet		SATB	39: 177	III/2		0494 425	5.		Chorale Was willst du dich, o meine Seele, kränken		SATB	39: 177	III/2		0495 426	5.		Chorale Weltlich Ehr und zeitlich Gut		SATB	39: 177	III/2		0496 427	5.		Chorale Wenn ich in Angst und Not		SATB	39: 177	III/2		0497 428	5.		Chorale Wenn mein Stündlein vorhanden ist		SATB	39: 177	III/2		0498 429	5.		Chorale Wenn mein Stündlein vorhanden ist		SATB	39: 177	III/2		0499 430	5.		Chorale Wenn mein Stündlein verhanden ist		SATB	39: 177	III/2		0500 431	5.		Chorale Wenn wir in höchsten Nöten sein		SATB	39: 177	III/2		0501 432	5.		Chorale Wenn wir in höchsten Nöten sein		SATB	39: 177	III/2		0502 433	5.		Chorale Wer Gott vertraut, hat wohl gebaut		SATB	39: 177	III/2		0503 434	5.		Chorale Wer weiß, wie nahe mir mein Ende (or) Wer nur den lieben Gott lässt walten		SATB	39: 177	III/2		0504 435	5.		Chorale Wie bist du, Seele, in mir so gar betrübt		SATB	39: 177	III/2		0505 436	5.		Chorale Wie schön leuchtet der Morgenstern		SATB	39: 177	III/2		0506 437	5.		Chorale Wir glauben all an einen Gott		SATB	39: 177	III/2		0507 258	5.		Chorale Wo Gott der Herr nicht bei uns hält		SATB	39: 177	III/2		0328 438	5.		Chorale Wo Gott zum Haus nicht gibt sein Gunst		SATB	39: 177	III/2		0508 500a	5. 1726-04-19	Chorale So gehst du nun, mein Jesu, hin (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc		II/9: 75	text by Nachtenhöfer (de); ↔ BWV 500	0571 1084	5.	1726-04-19	Chorale O hilf Christe, Gottes Sohn (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc		II/9: 76	text by Weiße; after BC D 5a/14	1270 1089	5.		Chorale Da Jesus an dem Kreuze stund		SATB		III/2.2: 216	text by Lilius (de)	1275 1122	5.	before c.1735	Chorale Denket doch, ihr Menschenkinder		SATB		III/2.1: 31	text by Hübner?; in D-LEb Peters Ms. R 18	1720 1123	5.	before c.1735	Chorale Wo Gott zum Haus gibt nicht sein Gunst		SATB		III/2.1: 40	text by Kolrose (de); in D-LEb Peters Ms. R 18	1721 1124	5.	before c.1735	Chorale Ich ruf zu dir, Herr Jesu Christ		SATB		III/2.1: 51	text by Agricola, J.; in D-LEb Peters Ms. R 18	1722 1125	5.	before c.1735	Chorale O Gott, du frommer Gott		SATB		III/2.1: 79	text by Heermann; in D-LEb Peters Ms. R 18	1723 1126	5.		Chorale Lobet Gott, unsern Herren		SATB		III/2.2: 218		1724 6.	Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach)	Up ↑ 439	6.	1736 (or earlier)	Schemellis Gesangbuch No. 831: "Ach, dass nicht die letzte Stunde" (song 56/69)		V Bc	39: 277	III/2.1: 104	text by Neumeister	0509 440	6.	1736 (or earlier)	Schemellis Gesangbuch No. 171: "Auf, auf! die rechte Zeit ist hier" (song 11/69)		V Bc	39: 277	III/2.1: 104		0510 441	6.	1736 (or earlier)	Schemellis Gesangbuch No. 320: "Auf, auf, mein Herz, mit Freuden" (song 27/69)		V Bc	39: 277	III/2.1: 104		0511 442	6.	1736 (or earlier)	Schemellis Gesangbuch No. 570: "Beglückter Stand getreuer Seelen" (song 39/69)		V Bc	39: 277	III/2.1: 104		0512 443	6.	1736 (or earlier)	Schemellis Gesangbuch No. 689: "Beschränkt, ihr Weisen dieser Welt" (song 47/69)		V Bc	39: 277	III/2.1: 104		0513 444	6.	1736 (or earlier)	Schemellis Gesangbuch No. 303: "Brich entzwei, mein armes Herze" (song 24/69)		V Bc	39: 277	III/2.1: 104		0514 445	6.	1736 (or earlier)	Schemellis Gesangbuch No. 335: "Brunnquell aller Güter" (song 29/69)		V Bc	39: 277	III/2.1: 104		0515 446	6.	1736 (or earlier)	Schemellis Gesangbuch No. 39: "Der lieben Sonnen Licht und Pracht" (song 2/69)		V Bc	39: 277	III/2.1: 104		0516 447	6.	1736 (or earlier)	Schemellis Gesangbuch No. 40: "Der Tag ist hin, die Sonne gehet nieder" (song 3/69)		V Bc	39: 277	III/2.1: 104		0517 448	6.	1736 (or earlier)	Schemellis Gesangbuch No. 43: "Der Tag mit seinem Lichte" (song 4/69)		V Bc	39: 277	III/2.1: 104		0518 449	6.	1736 (or earlier)	Schemellis Gesangbuch No. 396: "Dich bet ich an, mein höchster Gott" (song 31/69)		V Bc	39: 277	III/2.1: 104		0519 450	6.	1736 (or earlier)	Schemellis Gesangbuch No. 258: "Die bittre Leidenszeit beginnet abermal" (song 17/69)		V Bc	39: 277	III/2.1: 104		0520 451	6.	1736 (or earlier)	Schemellis Gesangbuch No. 13: "Die güldne Sonne" (song 1/69)		V Bc	39: 277	III/2.1: 104		0521 452	6.	1736 (or earlier)	Schemellis Gesangbuch No. 397: "Dir, dir, Jehova, will ich singen" (song 32/69)		V Bc	39: 277	III/2.1: 104		0522 453	6.	1736 (or earlier)	Schemellis Gesangbuch No. 112: "Eins ist not! ach Herr, dies Eine" (song 7/69)		V Bc	39: 277	III/2.1: 104		0523 454	6.	1736 (or earlier)	Schemellis Gesangbuch No. 187: "Ermuntre dich, mein schwacher Geist" (song 12/69)		V Bc	39: 277	III/2.1: 104		0524 455	6.	1736 (or earlier)	Schemellis Gesangbuch No. 580: "Erwürgtes Lamm, das die verwahrten Siegel" (song 43/69)		V Bc	39: 277	III/2.1: 104		0525 456	6.	1736 (or earlier)	Schemellis Gesangbuch No. 572: "Es glänzet der Christen inwendiges Leben" (song 40/69)		V Bc	39: 277	III/2.1: 104		0526 457	6.	1736 (or earlier)	Schemellis Gesangbuch No. 847: "Es ist nun aus mit meinem Leben" (song 57/69)		V Bc	39: 277	III/2.1: 104		0527 458	6.	1736 (or earlier)	Schemellis Gesangbuch No. 306: "Es ist vollbracht! Vergiss ja nicht dies Wort" (song 25/69)		V Bc	39: 277	III/2.1: 104		0528 459	6.	1736 (or earlier)	Schemellis Gesangbuch No. 522: "Es kostet viel, ein Christ zu sein" (song 38/69)		V Bc	39: 277	III/2.1: 104		0529 460	6.	1736 (or earlier)	Schemellis Gesangbuch No. 647: "Gib dich zufrieden und sei stille" (song 45/69)		V Bc	39: 277	III/2.1: 104		0530 461	6.	1736 (or earlier)	Schemellis Gesangbuch No. 488: "Gott lebet noch" (song 37/69)		V Bc	39: 277	III/2.1: 104		0531 462	6.	1736 (or earlier)	Schemellis Gesangbuch No. 360: "Gott wie groß ist deine Güte" (song 30/69)		V Bc	39: 277	III/2.1: 104		0532 463	6.	1736 (or earlier)	Schemellis Gesangbuch No. 78: "Herr, nicht schicke deine Rache" (song 5/69)		V Bc	39: 277	III/2.1: 104		0533 464	6.	1736 (or earlier)	Schemellis Gesangbuch No. 861: "Ich bin ja, Herr, in deiner Macht" (song 58/69)		V Bc	39: 277	III/2.1: 104		0534 465	6.	1736 (or earlier)	Schemellis Gesangbuch No. 194: "Ich freue mich in dir" (song 13/69)		V Bc	39: 277	III/2.1: 104		0535 466	6.	1736 (or earlier)	Schemellis Gesangbuch No. 657: "Ich halte treulich still" (song 46/69)		V Bc	39: 277	III/2.1: 104		0536 467	6.	1736 (or earlier)	Schemellis Gesangbuch No. 734: "Ich lass dich nicht" (song 51/69)		V Bc	39: 277	III/2.1: 104		0537 468	6.	1736 (or earlier)	Schemellis Gesangbuch No. 737: "Ich liebe Jesum alle Stund" (song 52/69)		V Bc	39: 277	III/2.1: 104		0538 469	6.	1736 (or earlier)	Schemellis Gesangbuch No. 195: "Ich steh an deiner Krippen hier" (song 14/69)		V Bc	39: 277	III/2.1: 104		0539 476	6.	1736 (or earlier)	Schemellis Gesangbuch No. 197: "Ihr Gestirn, ihr hohlen Lüfte" (song 15/69)		V Bc	39: 277	III/2.1: 104		0546 471	6.	1736 (or earlier)	Schemellis Gesangbuch No. 139: "Jesu, deine Liebeswunden" (song 10/69)		V Bc	39: 277	III/2.1: 104		0541 470	6.	1736 (or earlier)	Schemellis Gesangbuch No. 741: "Jesu, Jesu, du bist mein" (song 53/69)		V Bc	39: 277	III/2.1: 104		0540 472	6.	1736 (or earlier)	Schemellis Gesangbuch No. 119: "Jesu, meines Glaubens Zier" (song 8/69)		V Bc	39: 277	III/2.1: 104		0542 473	6.	1736 (or earlier)	Schemellis Gesangbuch No. 696: "Jesu, meines Herzens Freud" (song 48/69)		V Bc	39: 277	III/2.1: 104		0543 474	6.	1736 (or earlier)	Schemellis Gesangbuch No. 463: "Jesus ist das schönste Licht" (song 33/69)		V Bc	39: 277	III/2.1: 104		0544 475	6.	1736 (or earlier)	Schemellis Gesangbuch No. 333: "Jesus, unser Trost und Leben" (song 28/69)		V Bc	39: 277	III/2.1: 104		0545 477	6.	1736 (or earlier)	Schemellis Gesangbuch No. 869: "Kein Stündlein geht dahin" (song 60/69)		V Bc	39: 277	III/2.1: 104		0547 478	6.	1736 (or earlier)	Schemellis Gesangbuch No. 868: "Komm, süßer Tod" (song 59/69)		V Bc	39: 277	III/2.1: 104		0548 479	6.	1736 (or earlier)	Schemellis Gesangbuch No. 936: "Kommt, Seelen, dieser Tag" (song 67/69)		V Bc	39: 277	III/2.1: 104		0549 480	6.	1736 (or earlier)	Schemellis Gesangbuch No. 938: "Kommt wieder aus der finstern Gruft" (song 68/69)		V Bc	39: 277	III/2.1: 104		0550 481	6.	1736 (or earlier)	Schemellis Gesangbuch No. 281: "Lasset uns mit Jesu ziehen" (song 18/69)		V Bc	39: 277	III/2.1: 104		0551 482	6.	1736 (or earlier)	Schemellis Gesangbuch No. 467: "Liebes Herz, bedenke doch" (song 34/69)		V Bc	39: 277	III/2.1: 104		0552 483	6.	1736 (or earlier)	Schemellis Gesangbuch No. 873: "Liebster Gott, wann werd ich sterben" (song 61/69)		V Bc	39: 277	III/2.1: 104		0553 484	6.	1736 (or earlier)	Schemellis Gesangbuch No. 874: "Liebster Herr Jesu, wo bleibst du so lange" (song 62/69)		V Bc	39: 277	III/2.1: 104		0554 485	6.	1736 (or earlier)	Schemellis Gesangbuch No. 761: "Liebster Immanuel, Herzog der Frommen" (song 54/69)		V Bc	39: 277	III/2.1: 104		0555 488	6.	1736 (or earlier)	Schemellis Gesangbuch No. 881: "Meines Lebens letzte Zeit" (song 63/69)		V Bc	39: 277	III/2.1: 104		0558 486	6.	1736 (or earlier)	Schemellis Gesangbuch No. 121: "Mein Jesu, dem die Seraphinen" (song 9/69)		V Bc	39: 277	III/2.1: 104		0556 487	6.	1736 (or earlier)	Schemellis Gesangbuch No. 283: "Mein Jesu! was vor Seelenweh" (song 19/69)		V Bc	39: 277	III/2.1: 104		0557 489	6.	1736 (or earlier)	Schemellis Gesangbuch No. 574: "Nicht so traurig, nicht so sehr" (song 41/69)		V Bc	39: 277	III/2.1: 104		0559 490	6.	1736 (or earlier)	Schemellis Gesangbuch No. 700: "Nur mein Jesus ist mein Leben" (song 49/69)		V Bc	39: 277	III/2.1: 104		0560 491	6.	1736 (or earlier)	Schemellis Gesangbuch No. 284: "O du Liebe meiner Liebe" (song 20/69)		V Bc	39: 277	III/2.1: 104		0561 492	6.	1736 (or earlier)	Schemellis Gesangbuch No. 891: "O finstre Nacht, wenn wirst du doch vergehen" (song 64/69)		V Bc	39: 277	III/2.1: 104		0562 493	6.	1736 (or earlier)	Schemellis Gesangbuch No. 203: "O Jesulein süß, o Jesulein mild" (song 16/69)		V Bc	39: 277	III/2.1: 104		0563 494	6.	1736 (or earlier)	Schemellis Gesangbuch No. 575: "O liebe Seele, zieh die Sinnen" (song 42/69)		V Bc	39: 277	III/2.1: 104		0564 495	6.	1736 (or earlier)	Schemellis Gesangbuch No. 894: "O wie selig seid ihr doch, ihr Frommen" (song 65/69)		V Bc	39: 277	III/2.1: 104		0565 496	6.	1736 (or earlier)	Schemellis Gesangbuch No. 472: "Seelenbräutigam" (song 35/69)		V Bc	39: 277	III/2.1: 104		0566 497	6.	1736 (or earlier)	Schemellis Gesangbuch No. 710: "Seelenweide" (song 50/69)		V Bc	39: 277	III/2.1: 104		0567 499	6.	1736 (or earlier)	Schemellis Gesangbuch No. 293: "Sei gegrüßet, Jesu gütig" (song 22/69)		V Bc	39: 277	III/2.1: 104		0569 498	6.	1736 (or earlier)	Schemellis Gesangbuch No. 292: "Selig, wer an Jesum denkt" (song 21/69)		V Bc	39: 277	III/2.1: 104		0568 500	6.	1736 (or earlier)	Schemellis Gesangbuch No. 296: "So gehst du nun, mein Jesu hin" (song 23/69)		V Bc	39: 277	III/2.1: 104	text by Nachtenhöfer (de); ↔ BWV 500a	0570 501	6.	1736 (or earlier)	Schemellis Gesangbuch No. 315: "So gibst du nun, mein Jesu, gute Nacht" (song 26/69)		V Bc	39: 277	III/2.1: 104		0572 502	6.	1736 (or earlier)	Schemellis Gesangbuch No. 901: "So wünsch ich mir zu guter Letzt" (song 66/69)		V Bc	39: 277	III/2.1: 104		0573 503	6.	1736 (or earlier)	Schemellis Gesangbuch No. 945: "Steh ich bei meinem Gott" (song 69/69)		V Bc	39: 277	III/2.1: 104		0574 504	6.	1736 (or earlier)	Schemellis Gesangbuch No. 475: "Vergiss mein nicht" (song 36/69)		V Bc	39: 277	III/2.1: 104		0575 505	6.	1736 (or earlier)	Schemellis Gesangbuch No. 627: "Vergiss mein nicht" (song 44/69)		V Bc	39: 277	III/2.1: 104		0576 506	6.	1736 (or earlier)	Schemellis Gesangbuch No. 779: "Was bist du doch, o Seele, so betrübt" (song 55/69)		V Bc	39: 277	III/2.1: 104		0577 507	6.	1736 (or earlier)	Schemellis Gesangbuch No. 108: "Wo ist mein Schäflein, das ich liebe" (song 6/69)		V Bc	39: 277	III/2.1: 104		0578 508	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir"		V Bc	432: 36 39: 309	V/4: 102	by Stölzel	0579 299 AMB2	6. 1725–1735	Notebook A. M. Bach (1725) No. 39: chorale Dir, dir, Jehova, will ich singen		S(AT)B (V Bc)	432: 50	V/4: 126	↔ BWV 299	0369 509	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke"		V Bc	432: 52 39: 310	V/4: 128		0580 510	6.	1725–1733	Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille"	F major	V Bc	432: 30 39: 311	V/4: 91		0581 511	6.	1725–1733	Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille"	G minor	V Bc	432: 31 39: 287	V/4: 91	text by Gerhardt; → BWV 512	0582 512	6.	1725–1733	Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille"	E minor	V Bc	432: 31 39: 287	V/4: 91	text by Gerhardt; after BWV 511; ↔ 315	0583 513	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort"		V Bc	432: 52 39: 301	V/4: 129	text by Rist; ↔ BWV 397	0584 514	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott"		V Bc	432: 48 39: 303	V/4: 125	text by Schmolck	0585 515	6.	after 1733–1734	Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife"	D minor	V Bc	432: 34	V/4: 98	by Bach, G. H.?; → BWV 515a	0586 515a	6. after 1733–1734	Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife"	G minor	V Bc	432: 34 39: 309	V/4: 98	after BWV 515	0587 516	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich"		V Bc	432: 46 39: 307	V/4: 121		0588 517	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen"		V Bc	432: 51 39: 307	V/4: 128	text by Dreßler	0589 518	6.	after 1725	Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"		V Bc	432: 49 39: 311	V/4: 126		0590 519	6.	c.1736? Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden"		V Bc			by Krebs, J. L.?; in Spitta III, pp. 401–403	0591 520	6.	c.1736? Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"		V Bc			by Krebs, J. L.?; in Spitta III, pp. 401–403	0592 521	6.	c.1736? Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet"		V		III/3	by Krebs, J. L.?; in Spitta III, pp. 401–403	0593 522	6.	c.1736? Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"		V			by Krebs, J. L.?; in Spitta III, pp. 401–403	0594 523	6.	c.1736? Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande"		V			by Krebs, J. L.?; in Spitta III, pp. 401–403	0595 524	6.	1707 – July 1708	Quodlibet (incomplete; wedding?)		SATB (SBBB) Bc	NBG 322	I/41: 69		0596 7.	Works for organ (see also: List of organ compositions by Johann Sebastian Bach)	Up ↑ 525	7.	c.1730	Trio Sonata No. 1/6	E♭ major	Organ	15: 1	IV/7: 1	→ BWV 525a	0597 526	7.	c.1730	Trio Sonata No. 2/6	C minor	Organ	15: 13	IV/7: 14		0598 527	7.	c.1730	Trio Sonata No. 3/6 (+e. v. for /1)	D minor	Organ	15: 26	IV/7: 28	→ BWV 1044/2	0599 528	7.	c.1730	Trio Sonata No. 4/6 (+e. v. for /2, /3)	E minor	Organ	15: 40	IV/7: 44	after BWV 76/8	0600 529	7.	c.1730	Trio Sonata No. 5/6 (+e. v. for /2)	C major	Organ	15: 50	IV/7: 56		0601 530	7.	c.1730	Trio Sonata No. 6/6	G major	Organ	15: 66	IV/7: 76		0602 531	7.	c.1700–1703	Prelude and Fugue	C major	Organ	15: 81	IV/5: 3	in Möllersche Handschrift	0603 532	7.	c.1708–1712	Prelude and Fugue	D major	Organ	15: 88	IV/5: 58	↔ BWV 912, 532/2a	0604 532/2a	7. Fugue	D major	Organ		IV/6: 95	↔ BWV 532/2	0605 533	7.	c.1704	Prelude and Fugue ("Cathedral")	E minor	Organ	15: 100	IV/5: 90	↔ BWV 533a	0606 533a	7. Prelude and Fugue	E minor	Keyboard		IV/6: 106	↔ BWV 533	0607 534	7.	c.1712–1717	Prelude and Fugue	F minor	Organ	15: 104	IV/5: 130		0608 535	7.	after 1717	Prelude and Fugue	G minor	Organ	15: 112	IV/5: 157	after BWV 535a	0609 535a	7. c.1702–1704	Prelude and Fugue (incomplete)	G minor	Organ		IV/6: 109	→ BWV 535; in Möllersche Handschrift	0610 536	7.	1708–1717	Prelude and Fugue	A major	Organ	15: 120	IV/5: 180	↔ BWV 152/1; → 536a	0611 537	7.	1729–1750	Fantasia and Fugue	C minor	Organ	15: 129	IV/5: 47		0613 538	7.	1712–1717	Toccata and Fugue ("Dorian")	D minor	Organ	15: 136	IV/5: 76		0614 539	7.	1724–1750?	Prelude and Fugue	D minor	Organ	15: 148	IV/5: 70	after BWV 1001/2, 1000	0615 540	7.	c.1712–1717? Toccata and Fugue	F major	Organ	15: 154	IV/5: 112		0616 541 528/3	7.	c.1712–1717? Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement)	G major	Organ	15: 169	IV/5: 146	→ BWV 528/3	0617 542	7.	c.1714–1720? Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor)	G minor	Organ	15: 177	IV/5: 167		0618 543	7.	after c.1730	Prelude and Fugue	A minor	Organ	15: 189	IV/5: 186	after BWV 543/1a	0619 543/1a	7. bef. c.1725	Prelude	A minor	Organ		IV/6: 121	→ BWV 543/1	0620 544	7.	1725–1728	Prelude and Fugue	B minor	Organ	15: 199	IV/5: 198		0621 545 529/2	7.	1708–1717 after 1722	Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722)	C major	Organ	15: 212	IV/5: 10	after BWV 545a, b; → 529/2	0622 545a	7. 1708–1717	Prelude and Fugue (early version)	C major	Organ		IV/6: 77	→ BWV 545b, 545	0623 546	7.	1708–1750	Prelude and Fugue	C minor	Organ	15: 218	IV/5: 35		0625 547	7.	1719–1750	Prelude and Fugue	C major	Organ	15: 228	IV/5: 20		0626 548	7.	1725–1728	Prelude and Fugue ("Wedge")	E minor	Organ	15: 236	IV/5: 94		0627 549	7.	1705–1750	Prelude and Fugue	C minor	Organ	38: 3	IV/5: 30	after BWV 549a	0628 549a	7. c.1701	Prelude (or: Fantasia) and Fugue	D minor	Organ		IV/6: 101	→ BWV 549; in Möllersche Handschrift	0629 550	7.	1706–1708	Prelude and Fugue	G major	Organ	38: 9	IV/5: 138		0630 551	7.	c.1699	Prelude and Fugue	A minor	Organ	38: 17	IV/6: 63		0631 552	7.	1739	Prelude and Fugue ("St Anne") from Clavier-Übung III	E♭ major	Organ	3: 173, 254	IV/4: 2, 105		0632 562	7.	1720–c.1748	Fantasia and Fugue (unfinished fugue added c.1747–1748)	C minor	Organ	38: 64, 209 44: 4	IV/5: 54		0642 563	7.	c.1704	Fantasia and Imitatio	C major	Organ	38: 59	IV/6: 68	in Andreas-Bach-Buch	0643 564	7.	bef. c.1712	Toccata, Adagio and Fugue	C major	Organ	15: 253	IV/6: 3		0644 565	7.	c.1704? Toccata and Fugue	D minor	Organ	15: 267	IV/6: 31		0645 566	7.	1700–1750	Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA)	E major C major	Organ	15: 276	IV/6: 40		0646 568	7.	c.1700–1705? Prelude	G major	Organ	38: 85	IV/6: 51		0648 569	7.	1703–c.1704	Prelude	A minor	Organ	38: 89	IV/6: 59		0649 1121	7.	1706–1710	Fantasia	C minor	Organ		IV/11: 54	in Andreas-Bach-Buch; was Anh. 205	1516 570	7.	c.1698–1704	Fantasia	C major	Organ	38: 62	IV/6: 16	in Andreas-Bach-Buch	0650 572	7.	1708–c.1712	Fantasia, a.k.a. Pièce d'Orgue (+reworked version)	G major	Organ	38: 75	IV/7: 130, 144		0652 573	7.	c.1722–1725	Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?)	C minor	Keyboard	38: 209 432: 003	V/4: 39 IV/6: 18		0653 574	7.	after c.1708? Fugue on a theme by Legrenzi	C minor	Organ	38: 94	IV/6: 19	after BWV 574b; ↔ 574a	0654 574a	7. after c.1708? Fugue on a theme by Legrenzi (variant)	C minor	Organ	38: 205	IV/6: 82	after BWV 574b; ↔ 574	0655 574b	7. c.1707–1713 or earlier	Fugue on a theme by Legrenzi (early version)	C minor	Organ		IV/6: 88	after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch	0656 575	7.	1708–1717?	Fugue	C minor	Organ	38: 101	IV/6: 26		0657 578	7.	c.1713 or earlier	Fugue ("Little")	G minor	Organ	38: 116	IV/6: 55	in Andreas-Bach-Buch	0660 579	7.	1708–1717?	Fugue on a theme by Corelli	B minor	Organ	38: 121	IV/6: 71	after Corelli (theme)	0661 582	7.	bef. 1707 1707–1708	Passacaglia (and Fugue)	C minor	Organ	15: 289	IV/7: 98	in Andreas-Bach-Buch	0664 583	7.	c.1730 or earlier? Trio	D minor	Organ	38: 143	IV/7: 94		0665 585	7.	c.1726–1727 (JSB)	Trio	C minor	Organ	38: 219	IV/8: 73	after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach	0667 586	7.	bef. c.1740	Trio	G major	Organ		IV/8: 78	after Telemann? 0668 587	7.	after 1726	Aria	F major	Organ	38: 222	IV/8: 82	after Couperin, Les NationsIII/4	0669 588	7.	c.1704–1707 or earlier	Canzona	D minor	Organ	38: 126	IV/7: 118	in Möllersche Handschrift	0670 589	7.	1700–1720?	Alla breve	D major	Organ	38: 131	IV/7: 114		0671 590	7.	bef. c.1727	Pastorella (/1 incomplete?)	F major	Organ	38: 135	IV/7: 122		0672 592	7.	c.1714–1717	Concerto	G major	Organ	38: 149	IV/8: 56	after J. E. of Saxe-Weimar, Violin Concerto in G major; → BWV 592a	0674 592a	7. c.1714–1717	Concerto	G major	Keyboard	42: 282	V/11: 150	after BWV 592	0675 593	7.	c.1714–1717	Concerto	A minor	Organ	38: 158	IV/8: 16	after Vivaldi, Op. 3 No. 8 (RV 522)	0676 594	7.	c.1714–1717	Concerto	C major	Organ	38: 171	IV/8: 30	after Vivaldi, RV 208 (Grosso Mogul)	0677 595	7.	c.1714–1717	Concerto	C major	Organ	38: 196	IV/8: 65	after BWV 984/1	0678 596	7.	c.1714–1717	Concerto (arrangement previously attributed to W. F. Bach)	D minor	Organ		IV/8: 3	after Vivaldi, Op. 3 No. 11 (RV 565)	0679 599	7.	1713–1715 or earlier	Chorale prelude Nun komm, der Heiden Heiland (Orgelbüchlein No. 1)	A minor	Organ	252: 1	IV/1: 3		0682 600	7.	1713–1715 or earlier	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen (Orgelbüchlein No. 2)	F major	Organ	252: 1	IV/1: 4		0683 601	7.	1713–1715 or earlier	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (Orgelbüchlein No. 3; also in Neumeister Collection)	A major	Organ	252: 1	IV/1: 6		0684 602	7.	1713–1715 or earlier	Chorale prelude Lob sei dem allmächtigen Gott (Orgelbüchlein No. 4)	D minor	Organ	252: 1	IV/1: 7		0685 603	7.	1713–1715 or earlier	Chorale prelude Puer natus in Bethlehem (Orgelbüchlein No. 5)	G minor	Organ	252: 1	IV/1: 8		0686 604	7.	1713–1715 or earlier	Chorale prelude Gelobet seist du, Jesu Christ (Orgelbüchlein No. 6)	G major	Organ	252: 1	IV/1: 11		0687 605	7.	1713–1715 or earlier	Chorale prelude Der Tag, der ist so freudenreich (Orgelbüchlein No. 7)	G major	Organ	252: 1	IV/1: 11		0688 606	7.	1713–1715 or earlier	Chorale prelude Vom Himmel hoch, da komm ich her (Orgelbüchlein No. 8)	D major	Organ	252: 1	IV/1: 13		0689 607	7.	1713–1715 or earlier	Chorale prelude Vom Himmel kam der Engel Schar (Orgelbüchlein No. 9)	G minor	Organ	252: 1	IV/1: 14		0690 608	7.	1713–1715 or earlier	Chorale prelude In dulci jubilo (Orgelbüchlein No. 10)	A major	Organ	252: 1	IV/1: 16		0691 609	7.	1713–1715 or earlier	Chorale prelude Lobt Gott, ihr Christen allzugleich (Orgelbüchlein No. 11)	G major	Organ	252: 1	IV/1: 18		0692 610	7.	1713–1715 or earlier	Chorale prelude Jesu, meine Freude (Orgelbüchlein No. 12)	C minor	Organ	252: 1	IV/1: 19		0693 611	7.	1713–1715 or earlier	Chorale prelude Christum wir sollen loben schon (Orgelbüchlein No. 13)	E minor	Organ	252: 1	IV/1: 20		0694 612	7.	1713–1715 or earlier	Chorale prelude Wir Christenleut (Orgelbüchlein No. 14)	G minor	Organ	252: 1	IV/1: 22		0695 613	7.	after 1724? Chorale prelude Helft mir Gotts Güte preisen (Orgelbüchlein No. 15)	B minor	Organ	252: 1	IV/1: 24		0696 614	7.	1713–1715 or earlier	Chorale prelude Das alte Jahr vergangen ist (Orgelbüchlein No. 16)	A minor	Organ	252: 1	IV/1: 25		0697 615	7.	1713–1715 or earlier	Chorale prelude In dir ist Freude (Orgelbüchlein No. 17)	G major	Organ	252: 1	IV/1: 27		0698 616	7.	1713–1715 or earlier	Chorale prelude Mit Fried und Freud ich fahr dahin (Orgelbüchlein No. 18)	D minor	Organ	252: 1	IV/1: 30		0699 617	7.	1713–1715 or earlier	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Orgelbüchlein No. 19)	A minor	Organ	252: 1	IV/1: 32		0700 618	7.	1713–1715 or earlier	Chorale prelude O Lamm Gottes, unschuldig (Orgelbüchlein No. 20)	F major	Organ	252: 1	IV/1: 34		0701 619	7.	1713–1715 or earlier	Chorale prelude Christe, du Lamm Gottes (Orgelbüchlein No. 21)	F major	Organ	252: 1	IV/1: 36		0702 620	7.	after 1724? Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22)	A minor	Organ	252: 1	IV/1: 37	after BWV 620a	0703 620a	7. 1713–1715 or earlier	Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22, e. v.)	A minor	Organ	252: 149	IV/1: 78	→ BWV 620	0704 621	7.	1713–1715 or earlier	Chorale prelude Da Jesus an dem Kreuze stund (Orgelbüchlein No. 23)	A minor	Organ	252: 1	IV/1: 39		0705 622	7.	1713–1715 or earlier	Chorale prelude O Mensch, bewein dein Sünde groß (Orgelbüchlein No. 24)	E♭ major	Organ	252: 1	IV/1: 40	→ BWV 622 (var.)	0706 622 (var.)	7. 1716–1789	Chorale prelude O Mensch, bewein dein Sünde groß (variant)		Organ			after BWV 622	0707 623	7.	1713–1715 or earlier	Chorale prelude Wir danken dir, Herr Jesu Christ (Orgelbüchlein No. 25)	G major	Organ	252: 1	IV/1: 42		0708 624	7.	1713–1715 or earlier	Chorale prelude Hilf Gott, dass mir's gelinge (Orgelbüchlein No. 26)	G minor	Organ	252: 1	IV/1: 44		0709 625	7.	1713–1715 or earlier	Chorale prelude Christ lag in Todesbanden (Orgelbüchlein No. 27)	D minor	Organ	252: 1	IV/1: 46		0710 626	7.	1713–1715 or earlier	Chorale prelude Jesus Christus, unser Heiland, der den Tod überwand (Orgelbüchlein No. 28)	A minor	Organ	252: 1	IV/1: 48		0711 627	7.	1713–1715 or earlier	Chorale prelude Christ ist erstanden (Orgelbüchlein No. 29)	D minor	Organ	252: 1	IV/1: 49		0712 628	7.	1713–1715 or earlier	Chorale prelude Erstanden ist der heilge Christ (Orgelbüchlein No. 30)	D major	Organ	252: 1	IV/1: 54		0713 629	7.	1713–1715 or earlier	Chorale prelude Erschienen ist der herrliche Tag (Orgelbüchlein No. 31)	D minor	Organ	252: 1	IV/1: 55		0714 630	7.	1713–1715 or earlier	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32)	D minor	Organ	252: 1	IV/1: 56	after BWV 630a	0715 630a	7. bef. 1716	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32, e. v.)		Organ		IV/1: 80	→ BWV 630	0716 631	7.	1723–1750	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33)	D minor	Organ	252: 1	IV/1: 58	after BWV 631a	0717 631a	7. 1713–1715 or earlier	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33, e. v.)	G major	Organ	252: 150	IV/1: 82	→ BWV 631	0718 632	7.	1713–1715 or earlier	Chorale prelude Herr Jesu Christ, dich zu uns wend (Orgelbüchlein No. 34)	F major	Organ	252: 1	IV/1: 59		0719 633	7.	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier distinctus (Orgelbüchlein No. 36)	A major	Organ	252: 1	IV/1: 61	after BWV 634	0720 634	7.	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier (Orgelbüchlein No. 35)	A major	Organ	252: 1	IV/1: 60	→ BWV 633	0721 635	7.	1713–1715 or earlier	Chorale prelude Dies sind die heilgen zehn Gebot (Orgelbüchlein No. 37)	C major	Organ	252: 1	IV/1: 62		0722 636	7.	1713–1715 or earlier	Chorale prelude Vater unser im Himmelreich (Orgelbüchlein No. 38)	D minor	Organ	252: 1	IV/1: 64		0723 637	7.	1713–1715 or earlier	Chorale prelude Durch Adams Fall ist ganz verderbt (Orgelbüchlein No. 39)	A minor	Organ	252: 1	IV/1: 65		0724 638	7.	1713–1715 or earlier	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40)	D major	Organ	252: 1	IV/1: 66	after BWV 638a	0725 638a	7. bef. c.1715	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40, e. v.)		Organ		IV/1: 83	→ BWV 638	0726 639	7.	1713–1715 or earlier	Chorale prelude Ich ruf zu dir, Herr Jesu Christ (Orgelbüchlein No. 41; also in Neumeister Collection)	F minor	Organ	252: 1	IV/1: 68	→ BWV Anh. 73	0727 640	7.	1713–1715 or earlier	Chorale prelude In dich hab ich gehoffet, Herr (Orgelbüchlein No. 42)	E minor	Organ	252: 1	IV/1: 70		0728 641	7.	1713–1715 or earlier	Chorale prelude Wenn wir in höchsten Nöten sein (Orgelbüchlein No. 43)	G major	Organ	252: 1	IV/1: 71		0729 642	7.	1713–1715 or earlier	Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44)	A minor	Organ	252: 1	IV/1: 72		0730 643	7.	1713–1715 or earlier	Chorale prelude Alle Menschen müssen sterben (Orgelbüchlein No. 45)	G major	Organ	252: 1	IV/1: 74		0731 644	7.	1713–1715 or earlier	Chorale prelude Ach wie nichtig, ach wie flüchtig (Orgelbüchlein No. 46)	G minor	Organ	252: 1	IV/1: 75		0732 645	7.	1748–1749	Chorale prelude Wachet auf, ruft uns die Stimme (Schübler Chorales No. 1)	E♭ major	Organ	252: 61	IV/1: 86	after BWV 140/4	0733 646	7.	1748–1749	Chorale prelude Wo soll ich fliehen hin (or) Auf meinen lieben Gott (Schübler Chorales No. 2)	E minor	Organ	252: 61	IV/1: 90		0734 647	7.	1748–1749	Chorale prelude Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3)	C minor	Organ	252: 61	IV/1: 92	after BWV 93/4	0735 648	7.	1748–1749	Chorale prelude Meine Seele erhebt den Herren (Schübler Chorales No. 4)	D minor	Organ	252: 61	IV/1: 94	after BWV 10/5	0736 649	7.	1748–1749	Chorale prelude Ach bleib bei uns, Herr Jesu Christ (Schübler Chorales No. 5)	B♭ major	Organ	252: 61	IV/1: 95	after BWV 6/3	0737 650	7.	1748–1749	Chorale prelude Kommst du nun, Jesu, vom Himmel herunter (Schübler Chorales No. 6)	G major	Organ	252: 61	IV/1: 98	after BWV 137/2	0738 651	7.	1747–1748	Chorale prelude Komm, heiliger Geist (Fantasia; Leipzig Chorales 1/18)	F major	Organ	252: 77	IV/2: 3	after BWV 651a	0739 651a	7. 1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (Fantasia; e. v.: Weimar)		Organ	252: 151	IV/2: 117	→ BWV 651	0740 652	7.	1747–1748	Chorale prelude Komm, heiliger Geist, Herre Gott (alio modo; Leipzig Chorales 2/18)	G major	Organ	252: 77	IV/2: 13	after BWV 652a	0741 652a	7. 1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (e. v.: Weimar)		Organ		IV/2: 121	→ BWV 652	0742 653	7.	1747–1748	Chorale prelude An Wasserflüssen Babylon (Leipzig Chorales 3/18)	G major	Organ	252: 77	IV/2: 22	after BWV 653a	0743 653a	7. 1708–1717	Chorale prelude An Wasserflüssen Babylon (alio modo; 2nd v.: Weimar)		Organ	252: 157	IV/2: 133	after BWV 653b; → BWV 653	0744 653b	7. 1708–1717	Chorale prelude An Wasserflüssen Babylon (à 5; 1st v.: Weimar)		Organ	40: 41	IV/2: 130	→ BWV 653a	0745 654	7.	1747–1748	Chorale prelude Schmücke dich, o liebe Seele (Leipzig Chorales 4/18)	E♭ major	Organ	252: 77	IV/2: 26	after BWV 654a	0746 654a	7. 1708–1717	Chorale prelude Schmücke dich, o liebe Seele (e. v.: Weimar)		Organ		IV/2: 136	→ BWV 654	0747 655	7.	1747–1748	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; Leipzig Chorales 5/18)	G major	Organ	252: 77	IV/2: 31	after BWV 655a; ↔ 655 var. 1–4; → 655b–c	0748 655, var. 1	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 1)		Organ			↔ 655(a), var. 2–4	0749 655, var. 2	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 2)	F major	Organ			↔ 655(a), var. 1, 3–4	0750 655, var. 3	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 3)		Organ			↔ 655(a), var. 1–2, 4	0751 655, var. 4	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 4)		Organ			↔ 655(a), var. 1–3	0752 655a	7. 1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; e. v.: Weimar)		Organ	252: 162	IV/2: 140	→ BWV 655(b–c); ↔ 655 var. 1–4	0753 656	7.	1747–1748	Chorale prelude O Lamm Gottes, unschuldig (Leipzig Chorales 6/18)	A major	Organ	252: 77	IV/2: 38	after BWV 656a	0756 656a	7. 1708–1717	Chorale prelude O Lamm Gottes, unschuldig (e. v.: Weimar)		Organ	252: 166	IV/2: 146	→ BWV 656	0757 657	7.	1708–1717	Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18)	G major	Organ	252: 77	IV/2: 46		0758 658	7.	1747–1748	Chorale prelude Von Gott will ich nicht lassen (Leipzig Chorales 8/18)	F minor	Organ	252: 77	IV/2: 51	after BWV 658a	0759 658a	7. 1708–1717	Chorale prelude Von Gott will ich nicht lassen (Fantasia; e. v.: Weimar)		Organ	252: 170	IV/2: 154	→ BWV 658	0760 659	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 9/18)	G minor	Organ	252: 77	IV/2: 55	after BWV 659a	0761 659a	7. 1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Fantasia; e. v.: Weimar)		Organ	252: 172	IV/2: 157	→ BWV 659	0762 660	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Trio; Leipzig Chorales 10/18)	G minor	Organ	252: 77	IV/2: 59	after BWV 660a	0763 660a	7. 1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Trio; e. v.: Weimar)		Organ	252: 174	IV/2: 160	→ BWV 660, 660b	0764 660b	7. 1708–1719	Chorale prelude Nun komm, der Heiden Heiland (arrangement)		Organ	252: 176		by Krebs, J. T. (arr.)?; after BWV 660a	0765 661	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 11/18)	G minor	Organ	252: 77	IV/2: 62	after BWV 661a	0766 661a	7. 1708–1717	Chorale prelude Nun komm, der Heiden Heiland (e. v.: Weimar)		Organ	252: 178	IV/2: 164	→ BWV 661	0767 662	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 12/18)	A major	Organ	252: 77	IV/2: 67	after BWV 662a	0768 662a	7. 1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ		IV/2: 168	→ BWV 662	0769 663	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 13/18)	G major	Organ	252: 77	IV/2: 72	after BWV 663a	0770 663a	7. 1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ	252: 180	IV/2: 172	→ BWV 663	0771 664	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; Leipzig Chorales 14/18)	A major	Organ	252: 77	IV/2: 79	after BWV 664a–b	0772 664a	7. 1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; fair copy)		Organ	252: 183	IV/2	after BWV 664b; → BWV 664	0773 664b	7. 1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; sketch)		Organ		IV/2: 179	→ BWV 664(a)	0774 665	7.	1747–1748	Chorale prelude Jesus Christus, unser Heiland (Leipzig Chorales 15/18)	E minor	Organ	252: 77	IV/2: 87	after BWV 665a	0775 665a	7. 1708–1717	Chorale prelude Jesus Christus, unser Heiland (e. v.: Weimar)		Organ	252: 188	IV/2: 187	→ BWV 665	0776 666	7.	1708–1748	Chorale prelude Jesus Christus, unser Heiland (alio modo; Leipzig Chorales 16/18)	E minor	Organ	252: 77	IV/2: 91	after BWV 666a	0777 666a	7. 1708–1717	Chorale prelude Jesus Christus, unser Heiland (alio modo; e. v.: Weimar)		Organ		IV/2: 191	→ BWV 666	0778 667	7.	1747–1748	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Leipzig Chorales 17/18)	C major	Organ	252: 77	IV/2: 94	after BWV 667a	0779 667a	7. 1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar)		Organ		IV/2	after BWV 667b; → BWV 667	0780 667b	7. 1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar; sketch)		Organ		IV/2: 194	→ BWV 667(a)	0781 668	7.	1747–1748	Chorale prelude Vor deinen Thron tret ich hiermit (fragment; Leipzig Chorales 18/18)	G major	Organ	252: 77	IV/2: 113	after BWV 668a	0782 668a	7. 1708–1748	Chorale prelude Wenn wir in höchsten Nöten (e. v.)		Organ		IV/2: 212	→ BWV 668	0783 669	7.	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Organ	3: 184	IV/4: 16		0784 670	7.	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Organ	3: 184	IV/4: 18		0785 671	7.	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Organ	3: 184	IV/4: 20		0786 672	7.	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Org/man. 3: 184	IV/4: 27		0787 673	7.	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Org/man. 3: 184	IV/4: 28		0788 674	7.	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Org/man. 3: 184	IV/4: 29		0789 675	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	3: 184	IV/4: 30		0790 676	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	3: 184	IV/4: 33	→ BWV 676a	0791 677	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr (Fughetta) from Clavier-Übung III		Org/man. 3: 184	IV/4: 41		0793 678	7.	1739	Chorale prelude Dies sind die heiligen zehen Gebot from Clavier-Übung III		Organ	3: 184	IV/4: 42		0794 679	7.	1739	Chorale prelude Dies sind die heiligen zehen Gebot (Fughetta) from Clavier-Übung III		Org/man. 3: 184	IV/4: 49		0795 680	7.	1739	Chorale prelude Wir gläuben all an einen Gott from Clavier-Übung III		Organ	3: 184	IV/4: 52		0796 681	7.	1739	Chorale prelude Wir gläuben all an einen Gott (Fughetta) from Clavier-Übung III		Org/man. 3: 184	IV/4: 57		0797 682	7.	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Organ	3: 184	IV/4: 58		0798 683	7.	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Org/man. 3: 184	IV/4: 66	→ BWV 683a	0799 684	7.	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Organ	3: 184	IV/4: 68		0801 685	7.	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Org/man. 3: 184	IV/4: 73		0802 686	7.	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Organ	3: 184	IV/4: 74		0803 687	7.	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Org/man. 3: 184	IV/4: 78		0804 688	7.	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt from Clavier-Übung III		Organ	3: 184	IV/4: 81		0805 689	7.	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (Fugue) from Clavier-Übung III		Org/man. 3: 184	IV/4: 89		0806 690	7.	c.1700–1717	Chorale prelude Wer nur den lieben Gott lässt walten (Kirnberger collection No. 1)		Organ	40: 1	IV/3: 98		0807 691	7.	c.1720 or earlier	Notebook A. M. Bach (1725) No. 11 Chorale prelude Wer nur den lieben Gott lässt walten (WFB No. 3; Kirnb. coll. No. 2)		Organ	40: 1 432: 30 451: 214	V/5: 6 V/4: 90 IV/3: 98	→ BWV 691a	0808 694	7.	c.1700–1717	Chorale prelude Wo soll ich fliehen hin (Kirnb. coll. No. 5)		Organ	40: 1	IV/3: 103		0813 695	7.	c.1700–1717	Chorale prelude Christ lag in Todesbanden (Fantasia; Kirnb. coll. No. 6)		Organ	40: 1	IV/3: 20	→ BWV 695a	0814 695a	7. 1700–1789	Chorale prelude Christ lag in Todesbanden (variant)		Organ	40: 153		after BWV 695	0815 696	7.	c.1700–1717	Chorale prelude Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (Fughetta; Kirnb. coll. No. 7)		Organ	40: 1	IV/3: 23		0816 697	7.	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (Fughetta; Kirnb. coll. No. 8)		Organ	40: 1	IV/3: 32		0817 698	7.	c.1700–1717	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (Fughetta; Kirnb. coll. No. 9)		Organ	40: 1	IV/3: 35		0818 699	7.	c.1700–1717	Chorale prelude Nun komm, der Heiden Heiland (Fughetta; Kirnb. coll. No. 10)		Organ	40: 1	IV/3: 73		0819 700	7.	c.1699	Chorale prelude Vom Himmel hoch da komm ich her (Kirnb. coll. No. 11)		Organ	40: 1	IV/3: 92		0820 701	7.	c.1700–1717	Chorale prelude Vom Himmel hoch da komm ich her (Fughetta; Kirnb. coll. No. 12)		Organ	40: 1	IV/3: 96		0821 702	7.	c.1700–1717	Chorale prelude Das Jesulein soll doch mein Trost (Fughetta; Kirnb. coll. No. 13)		Organ	40: 1	IV/3: 45		0822 703	7.	c.1700–1717	Chorale prelude Gottes Sohn ist kommen (Fughetta; Kirnb. coll. No. 14)		Organ	40: 1	IV/3: 34		0823 704	7.	c.1700–1717	Chorale prelude Lob sei dem allmächtigen Gott (Fughetta; Kirnb. coll. No. 15)		Organ	40: 1	IV/3: 62		0824 705	7.	c.1700–1717	Chorale prelude Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16)		Organ	40: 1	IV/10: 47		0825 706/1 706/2	7.	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier (/2 = alio modo; Kirnb. coll. No. 17)		Organ	40: 1	IV/3: 59		0826 707	7.	c.1700–1717	Chorale prelude Ich hab mein Sach Gott heimgestellt (Kirnb. coll. No. 18)		Organ	40: 1	IV/10: 87		0827 708	7.	1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt (alio modo; Kirnb. coll. No. 19)		Organ	40: 1			0828 708a	7. 1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt		Organ	40: 152			0829 709	7.	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Kirnb. coll. No. 20)		Organ	40: 1	IV/3: 43		0830 710	7.	c.1700–1717	Chorale prelude Wir Christenleut habn jetzund Freud (Kirnb. coll. No. 21)		Organ	40: 1	IV/3: 100		0831 711	7.	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (bicinium; Kirnb. coll. No. 22)		Organ	40: 1	IV/3: 11		0832 712	7.	c.1708	Chorale prelude In dich hab ich gehoffet, Herr (Kirnb. coll. No. 23)		Organ	40: 1	IV/3: 48		0833 713	7.	c.1700–1717	Chorale prelude Jesu, meine Freude (Kirnb. coll. No. 24)		Organ	40: 1	IV/3: 54		0834 713a	7. 1700–1789	Chorale prelude Jesu, meine Freude (Fantasia; variant)		Organ	40: 155	IV/10: 93		0835 714	7.	1708–1717	Chorale prelude Ach Gott und Herr (Neumeister Chorales No. 13)		Organ	40: 41	IV/9: 26 IV/3: 3		0836 715	7.	1703–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	40: 41	IV/3: 14		0837 716	7.	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Fantasia)		Organ	40: 41	IV/10: 14		0838 717	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	40: 41	IV/3: 8		0839 718	7.	c.1700–1717	Chorale prelude Christ lag in Todesbanden		Organ	40: 41	IV/3: 16		0840 719	7.	c.1704	Chorale prelude Der Tag, der ist so freudenreich (Neumeister Chorales No. 1)		Organ	40: 41	IV/9: 2, 72		0841 720	7.	1709?	Chorale prelude Ein feste Burg ist unser Gott		Organ	40: 41	IV/3: 24	by Bach, J. Michael? 0842 721	7.	c.1704	Chorale prelude Erbarm dich mein, o Herre Gott		Organ	40: 41	IV/3: 28		0843 722	7.	1708–1717	Chorale prelude Gelobet seist du, Jesu Christ		Organ	40: 41	IV/3: 31	after BWV 722a	0844 722a	7. 1709?	Chorale prelude Gelobet seist du, Jesu Christ (sketch)		Organ	40: 158	IV/3: 30	→ BWV 722	0845 723	7.	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (also in Neumeister Collection)		Organ	40: 41		by Bach, J. Michael? 0846 724	7.	c.1699	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen		Organ	40: 41	IV/3: 33	in Andreas-Bach-Buch	0847 725	7.	c.1700–1717	Chorale prelude Herr Gott, dich loben wir		Organ	40: 41	IV/3: 36		0848 726	7.	1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ	40: 41	IV/3: 45		0849 727	7.	1708–1717	Chorale prelude Herzlich tut mich verlangen		Organ	40: 41	IV/3: 46		0850 728	7.	1722–1723 or earlier	Notebook A. M. Bach (1722) No. 8 Chorale prelude Jesus, meine Zuversicht		Organ	432: 5 40: 41	V/4: 41 IV/3: 58		0851 729	7.	1708–1717	Chorale prelude In dulci jubilo		Organ	40: 41	IV/3: 52	after BWV 729a	0852 729a	7. 1708–1717	Chorale prelude In dulci jubilo (sketch)		Organ	40: 158	IV/3: 50	→ BWV 729	0853 730	7.	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	40: 41	IV/3: 60		0854 731	7.	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	40: 41	IV/3: 61		0855 732	7.	1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich		Organ	40: 41	IV/3: 64	after BWV 732a	0856 732a	7. 1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich (draft)		Organ	40: 159	IV/3: 63	→ BWV 732	0857 733	7.	1708–1717	Chorale prelude Meine Seele erhebt den Herren (fugue)		Organ	40: 41	IV/3: 65	by Krebs, J. L.? 0858 734	7.	1708–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	40: 41	IV/3: 70	→ BWV 734a	0859 734a	7. 1708–1789	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	40: 160	IV/10	by Scholz (arr.)?; after BWV 734	0860 735	7.	c.1700–1717	Chorale prelude Valet will ich dir geben (Fantasia)		Organ	40: 41	IV/3: 77	after BWV 735a	0861 735a	7. c.1706	Chorale prelude Valet will ich dir geben (early version)		Organ	40: 161	IV/3: 81	→ BWV 735	0862 736	7.	1713–1717	Chorale prelude Valet will ich dir geben		Org (V Bc)	40: 41	IV/3: 84		0863 737	7.	c.1704	Chorale prelude Vater unser im Himmelreich (Neumeister Chorales No. 18)		Organ	40: 41	IV/9: 36 IV/3: 90		0864 738	7.	1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her		Organ	40: 41	IV/3: 94	after BWV 738a	0865 738a	7. 1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her (sketch)		Organ	40: 158	IV/3: 94	→ BWV 738	0866 739	7.	c.1704	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	40: 41	IV/10: 2		0867 740	7.	1700–1780	Chorale prelude Wir glauben all an einen Gott		Organ	40: 41		by Krebs, J. L.? 0868 741	7.	c.1701	Chorale prelude Ach Gott, vom Himmel sieh darein		Organ	40: 167	IV/3: 4		0869 742	7.	c.1704	Chorale prelude Ach Herr, mich armen Sünder (Neumeister Chorales No. 14)		Organ		IV/9: 28		0870 743	7.	c.1700–1717	Chorale prelude Ach, was ist doch unser Leben		Organ		IV/10: 11		0871 744	7.	c.1700–1717	Chorale prelude Auf meinen lieben Gott		Organ	40: 170	IV/10: 20	by Krebs, J. L.	0872 745	7.	1700–1788	Chorale prelude Aus der Tiefe rufe ich		Organ	40: 171	IV/10: 22	by Bach, C. P. E.? 0873 747	7.	c.1700–1717	Chorale prelude Christus, der uns selig macht		Organ		IV/10: 38		0875 749	7.	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ		IV/10: 80	by Telemann?; by Bach, J. Christoph? 0878 750	7.	c.1700–1703	Chorale prelude Herr Jesu Christ, meins Lebens Licht		Organ		IV/10: 81		0879 752	7.	c.1700–1717	Chorale prelude Jesu, der du meine Seele		Organ				0881 753	7.	c.1720	Chorale prelude Jesu, meine Freude (unfinished; WFB No. 5)		Organ	40: 163 451: 214	V/5: 8		0882 754	7.	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ				0883 755	7.	c.1700–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ				0884 756	7.	c.1700–1717	Chorale prelude Nun ruhen alle Wälder		Organ				0885 757	7.	c.1700–1717	Chorale prelude O Herre Gott, dein göttlichs Wort		Organ				0886 758	7.	c.1700–1717	Chorale prelude O Vater, allmächtiger Gott		Organ	40: 179	IV/11: 69		0887 762	7.	c.1700–1717	Chorale prelude Vater unser im Himmelreich		Organ		IV/10: 142		0891 763	7.	c.1700–1717	Chorale prelude Wie schön leucht uns der Morgenstern		Organ				0892 764	7.	c.1704–1705	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	40: 164	IV/10: 6		0893 765	7.	c.1706	Chorale prelude Wir glauben all an einen Gott		Organ	40: 187			0894 1085	7.	c.1700–1717	Chorale prelude O Lamm Gottes unschuldig		Organ		IV/3: 76		1683 1090	7.	c.1704	Chorale prelude Wir Christenleut (Neumeister Chorales No. 2)		Organ		IV/9: 4		1276 1091	7.	c.1699	Chorale prelude Das alte Jahr vergangen ist (Neumeister Chorales No. 3)		Organ		IV/9: 6		1277 1092	7.	c.1701	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Neumeister Chorales No. 4)		Organ		IV/9: 8		1278 1093	7.	c.1704	Chorale prelude Herzliebster Jesu, was hast du verbrochen (Neumeister Chorales No. 5)		Organ		IV/9: 10		1279 1094	7.	c.1699	Chorale prelude O Jesu, wie ist dein Gestalt (Neumeister Chorales No. 6)		Organ		IV/9: 12		1280 1095	7.	c.1704	Chorale prelude O Lamm Gottes unschuldig (Neumeister Chorales No. 7)		Organ		IV/9: 14		1281 1097	7.	c.1699	Chorale prelude Ehre sei dir Christe, der du leidest Not (Neumeister Chorales No. 9)		Organ		IV/9: 18		1283 1098	7.	c.1704	Chorale prelude Wir glauben all an einen Gott (Neumeister Chorales No. 10)		Organ		IV/9: 20		1284 1099	7.	c.1701	Chorale prelude Aus tiefer Not schrei ich zu dir (Neumeister Chorales No. 11)		Organ		IV/9: 22		1285 1100	7.	c.1704	Chorale prelude Allein zu dir, Herr Jesu Christ (Neumeister Chorales No. 12)		Organ		IV/9: 24		1286 1101	7.	c.1704	Chorale prelude Durch Adams Fall ist ganz verderbt (Neumeister Chorales No. 15)		Organ		IV/9: 30		1287 1102	7.	c.1706	Chorale prelude Du Friedefürst, Herr Jesu Christ (Neumeister Chorales No. 16)		Organ		IV/9: 33		1288 1103	7.	1699–1709	Chorale prelude Erhalt uns Herr, bei deinem Wort (Neumeister Chorales No. 17)		Organ		IV/9: 35		1289 1104	7.	1699–1709	Chorale prelude Wenn dich Unglück tut greifen an (Neumeister Chorales No. 19)		Organ		IV/9: 38		1290 1105	7.	c.1701	Chorale prelude Jesu, meine Freude (Neumeister Chorales No. 20)		Organ		IV/9: 39		1291 1106	7.	c.1704	Chorale prelude Gott ist mein Heil, mein Hilf und Trost (Neumeister Chorales No. 21)		Organ		IV/9: 40		1292 1107	7.	c.1704	Chorale prelude Jesu, meines Lebens Leben (Neumeister Chorales No. 22)		Organ		IV/9: 42		1293 1108	7.	c.1704	Chorale prelude Als Jesus Christus in der Nacht (Neumeister Chorales No. 23)		Organ		IV/9: 44		1294 1109	7.	1699–1709	Chorale prelude Ach Gott, tu dich erbarmen (Neumeister Chorales No. 24)		Organ		IV/9: 46		1295 1110	7.	c.1704	Chorale prelude O Herre Gott, dein göttlich Wort (Neumeister Chorales No. 25)		Organ		IV/9: 48		1296 1111	7.	c.1701	Chorale prelude Nun lasset uns den Leib begraben (Neumeister Chorales No. 26)		Organ		IV/9: 50		1297 1112	7.	c.1699	Chorale prelude Christus, der ist mein Leben (Neumeister Chorales No. 27)		Organ		IV/9: 52		1298 1113	7.	c.1699	Chorale prelude Ich hab mein Sach Gott heimgestellt (Neumeister Chorales No. 28)		Organ		IV/9: 54		1299 1114	7.	c.1701	Chorale prelude Herr Jesu Christ, du höchstes Gut (Neumeister Chorales No. 29)		Organ		IV/9: 56		1300 1115	7.	c.1701	Chorale prelude Herzlich lieb hab ich dich, o Herr (Neumeister Chorales No. 30)		Organ		IV/9: 58		1301 1116	7.	c.1701	Chorale prelude Was Gott tut, das ist wohlgetan (Neumeister Chorales No. 31)		Organ		IV/9: 60		1302 1117	7.	c.1701	Chorale prelude Alle Menschen müssen sterben (Neumeister Chorales No. 32)		Organ		IV/9: 62		1303 1118	7.	c.1701	Chorale prelude Werde munter, mein Gemüte (Neumeister Chorales No. 34)		Organ		IV/9: 66		1304 1119	7.	c.1699	Chorale prelude Wie nach einer Wasserquelle (Neumeister Chorales No. 35)		Organ		IV/9: 68		1305 1120	7.	c.1704	Chorale prelude Christ, der du bist der helle Tag (Neumeister Chorales No. 36)		Organ		IV/9: 70		1306 957	7.	c.1701	Chorale prelude Machs mit mir, Gott, nach deiner Güt (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.)	G major	Organ	42: 203	IV/9: 64, 74		1134 766	7.	c.1706	Chorale partita Christ, der du bist der helle Tag		Organ	40: 107	IV/1: 114		0895 767	7.	c.1708	Chorale partita O Gott, du frommer Gott		Organ	40: 114	IV/1: 122		0896 768	7.	1708–1717 or earlier	Chorale partita Sei gegrüßet, Jesu gütig		Organ	40: 122	IV/1: 132, 152		0897 769	7.	c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; print version)		Organ	40: 137	IV/2: 197	→ BWV 769a	0898 769a	7. c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; autograph)		Organ		IV/2: 98	after BWV 769	0899 770	7.	c.1704	Chorale variations Ach, was soll ich Sünder machen		Organ	40: 189	IV/1: 104		0900 8.	Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach)	Up ↑ 772	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1	C major	Keyboard	3: 1 451: 221	V/5: 48 V/3: 2	→ BWV 772a[17][18][19]	0902 772a	8. 1720-01-22 1725-01-22	Inventions and Sinfonias No. 1a – Invention No. 1a	C major	Keyboard		V/3: 4	after BWV 772	0903 773	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15	C minor	Keyboard	3: 2 451: 223	V/5: 76 V/3: 6	[17][18][19]	0904 774	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14	D major	Keyboard	3: 3 451: 223	V/5: 74 V/3: 8	[17][18][19]	0905 775	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2	D minor	Keyboard	3: 4 451: 221	V/5: 50 V/3: 10	[17][18][19]	0906 776	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13	E♭ major	Keyboard	3: 6 451: 222	V/5: 72 V/3: 12	[17][18][19]	0907 777	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12	E major	Keyboard	3: 7 451: 222	V/5: 70 V/3: 14	[17][18][19]	0908 778	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3	E minor	Keyboard	3: 9 451: 221	V/5: 52 V/3: 16	[17][18][19]	0909 779	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4	F major	Keyboard	3: 10 451: 221	V/5: 54 V/3: 18	[17][18][19]	0910 780	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11	F minor	Keyboard	3: 11 451: 222	V/5: 68 V/3: 20	[17][18][19]	0911 781	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5	G major	Keyboard	3: 12 451: 221	V/5: 56 V/3: 22	[17][18][19]	0912 782	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10	G minor	Keyboard	3: 13 451: 222	V/5: 66 V/3: 24	[17][18][19]	0913 783	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9	A major	Keyboard	3: 14 451: 222	V/5: 64 V/3: 26	[17][18][19]	0914 784	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6	A minor	Keyboard	3: 15 451: 221	V/5: 58 V/3: 28	[17][18][19]	0915 785	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8	B♭ major	Keyboard	3: 16 451: 222	V/5: 62 V/3: 30	[17][18][19]	0916 786	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7	B minor	Keyboard	3: 18 451: 222	V/5: 60 V/3: 32	[17][18][19]	0917 787	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1	C major	Keyboard	3: 19 451: 227	V/5: 90 V/3: 34	[17][18][19]	0918 788	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantas. 15	C minor	Keyboard	3: 20 451: 231	V/5: 118 V/3: 36	[17][18][19]	0919 789	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantas. 14	D major	Keyboard	3: 22 451: 230	V/5: 116 V/3: 38	[17][18][19]	0920 790	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2	D minor	Keyboard	3: 23 451: 227	V/5: 92 V/3: 40	[17][18][19]	0921 791	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantas. 13	E♭ major	Keyboard	3: 24 451: 230	V/5: 114 V/3: 42	→ BWV 791a[17][18][19]	0922 791a	8. 1723	Sinfonias and Inventions No. 20a – Sinfonia No. 5a	E♭ major	Keyboard		V/3: 44, 80	after BWV 791[17][18][19]	0923 792	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantas. 12	E major	Keyboard	3: 26 451: 229	V/5: 112 V/3: 46	[17][18][19]	0924 793	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3	E minor	Keyboard	3: 28 451: 227	V/5: 94 V/3: 48	[17][18][19]	0925 794	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4	F major	Keyboard	3: 29 451: 227	V/5: 96 V/3: 50	[17][18][19]	0926 795	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantas. 11	F minor	Keyboard	3: 30 451: 229	V/5: 110 V/3: 52	[17][18][19]	0927 796	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5	G major	Keyboard	3: 32 451: 228	V/5: 98 V/3: 54	[17][18][19]	0928 797	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantas. 10	G minor	Keyboard	3: 34 451: 229	V/5: 108 V/3: 56	[17][18][19]	0929 798	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9	A major	Keyboard	3: 36 451: 229	V/5: 106 V/3: 58	[17][18][19]	0930 799	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6	A minor	Keyboard	3: 38 451: 228	V/5: 100 V/3: 60	[17][18][19]	0931 800	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8	B♭ major	Keyboard	3: 40 451: 228	V/5: 104 V/3: 62	[17][18][19]	0932 801	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7	B minor	Keyboard	3: 41 451: 228	V/5: 102 V/3: 64	[17][18][19]	0933 802	8.	1739	Duet No. 1 from Clavier-Übung III	E minor	Organ	3: 242	IV/4: 92		0934 803	8.	1739	Duet No. 2 from Clavier-Übung III	F major	Organ	3: 242	IV/4: 96		0935 804	8.	1739	Duet No. 3 from Clavier-Übung III	G major	Organ	3: 242	IV/4: 99		0936 805	8.	1739	Duet No. 4 from Clavier-Übung III	A minor	Organ	3: 242	IV/4: 102		0937 806	8.	1714–1723	English Suite No. 1	A major	Keyboard	451: 3	V/7: 2		0938 806a	8. 1714–1717	English Suite No. 1a	A major	Keyboard		V/7: 116		0939 807	8.	1725 or earlier	English Suite No. 2	A minor	Keyboard	451: 3	V/7: 20		0940 808	8.	1725 or earlier	English Suite No. 3	G minor	Keyboard	451: 3	V/7: 38		0941 809	8.	1725 or earlier	English Suite No. 4	F major	Keyboard	451: 3	V/7: 54		0942 810	8.	1725 or earlier	English Suite No. 5	E minor	Keyboard	451: 3	V/7: 70		0943 811	8.	1725 or earlier	English Suite No. 6	D minor	Keyboard	451: 3	V/7: 90		0944 812 AMB1	8. 1720–1722	Notebook A. M. Bach (1722) No. 1 French Suite No. 1	D minor	Keyboard		V/4: 3		0945 812 AMB2	8. 1725 (AMB)	Notebook A. M. Bach (1725) No. 30 French Suite No. 1	D minor	Keyboard		V/4: 109		0945 812 v.A	8. early 1750s	French Suite No. 1 – Version A (Altnickol)	D minor	Keyboard		V/8: 2		0945 812 v.B	8. French Suite No. 1 – Version B	D minor	Keyboard	451: 89	V/8: 64		0945 813 AMB1	8. 1720–1722	Notebook A. M. Bach (1722) No. 2, 9 French Suite No. 2	C minor	Keyboard		V/4: 10		0946 813 AMB2	8. 1725 (AMB)	Notebook A. M. Bach (1725) No. 31 French Suite No. 2	C minor	Keyboard		V/4: 116		0946 813 v.A	8. early 1750s	French Suite No. 2 – Version A (Altnickol)	C minor	Keyboard		V/8: 10		0946 813a	8. French Suite No. 2 – Version B	C minor	Keyboard	451: 89	V/8: 72		0947 814 AMB1	8. 1720–1722	Notebook A. M. Bach (1722) No. 3, 10 French Suite No. 3	B minor	Keyboard		V/4: 16		0948 814 v.A	8. early 1750s	French Suite No. 3 – Version A (Altnickol)	B minor	Keyboard		V/8: 20		0948 814 v.B	8. French Suite No. 3 – Version B	B minor	Keyboard	451: 89			0948 814a	8. 1720–1739	French Suite No. 3 – Variant	B minor	Keyboard		V/8: 166	after BWV 929	0949 815 AMB1	8. 1720–1722	Notebook A. M. Bach (1722) No. 4 French Suite No. 4	E♭ major	Keyboard		V/4: 23		0950 815 v.A	8. early 1750s	French Suite No. 4 – Version A (Altnickol)	E♭ major	Keyboard		V/8: 30		0950 815 v.B	8. French Suite No. 4 – Version B	E♭ major	Keyboard	451: 89	V/8: 92		0950 815a	8. French Suite No. 4 – Variant	E♭ major	Keyboard		V/8: 176		0951 816 AMB1	8. 1724–1725	Notebook A. M. Bach (1722) No. 5 French Suite No. 5	G major	Keyboard		V/4: 30		0952 816 v.A	8. early 1750s	French Suite No. 5 – Version A (Altnickol)	G major	Keyboard		V/8: 40		0952 816 v.B	8. French Suite No. 5 – Version B	G major	Keyboard	451: 89	V/8: 102		0952 817 v.A	8. early 1750s	French Suite No. 6 – Version A (Altnickol)	E major	Keyboard		V/8: 52		0953 817 v.B	8. after 1724? French Suite No. 6 – Version B	E major	Keyboard	451: 89	V/8: 114		0953 818	8.	1720–1722	Suite for keyboard (early version)	A minor	Keyboard	36: 3	V/8: 129		0954 818a	8. after 1721	Suite for keyboard (later version)	A minor	Keyboard	36: 213	V/8: 146		0955 819	8.	before 1726	Suite for keyboard (early version)	E♭ major	Keyboard	36: 8	V/8: 136		0956 819a	8. 1725–1728	Suite for keyboard (later version)	E♭ major	Keyboard	36: 217	V/8: 156		0957 820	8.	1705–1713	Suite (Ouverture) for keyboard	F major	Keyboard	36: 14	V/10: 43		0958 822	8.		Suite for keyboard	G minor	Keyboard		V/10: 68	after unknown model? 0960 823	8.	before 1727	Suite for keyboard	F minor	Keyboard	36: 229	V/10: 50		0961 825	8.	1725–1726	Partita No. 1 from Clavier-Übung I	B♭ major	Keyboard	3: 46	V/1: 2		0963 826	8.	1725–1727	Partita No. 2 from Clavier-Übung I	C minor	Keyboard	3: 56	V/1: 15		0964 827	8.	1725–1727	Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I	A minor	Keyboard	3: 70	V/1: 35 V/4: 47		0964 828	8.	1725–1728	Partita No. 4 from Clavier-Übung I	D major	Keyboard	3: 82	V/1: 50		0966 829	8.	1725–1730	Partita No. 5 from Clavier-Übung I	G major	Keyboard	3: 102	V/1: 72		0967 830	8.	1725–1730	Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I	E minor	Keyboard	3: 116	V/1: 90 V/4: 60	after BWV 1019a/3 /5	0968 831	8.	1733–1735	Overture in the French style (Clavier-Übung II No. 2)	B minor	Harpsichord	3: 154	V/2: 20	after BWV 831a	0969 831a	8. 1727–1733	Overture in the French style (early version)	C minor	Keyboard		V/2: 43	→ BWV 831	0970 832	8.	before 1707	Suite for keyboard	A major	Keyboard	42: 255	V/10: 54	in Möllersche Handschrift	0971 833	8.	before 1707	Prelude and partita for keyboard	F major	Keyboard		V/10: 60	in Möllersche Handschrift	0972 836	8.	1720–1721	Allemande, Klavierbüchlein WFB No. 6	G minor	Keyboard	451: 214	V/5: 8	by Bach, W. F. & J. S.? 0975 837	8.	1720–1721	Allemande, Klavierbüchlein WFB No. 7 (incomplete)	G minor	Keyboard	451: 215	V/5: 10	by Bach, W. F. & J. S.? 0976 841	8.	1720–1721	Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1	G major	Keyboard	36: 209 451: 215	V/5: 16 V/4: 44	by Bach, W. F. & J. S.? 0980 842	8.	1720–1721	Klavierbüchlein WFB No. 12: Menuet 2	G minor	Keyboard	36: 209 451: 216	V/5: 17	by Bach, W. F. (BR A43) & J. S.? 0981 843	8.	1720–1721	Klavierbüchlein WFB No. 13: Menuet 3	G major	Keyboard	36: 210 451: 216	V/5: 18		0982 846	8.	1722	Well-Tempered Clavier I, P. & F. No. 1	C major	Keyboard	14: 3	V/6.1: 2	after BWV 846a	0986 846/1	8.	1725 (AMB)	Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1)	C major	Keyboard		V/4: 107		0986 846a	8. 1720	Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1)	C major	Keyboard	451: 216	V/5: 19 V/6.1: 127	→ BWV 846/1	0987 847	8.	1722	Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2)	C minor	Keyboard	14: 6 451: 216	V/5: 20 V/6.1: 2	after BWV 847a	0988 847a	8. Prelude and Fughetta (early WTC I No. 2)	C minor	Keyboard		V/6.1: 130	→ BWV 847	0989 848	8.	1722	Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8])	C♯ major	Keyboard	14: 10 451: 218	V/5: 30 V/6.1: 2	after BWV 848a	0990 848a	8. Prelude and Fughetta (early WTC I No. 3)	C♯ major	Keyboard		V/6.1: 134	→ BWV 848	0991 849	8.	1722	Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9])	C♯ minor	Keyboard	14: 14 451: 218	V/5: 32 V/6.1: 2	after BWV 849a	0992 849a	8. Prelude and Fughetta (early WTC I No. 4)	C♯ minor	Keyboard		V/6.1: 140	→ BWV 849	0993 850	8.	1722	Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4)	D major	Keyboard	14: 18 451: 217	V/5: 23 V/6.1: 2	after BWV 850a	0994 850a	8. Prelude and Fughetta (early WTC I No. 5)	D major	Keyboard		V/6.1: 146	→ BWV 850	0995 851	8.	1722	Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3)	D minor	Keyboard	14: 22 451: 217	V/5: 22 V/6.1: 2	after BWV 851a	0996 851a	8. Prelude and Fughetta (early WTC I No. 6)	D minor	Keyboard		V/6.1: 150	→ BWV 851	0997 852	8.	1722	Well-Tempered Clavier I, P. & F. No. 7	E♭ major	Keyboard	14: 26	V/6.1: 32	after BWV 852a	0998 852a	8. Prelude and Fughetta (early WTC I No. 7)	E♭ major	Keyboard		V/6.1: 154	→ BWV 852	0999 853	8.	1722	Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10])	E♭ minor D♯ minor	Keyboard	14: 32 451: 218	V/5: 34 V/6.1: 38	after BWV 853a; → K. 404a/1	1000 853a	8. Prelude and Fughetta (early WTC I No. 8)	E♭ minor D♯ minor	Keyboard		V/6.1: 160	→ BWV 853	1001 854	8.	1722	Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6)	E major	Keyboard	14: 36 451: 218	V/5: 26 V/6.1: 44	after BWV 854a	1002 854a	8. Prelude and Fughetta (early WTC I No. 9)	E major	Keyboard		V/6.1: 166	→ BWV 854	1003 855	8.	1722	Well-Tempered Clavier I, P. & F. No. 10	E minor	Keyboard	14: 38	V/6.1: 48	after BWV 855a	1004 855a	8. c.1720	Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5)	E minor	Keyboard	451: 217	V/5: 24 V/6.1: 170	→ BWV 855	1005 856	8.	1722	Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7)	F major	Keyboard	14: 42 451: 218	V/5: 28 V/6.1: 54	after BWV 856a	1006 856a	8. Prelude and Fughetta (early WTC I No. 11)	F major	Keyboard		V/6.1: 174	→ BWV 856	1007 857	8.	1722	Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11])	F minor	Keyboard	14: 44 451: 218	V/5: 36 V/6.1: 58	after BWV 857a	1008 857a	8. Prelude and Fughetta (early WTC I No. 12)	F minor	Keyboard		V/6.1: 178	→ BWV 857	1009 858	8.	1722	Well-Tempered Clavier I, P. & F. No. 13	F♯ major	Keyboard	14: 48	V/6.1: 64	after BWV 858a	1010 858a	8. Prelude and Fughetta (early WTC I No. 13)	F♯ major	Keyboard		V/6.1: 184	→ BWV 858	1011 859	8.	1722	Well-Tempered Clavier I, P. & F. No. 14	F♯ minor	Keyboard	14: 50	V/6.1: 64	after BWV 859a	1012 859a	8. Prelude and Fughetta (early WTC I No. 14)	F♯ minor	Keyboard		V/6.1: 188	→ BWV 859	1013 860	8.	1722	Well-Tempered Clavier I, P. & F. No. 15	G major	Keyboard	14: 52	V/6.1: 72	after BWV 860a	1014 860a	8. Prelude and Fughetta (early WTC I No. 15)	G major	Keyboard		V/6.1: 192	→ BWV 860	1015 861	8.	1722	Well-Tempered Clavier I, P. & F. No. 16	G minor	Keyboard	14: 57	V/6.1: 78	after BWV 861a	1016 861a	8. Prelude and Fughetta (early WTC I No. 16)	G minor	Keyboard		V/6.1: 198	→ BWV 861	1017 862	8.	1722	Well-Tempered Clavier I, P. & F. No. 17	A♭ major	Keyboard	14: 60	V/6.1: 82	after BWV 862a	1018 862a	8. Prelude and Fughetta (early WTC I No. 17)	A♭ major	Keyboard		V/6.1: 202	→ BWV 862	1019 863	8.	1722	Well-Tempered Clavier I, P. & F. No. 18	G♯ minor	Keyboard	14: 64	V/6.1: 86	after BWV 863a	1020 863a	8. Prelude and Fughetta (early WTC I No. 18)	G♯ minor	Keyboard		V/6.1: 206	→ BWV 863	1021 864	8.	1722	Well-Tempered Clavier I, P. & F. No. 19	A major	Keyboard	14: 66	V/6.1: 90	after BWV 864a	1022 864a	8. Prelude and Fughetta (early WTC I No. 19)	A major	Keyboard		V/6.1: 210	→ BWV 864	1023 865	8.	1722	Well-Tempered Clavier I, P. & F. No. 20	A minor	Keyboard	14: 70	V/6.1: 96	after BWV 865a	1024 865a	8. Prelude and Fughetta (early WTC I No. 20)	A minor	Keyboard		V/6.1: 216	→ BWV 865	1025 866	8.	1722	Well-Tempered Clavier I, P. & F. No. 21	B♭ major	Keyboard	14: 74	V/6.1: 104	after BWV 866a	1026 866a	8. Prelude and Fughetta (early WTC I No. 21)	B♭ major	Keyboard		V/6.1: 224	→ BWV 866	1027 867	8.	1722	Well-Tempered Clavier I, P. & F. No. 22	B♭ minor	Keyboard	14: 78	V/6.1: 108	after BWV 867a; → Hess 38 (commons)	1028 867a	8. Prelude and Fughetta (early WTC I No. 22)	B♭ minor	Keyboard		V/6.1: 228	→ BWV 867	1029 868	8.	1722	Well-Tempered Clavier I, P. & F. No. 23	B major	Keyboard	14: 82	V/6.1: 112	after BWV 868a	1030 868a	8. Prelude and Fughetta (early WTC I No. 23)	B major	Keyboard		V/6.1: 232	→ BWV 868	1031 869	8.	1722	Well-Tempered Clavier I, P. & F. No. 24	B minor	Keyboard	14: 84	V/6.1: 116	after BWV 869a	1032 869a	8. Prelude and Fughetta (early WTC I No. 24)	B minor	Keyboard		V/6.1: 236	→ BWV 869	1033 870b 870/2	8.	1739–1742	Well-Tempered Clavier II, P. & F. No. 1 (version A)	C major	Keyboard	451: 243 14: 94	V/6.2: 2, 6, 342		1036 871	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 2	C minor	Keyboard	14: 96	V/6.2: 8, 160	→ K. 405/1	1037 872	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 3	C♯ major	Keyboard	14: 100	V/6.2: 12, 164, 352	after BWV 872a	1038 872a/1	8. 1739–1740	Prelude (early WTC II, P. & F. No. 3/1)	C major	Keyboard	14: 243	V/6.2: 344	→ BWV 872/1	1039 872a/2	8. 1738	Fughetta (early WTC II, P. & F. No. 3/2)	C major	Keyboard	36: 224	V/6.2: 358	→ BWV 872/2	1039 873	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 4	C♯ minor	Keyboard	14: 104	V/6.2: 16, 168		1040 874	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 5	D major	Keyboard	14: 108	V/6.2: 24, 176	→ K. 405/5	1041 875	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 6	D minor	Keyboard	14: 112	V/6.2: 30 182, 348, 356	after BWV 875a	1042 875a	8. 1739–1740	Preambulum (early WTC II, P. & F. No. 6/1)	D minor	Keyboard	36: 224	V/6.2: 346	→ BWV 875/1	1043 876	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 7	E♭ major	Keyboard	14: 116	V/6.2: 36, 188, 354	→ K. 405/2	1044 877	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 8	D♯ minor	Keyboard	14: 120	V/6.2: 42, 194	→ K. 405/4	1045 878	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 9	E major	Keyboard	14: 124	V/6.2: 48, 200	→ K. 405/3	1046 879	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 10	E minor	Keyboard	14: 128	V/6.2: 54, 206		1047 880	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 11	F major	Keyboard	14: 134	V/6.2: 62, 215		1048 881	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 12	F minor	Keyboard	14: 138	V/6.2: 69, 221		1049 882	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 13	F♯ major	Keyboard	14: 142	V/6.2: 76, 228	→ K. 404a/3	1050 883	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 14	F♯ minor	Keyboard	14: 146	V/6.2: 84, 236	→ K. 404a/2	1051 884	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 15	G major	Keyboard	14: 150	V/6.2: 90, 242, 350	after BWV 902/2	1052 885	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 16	G minor	Keyboard	14: 154	V/6.2: 94, 246		1053 886	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 17	A♭ major	Keyboard	14: 160	V/6.2: 100, 108, 252	after BWV 901/2	1054 887	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 18	G♯ minor	Keyboard	14: 166	V/6.2: 112, 260		1055 888	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 19	A major	Keyboard	14: 172	V/6.2: 120, 268		1056 889	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 20	A minor	Keyboard	14: 176	V/6.2: 124, 272		1057 890	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 21	B♭ major	Keyboard	14: 180	V/6.2: 128, 276		1058 891	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 22	B♭ minor	Keyboard	14: 186	V/6.2: 134, 282		1059 892	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 23	B major	Keyboard	14: 192	V/6.2: 142, 290		1060 893	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 24	B minor	Keyboard	14: 198	V/6.2: 150, 298		1061 870	8.	1744	Well-Tempered Clavier II, P. & F. No. 1 (version B)	C major	Keyboard	14: 91	V/6.2: 156	after BWV 870a	1034 894	8.	1710–1717 (JTK)	Prelude and Fugue	A minor	Keyboard	36: 91	V/9.2: 40	→ BWV 1044/1, /3; in SBB P 801, P 804	1062 895	8.	1709 (JCB)	Prelude and Fugue	A minor	Keyboard	36: 104	V/9.2: 69	in Yale LM 4982	1063 896	8.	1704–1707	Prelude and Fugue	A major	Keyboard	36: 157	V/9.2: 72	in Möllersche Handschrift	1064 870a	8. before 1727	Prelude and Fughetta	C major	Keyboard	36: 224	V/6.2: 307, 310	→ BWV 870; in SBB P 804, P 1089	1035 899	8.	before 1727	Prelude and Fughetta	D minor	Keyboard	36: 106	V/6.2: 314 V/12: 24	in SBB P 804, P 1089	1068 900	8.	before 1727	Prelude and Fughetta	E minor	Keyboard	36: 108	V/6.2 V/12	in SBB P 804, P 1089	1069 901	8.	before 1727	Prelude and Fughetta	F major	Keyboard	36: 112	V/6.2: 324	→ BWV 886/2; in SBB P 1089	1070 902	8.	c.1729	Prelude and Fughetta	G major	Keyboard	36: 114	V/6.2: 328	→ BWV 884/2; in SBB P 804, P 1089	1071 902/1a	8. before 1727	Prelude (previous Prelude to BWV 902/2)	G major	Keyboard	36: 220	V/6.2: 334, 338	→ BWV 884/2; in SBB P 804	1072 903	8.		Chromatic Fantasia and Fugue	D minor	Keyboard	36: 71	V/9.2: 76	after BWV 903a; in SBB P 803, P 651	1073 903a	8. Fantasia (early BWV 903/1)	D minor	Keyboard	36: 219	V/9.2: 90	→ BWV 903/1; in D-DS Mus. ms. 69	1074 904	8.	before 1727	Fantasia and Fugue	A minor	Keyboard	36: 81	V/9.2	in SBB P 804	1075 906	8.	before 1729 c.1738	Fantasia and Fugue (Fugue incomplete)	C minor	Keyboard	36: 145, 238	V/9.2: 110	in US-BETbc, D-Dl Mus.2405-T-52	1077 910	8.	1707–1713	Toccata	F♯ minor	Kb (or) Org	3: 311	V/9.1: 1	in Andreas-Bach-Buch	1081 911	8.	1707–1713	Toccata	C minor	Kb (or) Org	3: 322	V/9.1: 13	in Andreas-Bach-Buch	1082 912	8.	1707–1713	Toccata	D major	Kb (or) Org	36: 26	V/9.1: 38	after BWV 912a; ↔ BWV 532/1	1083 912a	8. 1704–1707	Toccata	D major	Kb (or) Org	36: 218	V/9.1: 26	→ BWV 912; in Möllersche Handschrift	1084 913	8.	1707–1709	Toccata	D minor	Kb (or) Org	36: 36	V/9.1: 50, 63	after BWV 913a	1085 913a	8. Toccata	D minor	Kb (or) Org		V/9.1: 52	→ BWV 913; publ. 1801	1086 914	8.	1707–1709	Toccata	E minor	Kb (or) Org	36: 47	V/9.1: 78		1087 915	8.	1707–1709	Toccata	G minor	Kb (or) Org	36: 54	V/9.1: 87		1088 916	8.	1707–1713	Toccata	G major	Kb (or) Org	36: 63	V/9.1: 100	in Andreas-Bach-Buch	1089 917	8.	1704–1707	Fantasia	G minor	Keyboard	36: 143	V/9.1: 14, 16	in Möllersche Handschrift	1090 918	8.		Fantasia on a Rondo	C minor	Keyboard	36: 148	V/9.1: 14, 18		1091 921	8.	1707–1713	Prelude	C minor	Keyboard	36: 136	V/9.1: 24	in Andreas-Bach-Buch	1094 922	8.	1710–1714 (JTK)	Prelude (Fantasia)	A minor	Keyboard	36: 138	V/9.2: 27, 34	in SBB P 803	1095 923	8.	c.1723? Prelude	B minor	Keyboard	42: 211	V/9.2: 116	by Pachelbel, W. H.?; → BWV 923a; in SBB P 401	1096 924	8.	c.1720	Twelve Little Preludes No. 1: Preambulum (WFB No. 2)	C major	Keyboard	36: 118 451: 214	V/5: 4	→ BWV 924a	1098 924a	8. 1720–1726	Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26)	C major	Keyboard	36: 221 451: 220	V/5: 41	after BWV 924; BR A44 F(add) 206	1099 925	8.	1720–1726	Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27)	D major	Keyboard	36: 121 451: 220	V/5: 42	BR A45 F(add) 206	1100 926	8.	c.1720	Twelve Little Preludes No. 5: Preludium (WFB No. 4)	D minor	Keyboard	36: 122 451: 214	V/5: 6		1101 927	8.	1720–1726	Twelve Little Preludes No. 8: Preambulum (WFB No. 8)	F major	Keyboard	36: 124 451: 215	V/5: 10		1102 928	8.	1720–1726	Twelve Little Preludes No. 9: Preludium (WFB No. 10)	F major	Keyboard	36: 124 451: 215	V/5: 14		1103 929	8.	1720–1726	Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e)	G minor	Keyboard	36: 126 451: 226	V/5: 89		1104 930	8.	1720–1726	Twelve Little Preludes No. 11: Preambulum (WFB No. 9)	G minor	Keyboard	36: 126 451: 215	V/5: 12		1105 931	8.	1720–1726	Preludium, Klavierbüchlein WFB No. 29	A minor	Keyboard	36: 237 451: 220	V/5: 45	BR A47 F(add) 206	1106 932	8.	1720–1726	Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete)	E minor	Keyboard	36: 237 451: 220	V/5: 44	BR A46 F(add) 206	1107 933	8.	1717–1723?	Six Little Preludes No. 1	C major	Keyboard	36: 128	V/9.2: 3	in SBB P 542, P 885	1108 934	8.	1717–1723?	Six Little Preludes No. 2	C minor	Keyboard	36: 128	V/9.2: 4	in SBB P 542, P 885	1109 935	8.	1717–1723?	Six Little Preludes No. 3	D minor	Keyboard	36: 130	V/9.2: 5	in SBB P 542, P 885	1110 936	8.	1717–1723?	Six Little Preludes No. 4	D major	Keyboard	36: 131	V/9.2: 6	in SBB P 542, P 885	1111 937	8.	1717–1723?	Six Little Preludes No. 5	E major	Keyboard	36: 132	V/9.2: 8	in SBB P 542, P 885	1112 938	8.	1717–1723?	Six Little Preludes No. 6	E minor	Keyboard	36: 133	V/9.2: 10	in SBB P 542, P 885	1113 939	8.	1726–1727	Five Little Preludes No. 1 (=12 L. P. No. 2)	C major	Keyboard	36: 119	V/12: 50	by Bach?; in SBB P 804	1114 940	8.	1726–1727	Five Little Preludes No. 2 (=12 L. P. No. 6)	D minor	Keyboard	36: 123	V/12: 50	by Bach?; in SBB P 804	1115 941	8.	1726–1727	Five Little Preludes No. 3 (=12 L. P. No. 7)	E minor	Keyboard	36: 123	V/12: 51	by Bach?; in SBB P 804	1116 942	8.	1726–1727	Five Little Preludes No. 4 (=12 L. P. No. 12)	A minor	Keyboard	36: 127	V/12: 52	by Bach?; in SBB P 804	1117 943	8.	1725–1727	Five Little Preludes No. 5	C major	Org (Kb?)	36: 134	V/12: 53	in SBB P 804	1118 944	8.	1707–1713	Fantasia and Fugue	A minor	Keyboard	3: 334	V/9.2: 133	in Andreas-Bach-Buch	1119 946	8.	early work? Fugue on a theme by Albinoni	C major	Keyboard	36: 159	V/9.2: 153	after Albinoni, Op. 1, No. 12/4 (theme)	1121 947	8.	early work? Fugue	A minor	Keyboard	36: 161	V/12: 55	by Bach? 1122 948	8.	early work? Fugue	D minor	Keyboard	36: 164	V/9.2: 156	in D-B N. Mus. ms. 10580	1123 949	8.	1707–1713	Fugue	A major	Keyboard	36: 169	V/9.2: 163	after Albinoni (theme)?; in Andreas-Bach-Buch	1124 950	8.	before 1725	Fugue on a theme by Albinoni	A major G major	Keyboard	36: 173	V/9.2: 168	after Albinoni (theme); in SBB P 804	1125 951	8.	1714–1717	Fugue on a theme by Albinoni	B minor	Keyboard	36: 178	V/9.2: 118	after BWV 951a; in SBB P 801	1126 951a	8. 1714–1717	Fugue on a theme by Albinoni (early version)	B minor	Keyboard	36: 221	V/9.2: 127	after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9	1127 952	8.		Fugue	C major	Keyboard	36: 184	V/9.2: 176		1128 953	8.	1720–1726	Fugue a 3, Klavierbüchlein WFB No. 31	C major	Keyboard	36: 186 451: 220	V/5: 46		1129 954	8.	early work? Fugue on a theme by Reincken	B♭ major	Keyboard	42: 50	V/11: 200	after Reincken, Hortus Musicus No. 2/2 (theme)[20]	1130 955	8.	early work	Fugue	B♭ major	Keyboard	42: 55	V/12: 60	after BWV 955a; in SBB P 425, P 804	1131 955a	8. early work	Fugue	B♭ major	Organ	42: 298	V/12: 65	by Erselius?; → BWV 955; in SBB P 247, P 595	1132 959	8.		Fugue	A minor	Keyboard	42: 208	V/9.2: 178	by Bach? 1136 961	8.	 ?	Fughetta	C minor	Keyboard	36: 154	V/9.2: 182	in SBB P 823	1138 963	8.	early work	Sonata for keyboard	D major	Keyboard	36: 19	V/10: 32	in SBB P 804	1140 965	8.	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	42: 29	V/11: 173	after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803	1142 966	8.	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	42: 42	V/11: 188	after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803	1143 967	8.	1704–1707	Sonata transcription, 1st movement	A minor	Keyboard	451: 168	V/9.2: 184	in SBB P 804	1144 971	8.	1733–1735	Italian Concerto (Clavier-Übung II No. 1)	F major	Harpsichord	3: 139	V/2: 2		1148 972	8.	July 1713– July 1714	Concerto for solo keyboard (1/16)	D major	Keyboard	42: 59	V/11: 3	after Vivaldi, Op. 3 No. 9	1149 972a	8. July 1713– July 1714	Concerto for solo keyboard (1/16), early version	D major	Keyboard		V/11: 161	after Vivaldi, Op. 3 No. 9	1150 973	8.	July 1713– July 1714	Concerto for solo keyboard (2/16)	G major	Keyboard	42: 59	V/11: 12	after Vivaldi, Op. 7 No. 8	1151 974	8.	July 1713– July 1714	Concerto for solo keyboard (3/16)	D minor	Keyboard	42: 59	V/11: 20	after Marcello, A., Oboe Concerto	1152 975	8.	July 1713– July 1714	Concerto for solo keyboard (4/16)	G minor	Keyboard	42: 59	V/11: 30	after Vivaldi, Op. 4 No. 6	1153 976	8.	July 1713– July 1714	Concerto for solo keyboard (5/16)	C major	Keyboard	42: 59	V/11: 39	after Vivaldi, Op. 3 No. 12	1154 977	8.	July 1713– July 1714	Concerto for solo keyboard (6/16)	C major	Keyboard	42: 59	V/11: 50	after unknown model	1155 978	8.	July 1713– July 1714	Concerto for solo keyboard (7/16)	F major	Keyboard	42: 59	V/11: 56	after Vivaldi, Op. 3 No. 3 (RV 310)	1156 979	8.	July 1713– July 1714	Concerto for solo keyboard (8/16)	B minor	Keyboard	42: 59	V/11: 64	after Vivaldi, RV 813 (previously: Torelli)[21]	1157 980	8.	July 1713– July 1714	Concerto for solo keyboard (9/16)	G major	Keyboard	42: 59	V/11: 79	after Vivaldi, Op. 4 No. 1 (RV 381)	1158 981	8.	July 1713– July 1714	Concerto for solo keyboard (10/16)	C minor	Keyboard	42: 59	V/11: 90	after Marcello, B., Op. 1 No. 2	1159 982	8.	July 1713– July 1714	Concerto for solo keyboard (11/16)	B♭ major	Keyboard	42: 59	V/11: 100	after J. E. of Saxe-Weimar, Op. 1 No. 1	1160 983	8.	July 1713– July 1714	Concerto for solo keyboard (12/16)	G minor	Keyboard	42: 59	V/11: 110	after unknown model	1161 984	8.	July 1713– July 1714	Concerto for solo keyboard (13/16)	C major	Keyboard	42: 59	V/11: 118	after J. E. of Saxe-Weimar, Concerto; → BWV 595	1162 985	8.	July 1713– July 1714	Concerto for solo keyboard (14/16)	G minor	Keyboard	42: 59	V/11: 128	after Telemann, TWV 51:g1[22]	1163 986	8.	July 1713– July 1714	Concerto for solo keyboard (15/16)	G minor	Keyboard	42: 59	V/11: 137	after unknown model	1164 987	8.	July 1713– July 1714	Concerto for solo keyboard (16/16)	D minor	Keyboard	42: 59	V/11: 142	after J. E. of Saxe-Weimar, Op. 1 No. 4	1165 988	8.	1741–1742	Goldberg Variations (Clavier-Übung IV)	G major	Harpsichord	3: 263	V/2: 69	→ BWV 1087	1166 988/1	8.	c.1740? (AMB)	Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations	G major	Harpsichord	3: 263	V/4: 103	→ BWV 1087	1166 989	8.	1707–1713	Aria variata	A minor	Keyboard	36: 203	V/10: 21	in Andreas-Bach-Buch	1167 991	8.	1722	Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete)	C minor	Keyboard	432: 4	V/4: 40		1169 992	8.	1704–1707	Capriccio on the departure of a beloved brother	B♭ major	Keyboard	36: 190	V/10: 3	in Möllersche Handschrift	1170 993	8.	c.1705	Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis (scores)	E major	Keyboard	36: 197	V/10: 12	in SBB P 804	1171 994	8.	1720	Klavierbüchlein WFB No. 1: Applicatio	C major	Keyboard	36: 237 451:214	V/5: 4		1172 9.	Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach)	Up ↑ 995	9.	Fall 1727 – Winter 1731	Suite for lute	G minor	Lu		V/10: 81	after BWV 1011[23][24][25] [26][27][28][29][30][31] [32][33][34][35][36][37]	1173 996	9.	1710–1717 (JGW)	Suite for lute	E minor	Lu (Lw?)	451: 149	V/10: 94	in SBB P 801, pp. 385–395[38][39] [29][31][32][40][41][42]	1174 997	9.	1720–1739	Suite for lute (commons)	C minor	Lu (Lw?)	451: 156	V/10: 102	in SBB P 650, MB Lpz III.11.5[26][29][43] [31][32][36][37][40][41]	1175 998	9.	1735–1745	Prelude, Fugue and Allegro	E♭ major	Lu (or) Hc	451: 141	V/10: 114	[29][44][45] [30][31][32][37][41][46]	1176 999	9.	1717–1723	Prelude for lute (Twelve Little Preludes No. 3)	C minor	Lu	36: 119	V/10: 122	in SBB P 804, pp. 101–103[29][31][47][48]	1177 1000	9.	after 1720	Fugue	G minor	Lu		V/10: 124	after BWV 1001/2; → 539/2; in MB Lpz III.11.4[26][43] [29][31][36][37][40][49]	1178 1006a	9. c.1736–1737	Suite for lute	E major	Lu? 42: 16	V/10: 134	after BWV 1006[24][29][50] [31][37][46][51][52][53]	1185 10.	Chamber music (see also: List of chamber music works by Johann Sebastian Bach)	Up ↑ 1001	10.	1720	Sonatas and partitas for solo violin No. 1 – Sonata No. 1	G minor	Vl	271: 3	VI/1: 3 rev 3: 3	→ BWV 1000, 539/2	1179 1002	10.	1720	Partitas and sonatas for solo violin No. 2 – Partita No. 1	B minor	Vl	271: 3	VI/1: 10 rev 3: 10		1180 1003	10.	1720	Sonatas and partitas for solo violin No. 3 – Sonata No. 2	A minor	Vl	271: 3	VI/1: 20 rev 3: 20	→ BWV 964	1181 1004	10.	1720	Partitas and sonatas for solo violin No. 4 – Partita No. 2	D minor	Vl	271: 3	VI/1: 30 rev 3: 30		1182 1005	10.	1720	Sonatas and partitas for solo violin No. 5 – Sonata No. 3	C major	Vl	271: 3	VI/1: 42 rev 3: 42	after "Komm, Heiliger Geist, Herre Gott"; → BWV 968	1183 1006	10.	1720	Partitas and sonatas for solo violin No. 6 – Partita No. 3	E major	Vl	271: 3	VI/1: 54 rev 3: 54	→ BWV 1006a, 29/1 and 120a/4	1184 1007	10.	1720 (AMB)	Suite for cello No. 1	G major	Vc	271: 59	VI/2: 2		1186 1008	10.	1720 (AMB)	Suite for cello No. 2	D minor	Vc	271: 59	VI/2: 8		1187 1009	10.	1720 (AMB)	Suite for cello No. 3	C major	Vc	271: 59	VI/2:14		1188 1010	10.	1720 (AMB)	Suite for cello No. 4	E♭ major	Vc	271: 59	VI/2: 22		1189 1011	10.	1720 (AMB)	Suite for cello No. 5	C minor	Vc	271: 59	VI/2: 32	→ BWV 995	1190 1012	10.	1720 (AMB)	Suite for cello No. 6	D major	Vc	271: 59	VI/2:40		1191 1013	10.	1717–1723?	Partita for flute	A minor	Fl		VI/3: 3		1192 1014	10.	1717–1723?	Sonata for violin and harpsichord No. 1	B minor	Vl Hc	9: 69	VI/1: 83 rev 3: 83		1193 1015	10.	1717–1723?	Sonata for violin and harpsichord No. 2	A major	Vl Hc	9: 84	VI/1: 99 rev 3: 99		1194 1016	10.	1717–1723?	Sonata for violin and harpsichord No. 3	E major	Vl Hc	9: 98	VI/1: 115 rev 3: 115		1195 1017	10.	1717–1723?	Sonata for violin and harpsichord No. 4	C minor	Vl Hc	9: 120	VI/1: 136 rev 3: 136		1196 1018	10.	1717–1723?	Sonata for violin and harpsichord No. 5	F minor	Vl Hc	9: 136	VI/1: 153 rev 3: 153	after BWV 1018a	1197 1018a	10. 1717–1723?	Sonata for violin and harpsichord No. 5a (commons)	F minor	Vl Hc	9: 250	VI/1: 195 rev 3: 194	→ BWV 1018	1198 1019	10.	after 1729? Sonata for violin and harpsichord No. 6	G major	Vl Hc	9: 154	VI/1: 172 rev 3: 172	after BWV 1019a	1199 1019a	10. 1717–1729?	Sonata for violin and harpsichord No. 6, early versions	G major	Vl Hc	9: 252	VI/1: 197 rev 3: 196	after BWV 120a/4, 830/3, /6; → BWV 120/4, 1019	1200 1021	10.	1732–1733	Sonata for violin and continuo	G major	Vl Bc		VI/1: 65 rev 3: 65	→ BWV 1022, 1038	1202 1023	10.	c.1714–1717? Sonata for violin and continuo	E minor	Vl Bc	431: 31	VI/1: 73 rev 3: 73		1204 1025	10.	c.1746–1747? Suite for violin and keyboard	A major	Vl Kb	9: 43	VI/5: 67	after Weiss, Suite for Lute in A major	1206 1026	10.	c.1714–1717	Fugue for violin and continuo	G minor	Vl Bc	431: 39	VI/5: 59		1207 1027	10.	c.1742	Sonata for gamba and harpsichord No. 1	G major	Gam Hc	9: 175	VI/4: 3	after BWV 1039; → 1027/1a /2a /4a	1208 1028	10.		Sonata for gamba and harpsichord No. 2	D major	Gam Hc	9: 175	VI/4: 21		1210 1029	10.		Sonata for gamba and harpsichord No. 3	G minor	Gam Hc	9: 175	VI/4: 36	→ BWV 545b	1211 1030	10.	1736–1737	Sonata for flute and harpsichord	B minor	Fl Hc	9: 3	VI/3: 33	after BWV 1030a	1212 1030a	10. 1717–1736	Sonata for unknown instrument and harpsichord	G minor	v Hc		VI/3: 89	→ BWV 1030	1212 1032	10.	1736–1737	Sonata for flute and harpsichord (/1 incomplete)	A major	Fl Hc	9: 32, 245	VI/3: 54	→ BWV 525a	1214 1034	10.	1717–1723?	Sonata for flute and continuo	E minor	Fl Bc	431: 9	VI/3: 11		1216 1035	10.	1717–1723?	Sonata for flute and continuo	E major	Fl Bc	431: 21	VI/3: 23		1217 1039	10.	1708–1726	Sonata	G major	2Fl Bc	9: 260	VI/3: 71	→ BWV 1027	1221 11.	Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach)	Up ↑ 1041	11.	1730	Concerto for violin and orchestra No. 1	A minor	Vl Str Bc	211: 3 451: 233	VII/3: 3	→ BWV 1058	1223 1042	11.		Concerto for violin and orchestra No. 2	E major	Vl Str Bc	211: 21	VII/3: 35	→ BWV 1054	1224 1043	11.	1730–1731 or earlier	Concerto for 2 violins and orchestra – Double Concerto	D minor	2Vl Str Bc	211: 41	VII/3: 71	→ BWV 1062	1225 1044	11.	1727 or later	Concerto for flute, violin, harpsichord and orchestra – Triple Concerto	A minor	Fl Vl Hc Str Bc	17: 223	VII/3: 105	after BWV 894/1, 527/2, 894/2	1226 1045	11.	1743–1746	Cantata opening: "Concerto" (Symphonic movement for violin and orchestra)	D major	Vl 3Tr Tmp 2Ob Str Bc	211: 65	I/34: 305	after unknown model by other composer?[54][55][56]	1227 1046	11.	1721-03-24	Brandenburg Concerto No. 1	F major	2Nho 3Ob Bas Vlp Str Bc	19: 3	VII/2: 3	after BWV 1046a; /3, /7 → BWV 207(a)/1, /5a	1228 1046a	11. c.1712- 1713?	Sinfonia (opening of BWV 208?)	F major	2Nho 3Ob Str Bas Bc	311: 69	VII/2: 225	→ BWV 1046; /1 → BWV 52/1; was BWV 1071[54]	1229 1047	11.	1721-03-24	Brandenburg Concerto No. 2	F major	Tr Fl Ob Vl Str Vne Bc	19: 3	VII/2: 43		1230 1048	11.	1721-03-24	Brandenburg Concerto No. 3	G major	3Vl 3Vla 3Vc Vne Hc	19: 3	VII/2: 73	→ BWV 174/1	1231 1049	11.	1721-03-24	Brandenburg Concerto No. 4	G major	Vl 2Fl Str Vc Vne Bc	19: 3	VII/2: 99	→ BWV 1057	1232 1050	11.	1721-03-24	Brandenburg Concerto No. 5	D major	Fl Vl Hc Vl Va Vc Vne	19: 3	VII/2: 145	after BWV 1050a	1233 1050a	11. 1720–1721	Brandenburg Concerto No. 5a	D major	Fl Vl Hc Vl Va Vne	19: 3	VII/2: 145	→ BWV 1050	1234 1051	11.	1721-03-24	Brandenburg Concerto No. 6	B♭ major	2Vla 2Gam Vc Vne Hc	19: 3	VII/2: 197		1235 1052	11.	c.1738	Concerto for harpsichord and orchestra No. 1	D minor	Hc Str Bc	17: 3	VII/4: 3	after BWV 146/1, /2 and 188/1	1236 1052a	11. c.1734	Concerto for harpsichord and orchestra No. 1a	D minor	Hc Str Bc	17: 3	VII/4: 317	by Bach, C. P. E.; after BWV 146/1, /2 and 188/1	1237 1053	11.	c.1738	Concerto for harpsichord and orchestra No. 2	E major	Hc Str Bc	17: 3	VII/4: 79	after BWV 169/1, /5 and 49/1	1238 1054	11.	c.1738	Concerto for harpsichord and orchestra No. 3	D major	Hc Str Bc	17: 3	VII/4: 127	after BWV 1042	1239 1055	11.	c.1738	Concerto for harpsichord and orchestra No. 4	A major	Hc Str Bc	17: 3	VII/4: 161	after BWV 1055R? 1240 1056	11.	c.1738	Concerto for harpsichord and orchestra No. 5	F minor	Hc Str Bc	17: 3	VII/4: 197	after BWV 1056R?; /2 after BWV 156/1	1241 1057	11.	c.1738	Concerto for harpsichord and orchestra No. 6	F major	Hc 2Fl Str Bc	17: 3	VII/4: 221	after BWV 1049	1242 1058	11.	c.1738	Concerto for harpsichord and orchestra No. 7	G minor	Hc Str Bc	17: 3	VII/4: 283	after BWV 1041	1243 1059	11.	c.1738	Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)	D minor	Hc Ob Str Bc	17: 3	VII/4: 313	after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5	1244 1060	11.	c.1736	Concerto for 2 harpsichords and orchestra No. 1	C minor	2Hc Str Bc	212: 3	VII/5: 3	after BWV 1060R? 1245 1061	11.		Concerto for 2 harpsichords and orchestra No. 2	C major	2Hc Str Bc	212: 39	VII/5: 109	after BWV 1061a	1246 1061a	11. 1732–1733	Concerto for 2 harpsichords (No. 2)	C major	2Hc		VII/5: 83	→ BWV 1061	1247 1062	11.	1736	Concerto for 2 harpsichords and orchestra No. 3	C minor	2Hc Str Bc	212: 83	VII/5: 43	after BWV 1043	1248 1063	11.	c.1730	Concerto for 3 harpsichords and orchestra No. 1	D minor	3Hc Str Bc	313: 3	VII/6: 3	after unknown model? 1249 1064	11.	c.1730	Concerto for 3 harpsichords and orchestra No. 2	C major	3Hc Str Bc	313: 53	VII/6: 55	after BWV 1064R? 1250 1065	11.	c.1730	Concerto for 4 harpsichords and orchestra	A minor	4Hc Str Bc	431: 71	VII/6: 117	after Vivaldi, Op. 3 No. 10	1251 1066	11.	May 1724–End 1725	Orchestral Suite No. 1	C major	2Ob Bas Str Bc	311: 3	VII/1: 3	Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied	1252 1067	11.	1738–1739	Orchestral Suite No. 2	B minor	Fl Str Bc	311: 24	VII/1: 27	Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie	1253 1068	11.	c.1730	Orchestral Suite No. 3	D major	3Tr Tmp 2Ob (Vl) Str Bc	311: 40	VII/1: 49, 119	Ouverture Air 2Gavotte Bourrée Gigue	1254 1069	11.	before late 1727	Orchestral Suite No. 4	D major	3Tr Tmp 2Ob Bas Str Bc	311: 66	VII/1: 79	Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1	1255 1071	see BWV 1046a	1257 12.	Canons (see also: List of canons by Johann Sebastian Bach)	Up ↑ 1072	12.		Canon trias harmonica a 8	D major	8V	451: 131	VIII/l: 3, 6	[32][57]	1258 1073	12.	1713-08-02	Canon â 4. Voc: perpetuus	A minor	4V	451: 132	VIII/l: 3	in US-CAh bMS Eng 870 (35b)[58][59][60][61][62]	1259 1074	12.	1727	Canon a 4 (for Ludwig Friedrich Hudemann (de))	A minor	4V	451: 134	VIII/l: 3	[63][64] [32][60][65][66][67][68]	1260 1075	12.	1734-01-10	Canon a 2. perpetuus	D major	2V		VIII/l: 3	[60]	1261 1076	12.	1746	Canon triplex a 6	G major	6V	451: 138	VIII/l: 3	after BWV 1087/13 [46][69][70][71] [32][72][73][74][75][76]	1262 1077	12.	1747-10-15	Canone doppio sopr' il soggetto (dedicated to Johann Fulde (de))	G major	4V Bc		VIII/1: 4 IX/2: 81	after BWV 1087/11[50][60][76][77]	1263 1078	12.	1749-03-01	Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum	F major	7V Bc	451: 136	VIII/l: 4	in SBB P 611[60][78][79]	1264 1086	12.	1750?	Canon Concordia discors	D major	2V		VIII/l: 4 III/1: VIII	in SLB Dresden R 291s[32][80][81][82][83]	1272 1087	12.	1747/1748 or earlier	14 Canons on the first eight notes of the Goldberg ground	G major	6V		V/2: 119	after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v [46][84][85][86][87][88]	1273 13.	Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach)	Up ↑ 1079	13.	1747-07-07	Musical Offering		Kb Fl 2Vl Bc	312	VIII/1: 46	[89]	1265 1080	13.	1742–1750	The Art of Fugue		2Kb (etc.?)	Sppl. VIII/2: 3	in SBB P 200[90]	1266 Later	Later additions to the main catalogue	Up ↑ 1127		1713-10-30	Aria "Alles mit Gott und nichts ohn' ihn"		s Str Bc		Sppl: 237	text by Mylius, J. A.	1307 1128		1725-08-27	Chorale fantasia Wo Gott der Herr nicht bei uns hält		Organ			was BWV Anh. 71[91]	1725 R	Reconstructions	Up ↑ 1052R	R	1970	Concerto	D minor	Vl Str Bc		VII/7: 3	by Fischer; after BWV 1052[92]	1236 1055R	R	1970	Concerto	A major	Oba Str Bc		VII/7: 33	by Fischer; after BWV 1055[92]	1240 1056R	R	1970	Concerto	G minor	Vl Str Bc		VII/7: 59	by Fischer; after BWV 1056[92]	1241 1060R	R	1970	Concerto	C minor	Vl Ob Str Bc		VII/7: 75	by Fischer; after BWV 1060[92]	1245 1064R	R	1970	Concerto	D major	3Vl Str Bc		VII/7: 103	by Fischer; after BWV 1064[92]	1250 Anh. I	Fragments – lost works	Up ↑ I 1	I	1725-07-15? Cantata Gesegnet ist die Zuversicht (Trinity VII)		SATB 2Fl Str Bc			by Telemann (TWV 1:617)?; text by Neumeister?[93][94][95]	1308 I 2	I	1729-10-20? Cantata for Trinity XIX Gott, du Richter der Gedanken? (sketch)		SATB Vl Str Bc		III/1	in SBB P 36: 18; text by Picander?[96]	1309 I 3	I	1730-08-25	Cantata Gott, gib dein Gerichte dem Könige (council election)				I/32.2	text by Picander[97][98]	1310 I 4	I	1725-08-27	Cantata Wünschet Jerusalem Glück (council election)					text by Picander[40][98]	1311 I 4a	I	1730-06-27	Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession)					text by Picander; after BWV Anh. 4[97]	1312 I 5	I	1718-12-10	Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of Anhalt-Köthen)				I/34	text by Hunold[99]	1313 I 6	I	1720-01-01	Secular cantata Dich loben die lieblichen Strahlen der Sonne (congratulation of Leopold of Anhalt-Köthen)				I/35	text by Hunold[100][101]	1314 I 7	I	1720-12-10	Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)				I/35	text by Hunold[102][103]	1315 I 8	I	1723-01-01	Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)				I/35	[104]	1316 I 9	I	1727-05-12	Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)				I/36	text by Haupt, C. F.; /1 → BWV 232II/6?[105][106][107]	1317 I 10	I	1731-08-25	Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming (de))				I/39	text by Picander; /1 → BWV 248VIa/1?[108][109]	1318 I 11	I	1732-08-03	Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)				I/36	text by Picander; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → 248/39?; /9 → 212/14[98][108][110]	1319 I 12	I	1733-08-03	Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III)				I/36	text by Picander; after BWV Anh. 18; /1 → BWV 11/1[98][108][111]	1320 I 13	I	1738-04-28	Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily				I/37	text by Gottsched, J. C. in Riemersche Chronik [98][112][113][114]	1321 I 14	I	1725-02-12	Cantata Sein Segen fließt daher wie ein Strom (wedding)					[115][116]	1322 I 15	I	1724-04-27	Cantata Siehe, der Hüter Israel (doctorate)		SATB 3Tr Tmp 2Ob 3Vl Va Bc		I/34	[117][118]	1323 I 16	I	1735-11-09	Cantata Schließt die Gruft, ihr Trauerglocken (mourning of Hedwig of Merseburg)					by Roemhildt; text by Hoffmann, B.[119][120][121][122]	1324 I 17	I		Cantata Mein Gott, nimm die gerechte Seele (funeral)		SATB 2Oba Str Bas Bc		I/33	[123]	1325 I 18	I	1732-06-05	Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)				I/39	text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12[124][125][126]	1326 I 19	I	1734-11-21	Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)				I/39	text by Johann August Landvoigt (de)?; /9 after BWV 201/15?[127][128]	1327 I 20	I	1723-08-09	Ode in Latin (birthday of Frederick II of Saxe-Gotha)				I/38	[129][130]	1328 N 190	I	1729-04-18	Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)		b Bc ... I/33	text by Picander; fragment of /4 in SBB P 670[131]	1501 N 191	I	1715-05-19	Cantata Leb ich oder leb ich nicht (Cantate)					text by Franck, S.[132][133]	1502 N 192	I	1709-02-04	Cantata for Ratswahl in Mühihausen No. 2					[134]	1503 N 193	I	1740-08-29	Cantata Herrscher des Himmels, König der Ehren (council election)				I/32.2	text in Nützliche Nachrichten; last mvt. → BWV 208/15 [135][136][137]	1504 N 194	I	1722-07-29	Cantata for the 45th birthday of John Augustus, Prince of Anhalt-Zerbst					[138][139]	1505 N 195	I	1723-06-09	Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus (de))					text in Acta Lipsiensium Academica (1723)[140]	1506 N 196	I	1725-11-27	Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)				I/40	text by Gottsched, C.; /3 → BWV 11/4 → 232IV/4; /5 → BWV 11/8[141][142][143][144]	1507 N 197	I		Cantata Ihr wallenden Wolken (1 January: New Year)					[145][146]	1508 N 198 see BWV 149/1a	1509 N 199	I	1724-03-25	Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)					text in Texte Zur Leipziger Kirchen-Music[147][148][149]	1510 N 200	I	c.1713–1715	Chorale prelude O Traurigkeit, o Herzeleid (unused sketch for Orgelbüchlein)		Organ		IV/1: 46	in SBB P 283[50]	1511 N 209	I	1725-09-09? 1727-02-06	Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727: funeral in Pomßen)					text by Lehms; in Pomßen with BWV 157[150][151]	1520 N 210	I	1734-10-04	Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner)					text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[152][153][154]	1521 N 211	I	1729-01-18	Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)					text by Picander (1732)[155][156]	1522 N 212	I	1729-07-26	Cantata Vergnügende Flammen, verdoppelt die Macht (wedding)					text by Picander[108][157] no music[156]	1523 N 213	I		Concerto	F major	Org			by Telemann; arr. by Bach	1524 223	I	1717–1718? Cantata Meine Seele soll Gott loben	B♭ major			I/34	by Handel?[158]	0280 224	I	1732	Aria "Reißt euch los, bekränkte Sinnen" (fragment)		S		I/41	by Bach, C. P. E.?; in SBB P 491[159]	0281 Anh. II	Works of doubtful authenticity	Up ↑ 53	II		Aria "Schlage doch, gewünschte Stunde"	E major	a Bel Str Bc	122: 53	I/41	by Hoffman, M.?[160][161]	0068 142	II		Cantata Uns ist ein Kind geboren (Christmas)	A minor	atbSATB 2Fl 2Ob Str Bc	30: 19	I/41	text by Neumeister (reworked)[162]	0174 189	II		Cantata Meine Seele rühmt und preist (German Magnificat)	B♭ major	t Fl Ob Vl Bc	37: 213	I/41	by Hoffman, M.?[163][164]	0229 217	II		Cantata Gedenke, Herr, wie es uns gehet (Epiphany I)		satbSATB Fl Str Bc	41: 207		by Altnickol?[165]	0274 220	II		Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)		atbSATB Fl 2Ob Str Bc	41: 259	I/41	[166]	0277 221	II		Cantata Wer sucht die Pracht, wer wünscht den Glanz		tb 2Vl Bas Vc Org		I/41	in SBB P 191: 83–113[167]	0278 III 159	II	1712–1713 or earlier	Motet Ich lasse dich nicht, du segnest mich denn		2SATB	39: 157	III/3	by Bach, J. Christoph?; in SBB P 4/1[16][168]	1470 II 25	II	1740–1742 (JSB)	Kyrie–Gloria Mass	C major	SATB 2Tr 2Vl Org	111: XVI	II/9	by Bach, J. L.?[165]	1333 239	II	1738–1741 (JSB)	Sanctus	D minor	SATB Str Bc	111: 89	II/9	in SBB P 13 No. 3, BKraków St 113[169]	0298 II 28	II		Sanctus	B♭ major	SATB 2Ob 2Cor Str Bc	111: XVII	II/9	[170]	1336 II 29	II	c.1714–17	Kyrie–Gloria Mass (only cello part extant)	C minor			II/9	in BKraków St 547	1337 III 167	II		Kyrie–Gloria Mass for two choirs	G major	2SATB 3Ob Tai 2Vl 2Va 2Vne Bc		II/9	by Bach, J. L. or Lotti?; in SBB P 659, P 660, Am.B.4/4a[76][171]	1478 II 30	II	1690s (Tor.) c.1742 (JSB)	Magnificat	C major	2SATB 3Tr Tmp 2Vl 2Vla Bc	111: XV	II/9	by Torri; Tr3 and Tmp added by Bach[172][173]	1338 246	II	1730-04-07 (JSB)	Passion St Luke Passion		ssatbSATB 2Fl 2Ob Tai Bas Str Bc	452	II/9: 65	→ BWV 246/40a; in SBB P 1017[174]	0311 II 31	II		Chorale Herr Gott, dich loben alle wir		SATB 2Tr 3Ob Str Bc			in SBB P 101[175]	1339 N 201	II		Chorale Du Friedefürst, Herr Jesu Christ		SATB			by Vetter, D.[176]	1512 N 202	II		Chorale Gott hat das Evangelium		SATB			by Vetter, D.[176]	1513 N 203	II		Chorale Ich hebe meine Augen auf		SATB			by Vetter, D.[176]	1514 N 204	II		Chorale O Traurigkeit, o Herzeleid		SATB			by Vetter, D.[176]	1515 II 32	II	1704	Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1340 II 33	II	1704	Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1341 II 34	II	1704	Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1342 II 35	II	1704	Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1343 II 36	II	1704	Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1344 II 37	II	1704	Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1345 II 38	II	1704	Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1346 II 39	II	1704	Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen"		Voice Bc			in Deutsche Übersetzungen und Gedichte[177][178]	1347 II 40	II	1736	Song "Ich bin nun wie ich bin"		Voice Kb			in Singende Muse an der Pleiße[179][180]	1348 II 41	II	1736	Song "Dir zu Liebe, wertes Herze"		Voice Kb			in Singende Muse an der Pleiße[179][180]	1349 571	II	c. 1704	Fantasia, a.k.a. Concerto	G major	Organ	38: 67	IV/11: 35	[181]	0651 580	II		Fugue	D major	Organ	38: 215		[182]	0662 II 42	II		Fugue	F major	Organ			in SBB P 817: 1–3	1350 576	II		Fugue	G major	Organ		IV/11	[183]	0658 577	II		Fugue	G major	Organ	38: 111	IV/11: 44	[184]	0659 581	II		Fugue	G major	Organ		IV/11	in MB Lpz Poel mus. ms. 18[185]	0663 131a	II		Fugue	G minor	Organ	38: 217	IV/11: 3	after BWV 131/5[186]	0161 536a	II	c.1760–1789? Prelude and Fugue (incomplete)	A major	Organ		IV/6: 114	after BWV 536, 152/1; arr. by Scholz?[187]	0612 545b	II	1708–1717	Prelude, Trio and Fugue	B♭ major	Organ		IV/11: 6	after BWV 545a, 1029/3; → 545[188][189]	0624 553	II		Eight Short Preludes and Fugues No. 1	C major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0633 554	II		Eight Short Preludes and Fugues No. 2	D minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0634 555	II		Eight Short Preludes and Fugues No. 3	E minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0635 556	II		Eight Short Preludes and Fugues No. 4	F major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0636 557	II		Eight Short Preludes and Fugues No. 5	G major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0637 558	II		Eight Short Preludes and Fugues No. 6	G minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0638 559	II		Eight Short Preludes and Fugues No. 7	A minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0639 560	II		Eight Short Preludes and Fugues No. 8	B♭ major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[190][191][192]	0640 561	II		Fantasia and Fugue	A minor	Organ	38: 48			0641 584	II	1801–1842? (arr.)	Trio	G minor	Organ		I/12: 23 IV/11	after BWV 166/2[193][194]	0666 1027 /1a /2a /4a	II		Trio	G major	Organ		IV/11	after BWV 1027 / 1039, mvt. 1, 2, 4; arr. by Kellner, J. P.? 1209 591	II		Kleines harmonisches Labyrinth		Organ	38: 225	IV/11: 50	by Heinichen?[195][196]	0673 597	II		Concerto	E♭ major	Organ		IV/11	after unknown model?[197]	0680 598	II		Pedal-Exercitium (fragment)		Organ	38: 210		by Bach, C. P. E.?; in SBB P 491	0681 676a	II	1739–1789	Chorale prelude Allein Gott in der Höh sei Ehr (later variant)		Organ	40: 208	IV/4: KB 48	after BWV 676[198]	0792 683a	II	1739–1789	Chorale prelude Vater unser im Himmelreich (later variant)		Organ		IV/4: KB 51	after BWV 683[198]	0800 N 205 see BWV 1121	1516 II 48	II		Chorale prelude Allein Gott in der Höh sei Ehr		Organ				1356 II 49	II		Chorale prelude Ein feste Burg		Organ				1357 II 50	II		Chorale prelude Erhalt uns, Herr, hei deinem Wort		Organ				1358 II 51	II		Chorale prelude Erstanden ist der heilge Christ		Organ				1359 II 52	II		Chorale prelude Freu dich sehr, o meine Seele		Organ				1360 II 53	II		Chorale prelude Freu dich sehr, o meine Seele		Organ				1361 II 54	II		Chorale prelude Helft mir Gotts Güte preisen		Organ				1362 II 55	II		Chorale prelude Herr Christ, der einig Gottes Sohn		Organ				1363 II 58	II		Chorale prelude Jesu, meine Freude		Organ				1366 II 59	II		Chorale prelude Jesu, meine Freude		Organ				1367 II 60	II		Chorale prelude Nun lob, mein Seel, den Herren		Organ				1368 II 62a	II		Chorale prelude Sei Lob und Ehr mit hohem Preis		Organ				1370 II 62b	II		Chorale prelude Sei Lob und Ehr mit hohem Preis		Organ				1371 II 63	II		Chorale prelude Vom Himmel hoch		Organ				1372 II 64	II		Chorale prelude Vom Himmel hoch		Organ				1373 II 65	II		Chorale prelude Vom Himmel hoch		Organ				1374 II 66	II		Chorale prelude Wachet auf, ruft uns		Organ				1375 II 67	II		Chorale prelude Was Gott tut, das ist wohlgetan		Organ				1376 II 68	II		Chorale prelude Wer nur den lieben Gott läßt walten		Organ				1377 II 69	II		Chorale prelude Wir glauben all an einen Gott		Organ				1378 II 70	II		Chorale prelude Wir glauben all an einen Gott		Organ				1379 II 71 see BWV 1128	1725 II 72	II		Chorale setting Christus der uns selig macht (Canon)		Organ				1381 II 74	II		Chorale prelude Schmücke dich, o liebe Seele		Organ			in SBB P 1115	1383 II 75	II		chorale with figured bass Herr Christ, der einig Gottes Sohn		Organ			in MB Lpz Poel mus. Ms. 39, Go. S. 25	1384 II 76	II		chorale with figured bass Jesu, meine Freude		Organ			in SBB P 1160, P 312	1385 II 77	II		Chorale variations Herr Christ, der einig Gottes Sohn		Organ			in SBB P 801, P 826	1386 II 78	II		Chorale variations Wenn wir in höchsten Nöten sein		Organ			in SBB P 285, Hss JSBI Göttingen	1387 II 79	II		Chorale variations Befiehl du deine Wege		Organ			in Go. S. 305	1388 691a	II	1720–1789	Chorale prelude Wer nur den lieben Gott läßt walten (variant)		Organ	40: 151		after BWV 691; in SBB P 285	0809 N 206	II		Chorale prelude Ach bleib mit deiner Gnade / Christus, der ist mein Leben		Organ			by Pachelbel?[199]	1517 II 80	II		Suite	F major	Keyboard			in US-STu MLM 23[200]	1389 821	II		Suite	B♭ major	Keyboard	42: 213	V/12: 3	[201]	0959 834	II		Allemande	C minor	Keyboard	42: 259	V/12	[202]	0973 839	II	before 1735	Sarabande from Notenbuch der Zeumerin	G minor	Keyboard		V/12	in JP 1909: 71[203]	0978 844	II		Toccatina No. 4 Scherzo	D minor	Keyboard	42: 220	V/12: 16	after BWV 844a; in Yale LM 4813b[204]	0983 844a	II		Scherzo	E minor	Keyboard	42: 281	V/12: 22	by Bach, W. F.? (BR A55)[204]	0984 845	II		Gigue	F minor	Keyboard	42: 263		[202]	0985 II 81	II		Gigue (incomplete)	D minor	Keyboard			in SBB P 804	1390 II 82	II		Ciacona	B♭ major	Keyboard		V/12	by Bach, J. B.? 1391 II 83	II		Ciacona	A major	Keyboard			in SBB P 222	1392 II 84	II		Ciacona	G major	Keyboard			in SBB P 222	1393 II 85	II		Toccata and Fugue	F minor	Keyboard	42: XXXV		by Dobenecker?[205]	1394 898	II		Prelude and Fugue on B-A-C-H	B♭ major	Keyboard	42: XXXIV	V/12		1067 II 86	II		Fantasia	C minor	Keyboard	42: 243			1395 II 87	II		Fantasia	C major	Keyboard			in SBB Mus. ms. 30289 No. 11	1396 905	II		Fantasia and Fugue	D minor	Keyboard	42: 179	V/12: 24	[206]	1076 907	II		Fantasia and Fughetta	B♭ major	Keyboard	42: 268	V/12: 28	by Kirnberger? Kirchhoff (de)?[207]	1078 908	II		Fantasia and Fughetta	D major	Keyboard	42: 272	V/12: 34	by Kirnberger? Kirchhoff (de)?[207]	1079 909	II		Concerto e Fuga	C minor	Keyboard	42: 190	V/12: 38		1080 919	II		Fantasia	C minor	Keyboard	36: 152		by Bach, J. B.?[208]	1092 920	II		Fantasia	G minor	Keyboard	42: 183		[206]	1093 923a	II		Toccatina No. 3 Prelude	A minor	Keyboard	42: 279	V/12: 14	after BWV 923; in Yale LM 4813b[209]	1097 II 89	II		Fugue	C major	Keyboard	42: XXXIV			1398 II 90	II		Fugue	C major	Kb (with ped?)	38: 213			1399 II 91	II		Fugue	G major	Keyboard	42: XXXIV			1401 II 92	II		Fugue	G major	Keyboard				1402 II 93	II		Fugue	E minor	Keyboard	42: XXXIV			1403 II 95	II		Fugue	E minor	Keyboard	42: XXXIV	V/12	in SBB P 526	1405 II 96	II		Fugue	D major	Keyboard		V/12	by Bach, C. P. E.? (H 373.5); in SBB P 207, P 753	1406 II 98	II		Fugue	D minor	Keyboard				1408 II 99	II		Fugue	D minor	Keyboard				1409 II 100	II		Fugue	D minor	Keyboard				1410 II 101	II		Fugue	G minor	Keyboard	42: XXXV	V/12: 130	by Dobenecker? 1411 II 102	II		Fugue	E♭ minor	Keyboard				1412 897/2	II		Fugue	A minor	Keyboard	42: 175	V/12	by Dretzel? 1066 945	II		Fugue	E minor	Keyboard	36: 155	V/12	[210]	1120 956	II		Fugue	E minor	Keyboard	42: 200	V/12: 70		1133 958	II		Fugue	A minor	Keyboard	42: 205	V/12: 74		1135 960	II		Fugue (unfinished)	E minor	Keyboard	42: 276	V/12	[211]	1137 N 207	II		Fugue	E minor (E♭ minor)	Keyboard			by Kellner, J. P.?; in SBB Mus. ms. 30444 No. 24[212]	1518 II 109	II		Fugue on B-A-C-H		Keyboard			in SBB Mus. ms. 30376 No. 17	1419 964	II		Sonata for keyboard	D minor	Keyboard	42: 3	V/12: 78	after BWV 1003; in SBB P 218[213]	1141 II 111	II		Largo and Allegro	G major	Keyboard	42: XXXV			1421 968	II		Adagio	G major	Keyboard	42: 27	V/12: 94	after BWV 1005/1; in SBB P 218[213]	1145 969	II		Toccatina No. 5 Andante	G minor	Keyboard	42: 218	V/12: 18	[214]	1146 II 113	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 3 Minuet	F major	Keyboard	432: 25	V/4: 82		1423 II 116	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 7 Minuet	G major	Keyboard	432: 28	V/4: 82		1426 II 117	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 8a Polonaise and No. 8b Polonaise	F major	Keyboard	432: 28	V/4: 82		1427 1428 II 118	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 9 Minuet	B♭ major	Keyboard	432: 29	V/4: 82		1429 II 119	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 10 Polonaise	G minor	Keyboard	432: 30	V/4: 82		1430 II 120	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 14 Minuet	A minor	Keyboard	432: 31	V/4: 82		1431 II 121	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 15 Minuet	C minor	Keyboard	432: 32	V/4: 82		1432 II 126	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 22 Musette	D major	Keyboard	432: 35	V/4: 82		1437 II 127	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 23 March	E♭ major	Keyboard	432: 35	V/4: 82		1438 II 128	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 24 (Polonaise)	D minor	Keyboard	432: 36	V/4: 82		1439 II 132	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 36 Minuet	D minor	Keyboard	432	V/4: 82		1443 II 151	II		Concerto	C major	Keyboard	42: XXXIV			1462 II 152	II		Concerto	G major	Keyboard	42: XXXIV			1463 990	II		Sarabanda con Partitis	C major	Keyboard	42: 221	V/12: 97	[215]	1168 II 153	II		Sonata	A major	Vl Kb			in SBB P 804: 313–320	1464 II 154	II		Sonata	E♭ major	Vl Kb			in SBB St 343[216]	1465 1020	II		Sonata	G minor	Vl (or) Fl Kb	9: 274		by Bach, C. P. E.? (H 542.5)[217]	1201 1022	II		Sonata	F major	Vl Kb			by Bach, C. P. E.?; after BWV 1021 (bass part); other version: BWV 1038; MB Lpz Ms. 10[218]	1203 1024	II		Sonata	C minor	Vl Bc			[37][219][220][221]	1205 1031	II		Sonata for flute and harpsichord	E♭ major	Fl Kb	9: 22	VI/5: 13	[222]	1213 1033	II		Sonata for flute and continuo	C major	Fl Bc	431: 3	VI/5: 3	[223]	1215 1038	II	1732–1735	Sonata	G major	Fl Vl Bc	9: 221	VI/5: 45	after BWV 1021 (bass part); other version: BWV 1022[218]	1220 525a	II		Concerto (Triosonata)	C major	Vl Vc Bc			after BWV 525/1, 1032/2, 525/3; in SBB St 345[224]	1718 II 155	II		Concerto	A major	Kb Str Bc			in SBB St 472	1466 I 22	II		Concerto	B♭ major	Ob Vl Str Bc			by Förster (C.?)?[225]	1330 1070	II		Orchestral Suite (No. 5)	G minor	Str Bc	451: 190	VII/l	by Bach, W. F.?[226][227]	1256 Anh. III	Works of other composers, spuriously attributed to Bach	Up ↑ III 156	III		Cantata Herr Christ, der einge Gottes Sohn (Annunciation)					by Telemann (TWV 1:732)[228]	1467 III 157	III		Cantata Ich habe Lust zu scheiden (Purification)					by Telemann (TWV 1:836)[229]	1468 15	III	1726-04-21 (JSB)	Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)		satbSATB 3Tr Tmp Str Bc	2: 135	I/41	by Bach, J. L. (JLB 21)[230]	0017 141	III		Cantata Das ist je gewißlich wahr (3rd Sunday of Advent)		atbSATB 2Ob Str Bc	30: 3	I/41	by Telemann (TWV 1:183); text by Helbig[231]	0173 145/b	III		Cantata movement So du mit deinem Munde bekennest Jesum (Easter)		SATB Tr Str Bc	30: 96	I/10: 142	by Telemann (TWV 1:1350/1); → BWV 145/2[232]	0178 160	III	1725–1732? Cantata Ich weiß, daß mein Erlöser lebt (Easter)	C major	t Vl Bas Bc	32: 171	I/41	by Telemann (TWV 1:877); text by Neumeister[233]	0194 218	III		Cantata Gott der Hoffnung erfülle euch (Pentecost)			41: 223		by Telemann (TWV 1:634)[234]	0275 219	III		Cantata Siehe, es hat überwunden der Löwe (29 September: Michaelmas)		sabSATB 2Tr Str Bc	41: 239		by Telemann (TWV 1:1328)[235]	0276 222	III		Cantata Mein Odem ist schwach					by Bach, J. Ernst (see also BWV Anh. 165)[236]	0279 III 158	III		Aria "Andrò dall'colle al Prato"					by Bach, J. C.[237]	3022 III 160	III	1750–1755? (Harrer?)	Motet Jauchzet dem Herrn alle Welt, TWV 8:10	C major	2SATB		III/3: 15	Pasticcio (Telemann, Bach); text after Psalm 100; /2 after BWV 28/2, 28/2a; /3 after TWV 1:1066[238]	1471 III 161	III		Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas)	D major	SATB Str? Bc		III/3	by Graun (C. H.?), precedes laudes A and B of Bach's Magnificat	1472 III 162	III		Motet Lob und Ehre und Weisheit und Dank		2SATB		III/3	by Wagner, G. G.[239]	1473 III 163	III		Motet Merk auf, mein Herz, und sieh dorthin		2SATB		III/3	by Bach, J. B. or J. Ernst[240]	1474 III 164	III		Motet Nun danket alle Gott		SSATB		III/3: 52	by Altnickol[241]	1475 III 165 222/3 /4 /6	III		Motet Unser Wandel ist im Himmel		SATB		III/3	by Bach, J. Ernst[242]	1476 III 166	III	1716 (JLB) 1729 (JSB)	Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"	E minor	SSATB 2Vl 2Vla Vc Bc	111: XV 41: 276	II/9	by Bach, J. L. (JLB 38), start of Gloria arr. by Bach[243]	1477 II 24	III	1715–1724	Kyrie–Gloria Mass	A minor		111: XV		by Pez, J. C.[244]	1332 II 26	III	1727–1732 (JSB)	Kyrie–Gloria Mass (scores)	C minor	satbSATB 3Tro 2Vl Bc	41: 193 111: XVI	II/2: 295	by Durante (alternative Christe: BWV 242)[245]	1334 II 27	III		Sanctus	F major		111: XVII		by Krebs, J. L.[246]	1335 III 168	III		Kyrie (and German Gloria)	G minor	s SATB Str Bc	111: XVII	II/9	by Bach, W. F. (BR E1 F 100)	1479 I 21	III		Magnificat Meine Seel erhebt den Herren	A minor	s Fl 2Vl Bc		II/9	by Hoffmann, M.[247]	1329 III 169	III	1724–1725	Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum					text by Picander partly used in BWV 244 but no other known setting[248]	1480 8/6	III	1713 (Vet.) 1724-09-24 (JSB)	Chorale Herrscher über Tod und Leben (closing chorale of BWV 8)		SATB	1: 241	I/23: 161, 251	by Vetter, D.[249][250]	0009 0010 III 170 27/6	III	1652 (Ros.) 1726-10-06 (JSB)	Chorale Welt, ade, ich bin dein müde		SSATB Hn 2Ob Str Bc	51: 244	I/23: 221	by Rosenmüller; → BWV 27/6[250]	1481 43/11	III	1726-05-30 (JSB)	Chorale Du lebensfürst, Herr Jesu Christ	G major	SATB	10: 126	I/12: 164	by Peter, C.; → BWV 43/11[251]	0058 567	III		Prelude	C major	Organ			by Krebs, J. L.[246]	0647 III 178	III		Toccata quasi Fantasia con Fuga	A major	Organ	42: 250		by Purcell? Rossi, M.?[252]	1489 II 43	III		Fugue	B minor	Organ			by Bach, C. P. E.[253]	1351 II 44	III		Fugue	G major	Organ			by Kellner, J. P. or J. C.[254]	1352 II 45	III		Fugue on B-A-C-H	B♭ major	Organ			by Knecht[255]	1353 II 88	III		Fugue	C major	Org / Kb			by Kellner, J. C.[256]	1397 II 97	III		Fugue	F♯ major	Organ	42: XXXV		by Krebs, J. L.[257]	1407 II 103	III		Fugue		Org / Kb			by Handel (HWV 609)	1413 II 104	III		Fugue		Org / Kb			by Handel (HWV 610)	1414 II 105	III		Fugue		Org / Kb			by Handel (HWV 607)	1415 II 106	III		Fugue		Org / Kb			by Handel (HWV 605)	1416 N 208	III		Fugue	E♭ minor (E minor)	Organ			by Eberlin[258]	1519 II 46	III		Trio	C minor	Organ			by Krebs, J. T.[259]	1354 692	III		Chorale prelude Ach Gott und Herr (Kirnb. coll. No. 3)		Organ	40: 1		by Walther[260]	0810 692a	III		Chorale prelude Ach Gott und Herr		Organ	40: 152		by Walther[261]	0811 693	III		Chorale prelude Ach Gott und Herr (Kirnb. coll. No. 4)		Organ	40: 1		by Walther[260]	0812 746	III	1715	Chorale prelude Christ ist erstanden		Organ	40: 173		by Fischer	0873 748	III	1700–1739	Chorale prelude Gott der Vater wohn uns bei		Organ	40: 177		by Walther; → BWV 748a	0876 748a	III	1700–1789	Chorale prelude Gott der Vater wohn uns bei (variant)		Organ			by Scholz (arr.)?; after BWV 748	0877 751	III		Chorale prelude In dulci jubilo (also in Neumeister Collection)		Organ			by Bach, J. Michael[262]	0880 759	III		Chorale prelude Schmücke dich, o liebe Seele		Organ	40: 181		by Homilius; in SBB P 1115[212]	0888 760	III		Chorale prelude Vater unser im Himmelreich		Organ	40: 183		by Böhm[263]	0889 761	III		Chorale prelude Vater unser im Himmelreich		Organ	40: 184		by Böhm[264]	0890 1096	III		Chorale prelude Christe, der du bist Tag und Licht (or) Wir danken dir, Herr Jesu Christ (3 versions; Neumeister Chorales No. 8)		Organ		IV/9: 16, 76	by Pachelbel?[265]	1282 771	III		Chorale variations Allein Gott in der Höh sei Ehr		Organ	40: 195	IV/11	by Vetter, A. N.[266]	0901 II 47	III		Chorale prelude Ach Herr, mich armen Sünder		Organ			by Kellner, J. P.[254]	1355 II 56	III		Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ			by Telemann (TWV 31:8)[267]	1364 II 57	III		Chorale prelude Jesu, Leiden, Pein und Tod		Organ			by Vogler[268]	1365 II 61	III		Chorale prelude O Mensch, bewein dein Sünde groß		Organ			by Pachelbel[269]	1369 II 73	III	1720–1788	Chorale prelude Ich ruf zu dir, Herr Jesu Christ		Organ			by Bach, C. P. E.; after BWV 639[270]	1382 III 171	III		Chorale prelude Christ lag in Todesbanden		Organ	40: 174		by Pachelbel[271]	1482 III 172	III		Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ			by Krebs, J. L.[272]	1483 824	III	1720 (WFB)	Klavierbüchlein WFB No. 47: Suite	A major	Keyboard	36: 231	V/5: 78	by Telemann (TWV 32:14)[17][18][19]	0962 835	III		Allemande	A minor	Keyboard	42: 267		by Kirnberger[273]	0974 838	III		Allemande and Courante	A major	Keyboard	42: 265		by Graupner[273]	0977 840	III		Courante	G major	Keyboard			by Telemann (TWV 32:13)	0979 897/1	III		Prelude	A minor	Keyboard	42: 173	V/12	by Dretzel[274]	1065 962	III		Fugue	E minor	Keyboard	42: 198	V/12	by Albrechtsberger[275]	1139 970	III		Toccatina No. 6 Presto	D minor	Keyboard	42: XXXIV		by Bach, W. F. (BR A49 F 25/2)	1147 9201 II 94	III		Fugue	E minor	Keyboard	42: XXXIV		by Kirnberger[256]	1404 II 107	III		Fugue on B-A-C-H (1/3)		Keyboard	42: XXXIV		by Sorge?[276]	1417 II 108	III		Fugue on B-A-C-H (2/3)		Keyboard	42: XXXIV		by Sorge?[276]	1418 II 110	III		Fugue on B-A-C-H (3/3)		Keyboard	42: XXXIV		by Sorge?[276]	1420 II 112	III		Grave	E minor	Keyboard			by Kirnberger[256]	1422 II 114	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 4 Minuet	G major	Keyboard	432: 26	V/4: 83	by Petzold[277]	1424 II 115	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 5 Minuet	G minor	Keyboard	432: 26	V/4: 84	by Petzold[277]	1425 II 122	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 16 March	D major	Keyboard	432: 32	V/4: 94	by Bach, C. P. E. (H 1/1)[278]	1433 II 123	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 17 Polonaise	G minor	Keyboard	432: 32	V/4: 95	by Bach, C. P. E. (H 1/2)[278]	1434 II 124	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 18 March	G major	Keyboard	432: 32	V/4: 96	by Bach, C. P. E. (H 1/3)[278]	1435 II 125	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 19 Polonaise	G minor	Keyboard	432: 32	V/4: 97	by Bach, C. P. E. (H 1/4)[278]	1436 II 129	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 27 Solo per il cembalo	E♭ major	Keyboard	432: 38	V/4: 104	by Bach, C. P. E. (H 16)[279]	1440 II 130	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 28 Polonaise	G major	Keyboard	432: 39	V/4: 106	by Hasse[280]	1441 II 131	III	c.1745? Notebook A. M. Bach (1725) No. 32	F major	Keyboard	432: 46	V/4: 121	by Bach, J. C. (W A22)[281]	1442 II 133	III		Musical clock, No. 1 Fantasia		Musical clock			by Bach, W. F.[282]	1444 II 134	III		Musical clock, No. 2 Scherzo		Musical clock			by Bach, W. F.[282]	1445 II 135	III		Musical clock, No. 3 Burlesca		Musical clock			by Bach, W. F.[282]	1446 II 136	III		Musical clock, No. 4 Trio		Musical clock			by Bach, W. F.[282]	1447 II 137	III		Musical clock, No. 5 L'Intrada della Caccia		Musical clock			by Bach, W. F.[282]	1448 II 138	III		Musical clock, No. 6 Continuazione della Caccia		Musical clock			by Bach, W. F.[282]	1449 II 139	III		Musical clock, No. 7 Il Fine delle Caccia I		Musical clock			by Bach, W. F.[282]	1450 II 140	III		Musical clock, No. 8 Il Fine delle Caccia II		Musical clock			by Bach, W. F.[282]	1451 II 141	III		Musical clock, No. 9 Song of Psalm "O Gott die Christenhalt"		Musical clock			by Bach, W. F.[282]	1452 II 142	III		Musical clock, No. 10 Psalm 110		Musical clock			by Bach, W. F.[282]	1453 II 143	III		Musical clock, No. 11 Polonaise		Musical clock			by Bach, W. F.[282]	1454 II 144	III		Musical clock, No. 12 Polonaise Trio		Musical clock			by Bach, W. F.[282]	1455 II 145	III		Musical clock, No. 13 March		Musical clock			by Bach, W. F.[282]	1456 II 146	III		Musical clock, No. 14 March		Musical clock			by Bach, W. F.[282]	1457 II 147	III		Musical clock, No. 15 La Combattuta		Musical clock			by Bach, W. F.[282]	1458 II 148	III		Musical clock, No. 16 Scherzo		Musical clock			by Bach, W. F.[282]	1459 II 149	III		Musical clock, No. 17 Minuet		Musical clock			by Bach, W. F.[282]	1460 II 150	III		Musical clock, No. 18 Trio		Musical clock			by Bach, W. F.[282]	1461 III 177	III		Prelude and Fugue	E♭ major	Keyboard	36: 88		by Bach, J. Christoph?[283]	1488 III 179	III		Fantasia durch alle Tonarten gehend		Keyboard			by Heinichen[284]	1490 III 180	III		Fugue	D minor	Keyboard	36: 188		by Kellner, J. P.[212]	1491 III 181	III		Fugue	A minor	Keyboard			by Krebs, J. L.[285]	1492 III 182	III		Passacaglia	D minor	Keyboard	42: 234		by Witt[286]	1493 III 183	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 6 Rondeau	B♭ major	Keyboard	432: 27	V/4: 85	by Couperin, F. (6e Ordre: Les Bergeries)[287]	1494 1036	III		Trio	D minor	Vl1 (Vl2&Bc) or (Kb)			by Bach, C. P. E. (H 569; Wq 145)[288]	1218 1037	III		Sonata	C major	2Vl Bc	9: 231		by Goldberg[289]	1219 III 173	III		Invention		Vl Kb	451: 172		by Bonporti[290]	1484 III 174	III		Invention		Vl Kb	451: 172		by Bonporti[290]	1485 III 175	III		Invention		Vl Kb	451: 172		by Bonporti[290]	1486 III 176	III		Invention		Vl Kb	451: 172		by Bonporti[290]	1487 III 184	III		Sonata	A minor	Vl Bc			by Zuccari[291]	1495 III 185	III		Sonata	D major	2Vl Bc			by Bach, C. P. E. (H 507, 114; Wq 74, 117, 36)	1496 III 186	III		Trio Sonata (scores)	F major	2Vl Bc		VI/5	by Bach, C. P. E. (H 576; Wq 154)	1497 III 187	III		Trio	F major	Flb Ba Vne			by Bach, C. P. E. (H 587; Wq 159)	1498 III 188	III		Sonata (Concerto)	F major	2Hc	431: 47		by Bach, W. F. (BR A12 F 10)[292]	1499 I 23	III	c.1710	Concerto	E minor	Bc			by Albinoni (Op. 2 No. 2)[293]	1331 III 189	III		Concerto	A minor	Kb Str Bc			by Bach, C. P. E. (H 403; Wq 1)[294]	1500 Anh. N	New additions to the Anhang	Up ↑ —	Up ↑ 655b	–	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "a" in BGA)		Organ	252: 159		after BWV 655(a); ↔ 655c	0754 655c	–	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "b" in BGA)		Organ	252: 160		after BWV 655(a); ↔ 655b	0755 deest	BC C 8	1723–1750? (JSB?)	Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?)	E minor	SSATB 2Fl 2Ob Str Bc		I/41: 127	by Kuhnau? (Tristis est...); arr. by Bach? 1532 deest	BC D 1	1717-03-28? Passion Weimarer Passion		 ?stbSATB 2Fl 2Ob Str Bc			→ BWV 23/4 (and 55/3; 244/29; 245a–c; 283?)	1533 deest	BC D 5a	1707 (Kei) before 1713 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version)		SATB 2Vl 2Va Hc		II/9: 69	Pasticcio (Keiser G.?, Bach)	1534 deest	BC D 5b	1726-04-19 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version)		SATB 2Vl 2Va Org		II/9	Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084)	1535 deest	BC D 10	c.1750?	Passion Wer ist der, so von Edom kömmt	D minor	satbSSATB 2Fl 2Ob Str Bc		I/41: 95	Pasticcio (Graun, C. H.; Telemann; Bach; ...)	0001 0991 BGA	1725 (JSB)	Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm	G major	Keyboard	432: 35	V/4: 82	by Böhm	BNB I/B /48	1709 (Bas.) c.1738 (JSB)	6 Masses without Benedictus and Agnus Dei from Acroama missale (scores)		2SATB 3Tbn Str Bc			by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081[295]	8834 BNB I/C/1	1740–1742 (JSB)	Magnificat	C major	SATB 4Tbn Tmp Bc			by Caldara; → BWV 1082; in DBB 2755/1	8841 deest	BNB I/K/2	before 1719 (Han.) 1743–1748 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version)		stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc		II/9	Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel)	1680 deest	NBA	1591 (Pal.) c.1742 (JSB)	Kyrie–Gloria Mass arranged from Missa sine nomine a 6	E minor	SSATTB 2Co 4Tro Vne Hc Org		II/9: 13	by Palestrina after anon. motet Beata Dei genetrix; arr. by Bach	1676 NBA	1720-01-22	Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs)			451: 213	V/5	[17][18][19] NBA	1720-01-22	Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments)			451: 213	V/5	[17][18][19] NBA	1720 (WFB)	Klavierbüchlein WFB No. 25: Pièce pour le Clavecin		Keyboard	451: 218	V/5: 40	by Richter, J. C. (de)[17][18][19] deest	NBA	1720 (anon)	Klavierbüchlein WFB No. 30: Bass sketch	G minor		451: 220	V/5: 45	by (anonymous)[17][18][19] NBA	1720 (WFB)	Klavierbüchlein WFB No. 48a–d: Partita		Keyboard	451: 223	V/5: 82	by Stölzel[17][18][19] LEGEND TO THE TABLE Column 6: scoring Voices (see also SATB) a	A	b	B	s	S	t	T	v	V alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)	vocal music for unspecified voice type Winds and battery (bold = soloist) Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet) Strings and keyboard (bold = soloist) Bc	Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu	harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: Vl I, Vl II and Va	viola(s), viola d'amore, violetta	Violoncello(s), violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone(s), violone grosso By genre[edit source] Cantatas (BWV 1–224)[edit source] See #BWV Chapter 1 in the table above See also: List of Bach cantatas In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:

BWV 1–200: Church cantatas BWV 201–216: Secular cantatas BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful) Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).

BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.

Motets (BWV 225–231)[edit source] See #BWV Chapter 2 in the table above See also: List of motets by Johann Sebastian Bach There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:

BWV 225–230 are the six compositions that have always been considered motets composed by Bach BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28 BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score. BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach. Liturgical works in Latin (BWV 232–243)[edit source] See #BWV Chapter 3 in the table above See also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach Bach's involvement with Latin church music, as composer, arranger or copyist, includes:

BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements) BWV 243, 243a: Magnificat BWV 1081–1083: later additions to the BWV catalogue BWV Anh. 24–30, 166–168: doubtful and spurious works BNB I/B/48, I/C/1, I/P/2: copies and arrangements Passions and oratorios (BWV 244–249)[edit source] See #BWV Chapter 4 in the table above See also: List of Passions and Oratorios by Johann Sebastian Bach Passions and oratorios composed or contributed to by Bach include:

BWV 244–247: Passions (St Matthew Passion; St John Passion; St Mark Passion; St Luke Passion) BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio) BWV 11: Ascension Oratorio BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion) Four-part chorales (BWV 250–438)[edit source] See #BWV Chapter 5 in the table above See also: List of chorale harmonisations by Johann Sebastian Bach Bach's chorale settings (usually for SATB choir) are included in:

BWV 250–438: separate chorale settings Cantatas (most prominently in the chorale cantatas), motets, passions, oratorios, Second Notebook for Anna Magdalena Bach BWV 1089, 1122–1126: later additions to the BWV catalogue BWV Anh. 31, 201–204: doubtful and spurious Songs and arias (BWV 439–524)[edit source] See #BWV Chapter 6 in the table above See also: List of songs and arias of Johann Sebastian Bach Songs and (separate) arias by Bach are included in several collections:

BWV 439–507: Schemellis Gesangbuch BWV 508–518: Second Notebook for Anna Magdalena Bach BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful) BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful) Associated with the Songs and Arias group:

BWV 524: (Wedding) Quodlibet for four voices (incomplete) BWV 1127 – Alles mit Gott und nichts ohn' ihn (strophic aria rediscovered in 2005) Works for organ (BWV 525–771)[edit source] See #BWV Chapter 7 in the table above See also: List of organ compositions by Johann Sebastian Bach Bach's organ compositions include:

BWV 525–530: Sonatas BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia and/or Fugue BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth ) BWV 592–597: Concertos (transcriptions) BWV 598: Pedal-Exercitium BWV 599–764: Chorale preludes (Orgelbüchlein; Schübler Chorales; Leipzig Chorales = Great Eighteen Chorale Preludes; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes) BWV 765–768: Chorale partitas BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her") BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue BWV 1090–1120: Neumeister Chorales BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces

Works for keyboard (BWV 772–994)[edit source] See #BWV Chapter 8 in the table above See also: List of solo keyboard compositions by Johann Sebastian Bach Bach's works for harpsichord, clavichord and other keyboard instruments include:

BWV 772–801: Inventions and Sinfonias BWV 802–805: Duets from Clavier-Übung III BWV 806–845: Suites and suite movements (English Suites; French Suites; Partitas = Clavier-Übung I; Overture in the French style from Clavier-Übung II; etc.) BWV 846–893: The Well-Tempered Clavier (book I, book II) BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata and/or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.) BWV 963–970: Sonatas and sonata movements BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions) BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana) BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)

Works for solo lute (BWV 995–1000)[edit source] See #BWV Chapter 9 in the table above See also: List of solo lute compositions by Johann Sebastian Bach Bach's compositions for lute and/or lute-harpsichord (Lautenwerck) include:

BWV 995–1000 suites and separate movements for lute and/or lute-harpsichord BWV 1006a: transcription of BWV 1006

Chamber music (BWV 1001–1040)[edit source] See #BWV Chapter 10 in the table above See also: List of chamber music works by Johann Sebastian Bach Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and Trio sonatas:

BWV 1001–1006: Sonatas and partitas for solo violin BWV 1007–1012: Cello Suites BWV 1013: Partita for solo flute BWV 1014–1026: works for accompanied violin (sonatas, suite, fugue for violin and harpsichord; sonatas for violin and basso continuo) BWV 1027–1029: sonatas for viola da gamba and harpsichord BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo) BWV 1036–1040: trio sonatas Orchestral works (BWV 1041–1071)[edit source] See #BWV Chapter 11 in the table above See also: List of orchestral works by Johann Sebastian Bach Bach wrote concertos and orchestral suites:

BWV 1041–1045: Violin concertos (in A minor, in E major, Double Concerto); Triple Concerto; Concerto movement/Sinfonia fragment BWV 1046–1051: Brandenburg Concertos BWV 1052–1065: Harpsichord concertos BWV 1066–1071: Orchestral suites and Sinfonia (early version of BWV 1046) Canons (BWV 1072–1078)[edit source] See #BWV Chapter 12 in the table above See also: List of canons by Johann Sebastian Bach Separate canons by Bach are listed in the 12th chapter of the BWV:

BWV 1072–1078: canons BWV 1086–1087: later additions Late contrapuntal works (BWV 1079–1080)[edit source] See #BWV Chapter 13 in the table above See also: List of late contrapuntal works by Johann Sebastian Bach The list of late contrapuntal works contains only two items:

BWV 1079: The Musical Offering BWV 1080: The Art of Fugue 20th-century additions to the BWV catalogue and Anhang[edit source] Additions as published in BWV2a

Additions to the main catalogue (BWV 1081–1126)[edit source] BWV 1081 – Credo in unum Deum in F major (for choir), included in Chapter 3 in BWV2a BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;[296] Included in Chapter 3 in BWV2a BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV2a BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV2a BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV2a BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV2a BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974), included in Chapter 12 in BWV2a BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);[297] Included in Chapter 4 in BWV2a BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV2a BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV2a, except for BWV 1096, attributed to Johann Pachelbel,[298][299] which was moved to Anh. III (spurious works). BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV2a BWV 1122–1126 – five four-part chorales,[300] moved to Chapter 5 in BWV2a Additions to the Anhang (BWV Anh. 190–213)[edit source] BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue

BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV2a BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein) BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful) BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV2a BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II BWV Anh. 208 – Spurious organ fugue, added to Anh. III BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I 21st-century additions to the BWV catalogue (BWV 1127 and higher)[edit source] See also #BWV Later in the table above BWV numbers assigned after the publication of BWV2a:

BWV 1127: Strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)[301] BWV Anh. 71 → BWV 1128: Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).[302][303] Derivative works[edit source] See also: List of transcriptions of compositions by Johann Sebastian Bach There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.

Reconstructed concertos[edit source] See also #Reconstructions in the table above Further information: List of orchestral works by Johann Sebastian Bach § Reconstructed concertos Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[304] or BWV 1059a.[305]

Adaptations[edit source] Transcriptions and arrangements in the catalogues of works by other composers include:

Ferruccio Busoni BV B 20 to 115, many of these published in the Bach-Busoni Editions. See also[edit source] List of compositions by Johann Sebastian Bach printed during his lifetime List of fugal works by Johann Sebastian Bach References[edit source] For abbreviations used in the references see also Bibliography at www.bachdigital.de

Jump up ^ Bach-Gesellschaft Ausgabe: Scores at the International Music Score Library Project (IMSLP) ^ Jump up to: a b Johann Nikolaus Forkel translated (with notes and appendices) by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work New York: Harcourt, Brace and Howe; London: Constable. 1920. Appendix III, pp. 225–286 Jump up ^ Wolfgang Schmieder (editor). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Leipzig: Breitkopf & Härtel, 1950. Unaltered up unto its eighth printing in 1986. Jump up ^ OCLC 18856743 at www.worldcat.org Jump up ^ (BWV2) Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. ISBN 3765102555 – ISBN 978-3765102554 Jump up ^ (BWV2a) Alfred Dürr, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998. ISBN 3765102490 – ISBN 978-3765102493 Jump up ^ Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→ at www.bachdigital.de Jump up ^ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at www.baerenreiter.com Jump up ^ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website Jump up ^ Hans-Joachim Schulze (de) and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff. Jump up ^ Der Gerechte kömmt um BWV deest (BC C 8) at www.bachdigital.de Jump up ^ Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9 Jump up ^ www.bachdigital.de Jump up ^ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www.musiqueorguequebec.ca Jump up ^ Works Catalogues at www.bachdigital.de ^ Jump up to: a b c d e f g h i Melamed, Daniel R. (1995). J.S. Bach and the German Motet. Cambridge University Press. ISBN 0-52-141864-X. p. 102 ^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak Johann Sebastian Bach, Wilhelm Friedemann Bach, Johann Christoph Richter (de), Gottfried Heinrich Stölzel, Georg Philipp Telemann and various anonymous contributors. Clavier-Büchlein vor Wilhelm Friedemann Bach, angefangen in Cöthen den 22. Januar Ao. 1720., facsimile at brbl-dl.library.yale.edu ^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak Klavierbüchlein für Wilhelm Friedemann Bach at IMSLP ^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak Wolfgang Plath, editor. Klavierbüchlein für Wilhelm Friedemann (NBA Series V, Volume 5). Bärenreiter (1962), second edition: 1973, third edition: 1981 Jump up ^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f Jump up ^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704. Jump up ^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com Jump up ^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936) ^ Jump up to: a b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977) Jump up ^ MB Lpz III. 11. 3 ^ Jump up to: a b c Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975) Jump up ^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff Jump up ^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244 ^ Jump up to: a b c d e f g Henning. Bericht Stgt II, pp. 465–469 ^ Jump up to: a b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg ^ Jump up to: a b c d e f g Radke. Fs Engel, pp. 271ff ^ Jump up to: a b c d e f g h Schulze, Dok III Jump up ^ Schulze. Mf 1968, pp. 203f Jump up ^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff Jump up ^ Schulze. St ^ Jump up to: a b c Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff ^ Jump up to: a b c d e f Siegele Diss Jump up ^ Beißwenger, Acht Präl: 27 Jump up ^ Dömling/Kohlhase, AcM 1971: 108f ^ Jump up to: a b c d Schulze St ^ Jump up to: a b c Spitta I: 768; II: 646 Jump up ^ Wiemer, BJ 1987: 29ff ^ Jump up to: a b Dreyfus Cont Gr Jump up ^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff Jump up ^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff ^ Jump up to: a b c d Kobayashi Chr Jump up ^ Badura-Skoda Jump up ^ Spitta I: 663 Jump up ^ Kilian, Mf 1961: 323 (regarding BWV 539) ^ Jump up to: a b c Dadelsen TBSt 4/5 Jump up ^ Hofmann, Fs Scheide: 14~154 Jump up ^ Spitta I: 707 Jump up ^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff ^ Jump up to: a b Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work. (e-version at Gutenberg.org). New York: Harcourt, Brace and Howe; London: Constable (1920), p. 137 (footnote 4), pp. 234–235 and p. 242 Jump up ^ BWV 1045 at www.bach-cantatas.com Jump up ^ BWV 1045 at www.jsbachcantatas.com Jump up ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII Jump up ^ Herz BQA Jump up ^ Neumann/Schulze, Dok I, Nr. 147 ^ Jump up to: a b c d e Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff Jump up ^ Spitta I: 386 Jump up ^ Wolff, Mf 1973: 217ff Jump up ^ Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68 Jump up ^ Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412 Jump up ^ Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff Jump up ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3 Jump up ^ Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564 Jump up ^ Spitta II: p. 478 / 798 Jump up ^ Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747) Jump up ^ C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212 Jump up ^ Clement Jump up ^ Neumann/Schulze, Dok II, Nr. 559 Jump up ^ Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff Jump up ^ Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff Jump up ^ Spitta II, p. 506 / p. 747 ^ Jump up to: a b c Wolff Stile antico Jump up ^ Neumann/Schulze, Dok I, Nr. 174 Jump up ^ Neumann/Schulze, Dok I, Nr. 177 Jump up ^ Spitta Vol. II, pp. 717ff / Anh. p. 19 Jump up ^ NBA VIII/1 Krit. Bericht: 36f Jump up ^ Neumann/Schulze, Dok II, Nr. 602, 603 Jump up ^ Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f Jump up ^ Stam, Mf 1968: 317ff, bes. 319 Jump up ^ BN Paris Ms. 17669, Bl. 18v at gallica.bnf.fr Jump up ^ Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff Jump up ^ Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324 Jump up ^ Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff Jump up ^ Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff Jump up ^ Johann Sebastian Bach. Musicalisches Opfer. Leipzig, 7 July 1747. Jump up ^ Johann Sebastian Bach. Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c.1751. Jump up ^ "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 2009-01-26. ^ Jump up to: a b c d e Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970. Jump up ^ Breitkopf-Werke, 3. Ausgabe: 9 Jump up ^ Dürr, BJ 1952: 41f Jump up ^ Dürr, NBA I/18, Krit. Bericht: 118f Jump up ^ Häfner, BJ 1975: 99ff ^ Jump up to: a b Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737 ^ Jump up to: a b c d e Geiringer JSB 1971 Jump up ^ Smend Köthen: 27f, 169, 184f Jump up ^ Dürr, NBA I/35, Krit. Bericht: 117 Jump up ^ Smend Köthen: 27, 69, 195–198 Jump up ^ Dürr, NBA I/35, Krit. Bericht: 118f Jump up ^ Smend Köthen: 27, 69, 199ff Jump up ^ Dürr, NBA I/35, Krit. Bericht: 120, 275f Jump up ^ Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff Jump up ^ Neumann, NBA I/36, Krit. Bericht: 11ff Jump up ^ Schulze, BJ 1985; 166ff ^ Jump up to: a b c d Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737). Jump up ^ Neumann, NBA I/39, Krit. Bericht: 42 Jump up ^ Neumann, NBA I/36, Krit. Bericht: 20ff Jump up ^ Neumann, NBA I/36, Krit. Bericht: 24ff Jump up ^ Dürr, Bericht Duisburg Jump up ^ Neumann, NBA I/37, Krit. Bericht: 97ff Jump up ^ Wolff, Bericht Duisburg Jump up ^ Hudson, NBA I/33, Krit. Bericht: 31ff Jump up ^ BC: Werk [B 12] Jump up ^ Breitkopf-Werke, 1. Ausgabe: 33 Jump up ^ Neumann BT: 184 Jump up ^ (in German) Marc-Roderich Pfau. "Ein unbekanntes Leipziger Kantatenheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel", pp. 99–122 in Bach-Jahrbuch 2008. Jump up ^ Balthasar Hoffmann. Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern Leipzig (1738), pp. 143ff Jump up ^ v. Hase, BJ 1913: 93ff Jump up ^ Schulze, BJ 1959: 169 Jump up ^ Breitkopf-Werke, 1. Ausgabe: 23 Jump up ^ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732) Jump up ^ Dürr, Gs Albrecht: 121ff Jump up ^ Neumann, NBA I/39, Krit. Bericht: 14f Jump up ^ "Freudiger Willkomm, / Womit / Dem Hochedlen, Grossachtbaren und Hochgelahrten / HERRN / M. Johann August / Ernesti, / Ihrem neuerwehlten Rector, / Aus gehorsamster Pflicht und treuer Ergebenheit empfangen / Die Alumni der Thomana" in Riemers Chronik. Leipzig: Bernhard Christoph Breitkopf. (1734) Jump up ^ Neumann, NBA I/39, Krit. Bericht: 16 Jump up ^ Leipziger Post-Zeitungen (10 August 1723) Jump up ^ Neumann, NBA I/38, Krit. Bericht: 10 Jump up ^ Dürr, Mf 1958: 422 Jump up ^ Salomon Franck. Evangelisches Andachtsopffer.... Weimar (1715) Jump up ^ Dürr St 2: 67, 244f Jump up ^ Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff Jump up ^ Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig. Leipzig (1740) Jump up ^ NBA I/35, Krit. Bericht: 45 Jump up ^ Neumann. "Eine verschollene Ratswechselkantate J. S. Bachs" in BJ 1961: 52–57 Jump up ^ Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff Jump up ^ Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f Jump up ^ Acta Lipsiensium Academica Vol. 5 (1723), pp. 516–619 Jump up ^ Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff Jump up ^ Neumann, NBA I/40, Krit. Bericht: 22ff Jump up ^ Smend, Bach-Gs 1950: 42ff Jump up ^ Peter Freiherr von Hohenthal at www.geni.com Jump up ^ Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94 Jump up ^ Neumann, NBA I/4, Krit. Bericht: 118 Jump up ^ Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724) Jump up ^ Hobohm, BJ 1973: 5ff Jump up ^ Neumann BT: 159, 427 Jump up ^ Hofmann, BJ 1982: 51ff Jump up ^ Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015 Jump up ^ Universitätsbibliothek Göttingen, 2° Poet. Germ. I, 6425: 4 Rara Jump up ^ Fröde, BJ 1991: 184f Jump up ^ Hofmann. "Wo sind meine Wunderwerke" in BJ 1988, pp. 211–218 Jump up ^ Schaumburg-Lippische Hofbibliothek Bückeburg, V 1OO F, No. 31 ^ Jump up to: a b Tiggemann, BJ 1994: 7–22 Jump up ^ Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214 Jump up ^ Spitta I: 339f Jump up ^ Dadelsen TBSt 1: 39 – Glöckner, BJ 1981: 51f Jump up ^ Breitkopf-Werke, Vol. 1: 23 Jump up ^ Glöckner. Die Musikpflege an der Leipziger Neukirche zur Zeit Johann Sebastian Bachs, Beiträge zur Bachforschung Vol. 8. Leipzig 1990. p. 55 Jump up ^ Schering, BJ 1912: 132f Jump up ^ Dürr, BJ 1956: 155 Jump up ^ Glöckner. Die Musikpflege an der Leipziger Neukirche zur Zeit Johann Sebastian Bachs, Beiträge zur Bachforschung Vol. 8. Leipzig 1990. p. 54 ^ Jump up to: a b Breitkopf-Werke, 1. Ausgabe: 19 Jump up ^ Breitkopf-Werke, 1. Ausgabe: 30 Jump up ^ NBA I/18, Krit. Bericht: 12 Jump up ^ Melamed, JAMS XLI (1988): 491–526 Jump up ^ Beißwenger, BJ 1991: 151 – Beißwenger BNB – David, JAMS XIV (1961): 199ff – Marshall Diss I: 15 Jump up ^ Breitkopf-Werke, 1. Ausgabe: 8 Jump up ^ Beißwenger BNB Jump up ^ Pietro Torri: Magnificat in C major arranged by Johann Sebastian Bach at www.carus-verlag.com Jump up ^ Magnificat in C major BWV Anh 30 at www.bach-cantatas.com Jump up ^ Schneider, BJ 1911: 105ff Jump up ^ NBA I/30, Krit. Bericht: 31f ^ Jump up to: a b c d Smend, BJ 1966: 5ff ^ Jump up to: a b c d e f g h Christian Hoffmann von Hoffmannswaldau. Deutsche Übersetzungen und Gedichte. 10th edition, Breslau/Leipzig, 1704 ^ Jump up to: a b c d e f g h Landmann, BJ 1907: 79 ^ Jump up to: a b Sperontes. Singende Muse an der Pleiße. Leipzig, 1736 ^ Jump up to: a b Philipp Spitta (1885). "Sperontes «Singende Muse an der Pleiße»" in Vierteljahresschrift für Musikwissenschaft, Vol. 1. pp. 35ff, 350f, 92ff Jump up ^ Kohlhase/Dömling. "Kein Bach-Autogr." in AcM 1971: 108f Jump up ^ Keller, BJ 1937: 63 Jump up ^ Keller, BJ 1937: 70f Jump up ^ Williams I: 245ff Jump up ^ Williams I: 253 Jump up ^ Spitta I: 451 Jump up ^ Dietrich Kilian (1979) NBA IV/5+6: Kritischer Bericht, p. 583 Jump up ^ Krit. Bericht NBA IV/5-6: 142 and 296 Jump up ^ Walter Emery, editor. J. S. Bach Prelude, Trio and Fugue in B flat. London, 1959 ^ Jump up to: a b c d e f g h D-B Mus. ms. Bach P 281, Fascicle 5 at www.bachdigital.de ^ Jump up to: a b c d e f g h Alfred Dürr, editor. Eight Short Preludes and Fugues BWV 553–560: formerly ascribed to Johann Sebastian Bach. Kassel: Bärenreiter. 1987. ^ Jump up to: a b c d e f g h Tittel, K. BJ 1966: 114 Jump up ^ G. W. Körner and A. G. Ritter, editors. Der Orgel-Freund Vol. VI. Erfurt, 1842 Jump up ^ Krit. Bericht, NBA I/12:13, 20 Jump up ^ Spitta I: 654; II: 686 Jump up ^ Haußwald, J. D. Heinichens Instrumentalwerke. Wolfenbüttel, 1937 Jump up ^ Krit. Bericht, NBA IV/8: 11 ^ Jump up to: a b NBA IV/4, Krit. Bericht: 47 Jump up ^ G. Feder. Mf 11, 1958: 78 Jump up ^ Kobayashi, Opera incerta, Kolloquium Mainz 1988, Stuttgart 1991: 34 Jump up ^ Eichberg, BJ 1975: 47~49 ^ Jump up to: a b Eichberg, BJ 1975: 8~11 Jump up ^ Eichberg, BJ 1975: 19f ^ Jump up to: a b Eichberg, BJ 1975: 20~29 Jump up ^ Morana, The Dobenecker Toccata, in: QJ Riemenschneider 1903: 26 ^ Jump up to: a b Eichherg, BJ 1975: 45 ^ Jump up to: a b Kobayashi, BJ 1978: 51 – Schulze, BJ 1978: 36f Jump up ^ Schulze St: 80f Jump up ^ Eichberg, BJ 1975: 2~25 – NBA V/6.2, Krit. Bericht: 351, 354ff Jump up ^ Eichberg, BJ 1975: 1~17 Jump up ^ Eichberg, BJ 1975: 17–19 ^ Jump up to: a b c Feder, Mf 1958: 77 ^ Jump up to: a b Eichberg, BJ 1975: 29–42 Jump up ^ Eichberg, BJ 1975: 20–29 Jump up ^ Eichberg, BJ 1975: 42–47 Jump up ^ Eppstein Diss: 187 Jump up ^ Schmid, C. P. E. Bach und seine Kammermusik, Kassel 1931: 120f, 176 – Kobayashi, BJ 1978: 52f – Leisinger/Wollny: BJ 1993: 192–196 ^ Jump up to: a b Eppstein Diss: 181 Jump up ^ Dürr, Mf 9 (1956): 367 Jump up ^ van Leyden, BJ 1955: 73 Jump up ^ Siegele BJ 1956: 124 Jump up ^ Eppstein, BJ 1981: 77 Jump up ^ Eppstein, BJ 1981: 84 – Glöckner, BJ 1981: 71 Jump up ^ Eppstein, BJ 1969: 22f – H.-P. Schmitz, NBA VI/3, Krit. Bericht: 44, 46, 55 Jump up ^ Spitta II: 623 Jump up ^ The Faber Pocket Guide to Bach. Faber & Faber. 2011. p. 352. ISBN 0571272002. Jump up ^ Schulenberg, David (2010). "An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach". Bach. 41 (2): 54. Jump up ^ Dürr, BJ 1951/52: 42 Jump up ^ Dürr, BJ 1951/52: 40f Jump up ^ Scheide, BJ 1959: 66ff Jump up ^ Dürr, BJ 1951/52: 31–36 Jump up ^ Dürr, BJ 1951/52: 37f Jump up ^ Dürr, BJ 1951/52: 35ff Jump up ^ Dürr, BJ 1951/52: 38f Jump up ^ Dürr, BJ 1951/52: 39f Jump up ^ BL London, Add. MSS 31310 Jump up ^ MB Lpz III.15.32 Jump up ^ Hofmann, Fs Dürr: 126 Jump up ^ Georg Gottfried Wagner: Motet Lob und Ehre und Weisheit, BWV Anh 162 at www.bach-cantatas.com Jump up ^ BR Bruxelles Ms. II 3902 Mus. Jump up ^ HLB Darmstadt, Mus. ms. 521 Jump up ^ HLB Darmstadt, Mus. ms. 528 Jump up ^ Mass in E minor, BWV Anh 166 at www.bach-cantatas.com Jump up ^ Mf 1961: 328 Jump up ^ Prag, Archív Prazského Hradu 316a ^ Jump up to: a b Kobayashi, BJ 1978: 46 Jump up ^ Glöckner, BJ 1982: 97–102 Jump up ^ Picander (=Christian Friedrich Henrici). "Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum" pp. 293ff in Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage. Leipzig: 1725 (collection of various texts by Picander published between Advent 1724 and Advent 1725) Jump up ^ Daniel Vetter. Musicalische Kirch- und Haus-Ergötzlichkeit Part 2 (1713), No. 91 ^ Jump up to: a b Platen, BJ 1975: 51 Jump up ^ Platen, BJ 1975: 50 Jump up ^ Buchmayer, SIMG II (1900/01): 272 Jump up ^ Schulze, Bericht Leipzig 1966: 269 ^ Jump up to: a b Feder, Mf 1958: 76 Jump up ^ Biberach, Wieland-Archiv WA 3810; Dok III, Nr. 1024 ^ Jump up to: a b c Schulze, Bericht Leipzig 1966: 270 Jump up ^ SBB Mus. ms. 12034 Jump up ^ Eberlin, IX Toccate e fughe per l'organo, Augsburg (1747) Jump up ^ SBB Mus. ms. 12011, No. 14 ^ Jump up to: a b SBB P 311 Jump up ^ SBB P 802 Jump up ^ Yale LM 4708 No. 12 Jump up ^ SBB P 802: 81 Jump up ^ SBB P 802: 90 Jump up ^ Hartmann, NZfM 1986, Heft 4: 4 Jump up ^ Breig, MGG 13: 1572 Jump up ^ Kobayashi Diss: 346, 403 Jump up ^ MB Lpz. Ms. Sx 14 Jump up ^ DTB Jg. 4, Bd. 1: 123 Jump up ^ MB Lpz Ms. R 25, Fascicle IV pp. 17–20 Jump up ^ DTB VI: 76 Jump up ^ SBB Mus. ms. autogr J. L. Krebs 5 ^ Jump up to: a b Eichberg, BJ 1975: 12 Jump up ^ Ahlgrimm, BJ 1969: 67 Jump up ^ J. G. Kobayashi Diss: 230, 342 ^ Jump up to: a b c BL London Add. MS. 31307 ^ Jump up to: a b Schulze, BJ 1979: 55f ^ Jump up to: a b c d NBA V/4: Krit. Bericht: 87 Jump up ^ NBA V/4: Krit. Bericht: 96 Jump up ^ Schulze, BJ 1979: 50 Jump up ^ Schulze, BzMw 17, 1975: 48 ^ Jump up to: a b c d e f g h i j k l m n o p q r Simon, Mechanische Musik-Instrumente, Wiesbaden 1960: 48 Jump up ^ SIMG II (1900/01): 253 Jump up ^ Heinichen, Der Generalbaß..., Dresden 1728: 885 Jump up ^ SBB P 801: 196 Jump up ^ Hs. Kassel, Gesamthochschulbihliothek 20Ms. mus. 37 Jump up ^ NBA V/4: Krit. Bericht 122 Jump up ^ Siegele Diss: 44 Jump up ^ Dürr, BJ 1953: 51 ^ Jump up to: a b c d Bonporti, Invenzioni op. 10, Bologna 1712 Jump up ^ Zuccari, Sonate a Violino e Basso o' Cembalo, op. 1 Jump up ^ SBB P 325 Jump up ^ Schulze St: 28 Jump up ^ Marx, Mf 1988: 150 Jump up ^ D-B Mus. ms. 1160 at www.bachdigital.de Jump up ^ Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000. Jump up ^ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project (IMSLP) Jump up ^ Williams 2003, 549. Jump up ^ Perreault 2004, 56. Jump up ^ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8. Jump up ^ Alles mit Gott und nichts ohn' ihn (aria) BWV 1127 at www.bachdigital.de Jump up ^ Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195 at www.bachdigital.de Jump up ^ Joel H. Kuznik. "BWV 1128: A recently discovered Bach organ work" pp. 22–23[permanent dead link] in The Diapason, Vol. 99 No. 22. December 2008. (archived July 21, 2011) Jump up ^ Igor Kipnis, The London Strings, Neville Mariner. Bach: The Harpsichord Concertos. CBS 1989 Jump up ^ André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993 Bibliography

Basso, Alberto. 1979. Frau Musika: la vita e le opere di J.S. Bach, EDT. ISBN 978-88-7063-011-4 Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4 Williams, Peter. 2003. The Organ Music of J.S. Bach, Cambridge University Press. ISBN 0-521-89115-9, ISBN 978-0-521-89115-8 External links[edit source] Wikimedia Commons has media related to Compositions by Johann Sebastian Bach. List of works by Johann Sebastian Bach at the International Music Score Library Project List of works by Johann Sebastian Bach with certification rating at the Classical Music DB Dave's J.S. Bach Works Catalog – A version of the BWV catalogue The BWV catalogue online – Another version of the BWV catalogue, in French The J.S. Bach Home Page – A comprehensive database of Bach's compositions with details and reviews of recordings of each work Bach Cantatas Website – Extensive resource of information on Bach's Cantatas and other vocal works. Includes full texts translated into many languages Canons & Fugues of J.S. Bach – Extensive resource, contains music and colourful analyses Mutopia – The Mutopia project provides more than 200 scores available for download in PDF, PostScript and MIDI format Wolf's Thematic Index of the Works of the Great Composers (in English) (in German) (in French) [show] v t e Johann Sebastian Bach [show] v t e Cantatas by Johann Sebastian Bach by BWV number [show] v t e Motets by Johann Sebastian Bach [show] v t e Masses, magnificat, passions and oratorios by Johann Sebastian Bach [show] v t e Short vocal compositions by Johann Sebastian Bach [show] v t e Compositions for organ, keyboard and lute by Johann Sebastian Bach [show] v t e Chamber music and orchestral works by, and transcriptions after, Johann Sebastian Bach [show] v t e Compositions spuriously attributed to Johann Sebastian Bach Categories: Compositions by Johann Sebastian BachLists of compositions by Johann Sebastian Bach Navigation menu Prism55 Alerts (0) Notices (0) TalkSandboxPreferencesBetaWatchlistContributionsLog outArticleTalkReadEdit sourceView historySearch

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